What follows are versions of chapters in How to Succeed in College and Beyond: The Art of Learning (Wiley-Blackwell)
BEGINNINGS
The College Olympics: How to Choose the Right College and How to Get the Right College to Choose You
17 Suggestions for Choosing Classes in College
THE COLLEGE EXPERIENCE
Twenty Suggestions for Incoming College Freshmen
Nineteen Suggestions for College Sophomores
Suggestions for College Juniors: Balancing the Joy and Practicality of Learning
Making the Most of Your Senior Year in College
Suggestions for Seniors Graduating From College: Planning for the Future
Changing the World: Are college students less idealistic than they were in the Sixties?
How to Succeed at College and Beyond: The Art of Learning
THE CASE FOR THE HUMANITIES
What to Do With a B.A. in English?
Why Study the Arts and the Humanities?
Do the Humanities Help Us Understand the World in Which We Live?
WHAT PROFESSORS DO?
Are Teaching and Research Mutually Exclusive?
Teaching Freshman Humanities at Cornell: Toward a Community of Inquiry
My Guest Columns from the Cornell Sun
Should a Lottery be Added to the Admission Process?
The Function of the University Classroom
How has English Studies Changed
The Significance of the Oct. 7, 2023 Hamas Atrocities
Further Thoughts on the Hamas-Israel Conflict
Anti-Semitism at Cornell and Beyond: Then and Now
How We Learn from Our Students
The Israel-Hamas War and the Effect on the American Jewish Experience
Remembering Teachers Who Mattered and Are Part of Who I am Today
How to View Paintings and Sculptures
Cornell Should Do More to Introduce Students to the Cultural Resources of New York City
Next Time is Next Time. Now is Now: Reflections on The Zone of Interest and Perfect Days
Reflections on the Cornell Encampment
Passion for Travel: Letter from Spain
The Magic of Paris and Dark Side of Paris
How to Prepare for College
Introduction:
Because I have been teaching at Cornell for more than four decades, and because I have been writing on Higher Education for the Huffington Post and in 2008 published In Defense of Reading: Teaching Literature in the Twenty-First Century, I am often asked if I have any suggestions for preparing for college. The following suggestions are by no means inclusive but provide some basics.
A student needs to develop the necessary skills to pursue a college degree, although in truth there are many kinds of colleges and some are far more difficult than others, both in terms of admittance and performance expectations. Not every one is thinking about an elite college. For many the right choice is a local branch of a state college, a community college for the first two years, or a good but less selective small liberal arts college, none of which have the rigorous entry requirements of the Ivies, MIT, Caltech, Chicago, Stanford, Duke, Northwestern or the major State Universities (Michigan, Wisconsin, Indiana, UCLA, Berkeley, etc) or the elite small liberal arts colleges (Amherst, Williams, Middlebury, Emory, the Claremont schools, etc).
Before choosing a college, students need to consider why they want to go to college and what they expect to get out of it. Student should think about the relative emphasis they put on learning skills for a job, on preparing for graduate education, and on pursuing the liberal arts. (See my "What to with a B.A. in English?")
Part of college preparation is figuring out the costs. The elite colleges are the most heavily endowed, but other schools may offer a particular student a more generous financial aid package in order to attract him or her for either athletics or academics. Taking enormous loans may be a less desirable path than going to an in-state college.
What Can Parents Do?
Putting away funds for college beginning soon after a child’s birth is an excellent plan, and many states give tax benefits to those who do so under 529 plans. Asking children to earn some money for college while in high school and college is reasonable. But students should not be asked to sacrifice their schoolwork or, if at all economically feasible, their participation in school activities. Working in summers will give students valuable experience while giving them a chance earn funds for college
The more positive the home environment, the more likely a child will succeed in school. When parents take an interest in their children’s day-to-day learning in school, children respond. But interest does not mean doing, and children need learn to do their own work and turn to parents only after they have made a strong effort on their own. Not every parent will be able to help with advanced high school math and physics, but those who can help should focus on teaching the concepts rather than doing the problems.
Preparation for college should begin early. Parents need to play a motivating role, and we know that educated parents are more likely to produce educated children. But we also know that successful students -and those that in ensuing years make a significant difference in their fields-come from every socio-economic and ethnic background and that emphases on learning within homes can take place even in tightened circumstances in rough neighborhoods.
Parents should monitor how their children spend their time and can do this from an early age. They need to be alert to their children’s mental and physical health, and face head on issues of depression, learning disabilities, and physical limitation. They need to be aware of the people with whom their children spend time. If parents smoke and drink and abuse drugs, their children are far more likely to do so.
Parents should stress the pleasures of reading-the exaltation of reading a great book-and insist on quiet time as well as regulate TV watching to a set number of hours per week. Parents can expose their children to cultural opportunities: theatre, music, museums, etc. If these are not readily available-to some degree they usually are- -trips to even small cities can complement rural villages and towns.
While parents should encourage participation in sports and the development of specific skills in the sports that children choose, they should also make their children aware of how few people make their living as professional athletes. It should be obvious that being the best player on a high school team usually does not result in making a livelihood in a sport.
Secondary Schools
High schools have different cultures, and those that focus on academic achievement are usually the best ones to prepare students for selective universities.
If the situation demands it, parents can in some areas enroll their children in public schools with a more favorable learning culture than the ones closest to their home or, if this is not possible and funds permit, enroll in a private school, some of which do offer scholarships to those in need.
Some schools give students major advantages in college preparation and in the admission process. But the elite colleges seek geographic and ethnic diversity and find students from all over the country. Special public schools that select students by means of a rigorous test are called Magnet Schools; they include Stuyvesant, Hunter and The Bronx High School of Science in New York, Boston Latin, Classical High School in Providence, the School for the Talented and Gifted in Dallas. Other alternatives are elite private boarding schools such as Exeter, Choate, or Andover or day schools such as Dalton, Horace Mann, or Fieldston in New York; the National Cathedral School in DC; Germantown Friends School in Philadelphia; and Harvard-Westlake school in Los Angeles.
What Students Can Do
It is never too early to think about what kind of career you want to have and to begin learning what kind of preparation is necessary for that. Speaking to people about their careers and reading about what people do are ways to develop a sense of what is right for you. If you are fortunate, your work will bring you joy and satisfaction. Knowing whether you want to be a doctor, a lawyer, engineer, business executive, CPA, teacher or college professor may help shape your HS curriculum and your choice of colleges, but developing the skills I mention below will be helpful to whatever career you choose.
To succeed in higher education, you need to develop time management and disciplined study habits as early as middle school. It is a good idea to keep track in writing or keep a computer file of how you are using your time. You need to set aside specific times for study and during those times you should turn off the TV and put the smart phone away. Realistically, you might begin with 30 to 40 minute study periods but by your later high school years you should be able to concentrate without a break for between 60 to 90 minutes.
The best preparation is to learn how to read carefully and thoroughly whether it be fiction or non-fiction; the latter category includes newspapers in print or on line. Select your reading with discrimination and rely on suggestions from teachers and other well-read adults. It is important that you keep up with national and international news and issues and that you develop an interest in the world in which you live, including the rapidly changing world of science. Reading the New York Times, the best news source in the US, for a half hour daily will help.
Reading well means reading skeptically and learning to find places in newspapers or online when arguments are not logical or require more imagination. Developing a critical intelligence is a crucial component of learning.
Equally important to reading intelligently is developing your writing skills. That means taking every writing assignment seriously. It means learning to write drafts, and that requires beginning assignments as soon as they are given. Term papers can teach you how to do research and use the library and internet as research tools.
Writing takes constant and continuing practice. Keeping a journal or diary, providing you stress writing well when doing so, is a good way to practice writing. I would buy-and read once a year-Strunk and White’s The Elements of Style.
You also need to develop listening skills in class, and that means getting enough sleep. Taking notes in class will help you develop listening skills and also will help you organize material, which is essential not only for test taking but for understanding any subject. If you are permitted to bring a computer to class, take notes on that. Keep a separate file for each course and continue to re-organize as the semester progresses. Remember that you can always edit material if you write down too much, but you cannot recoup material that you have forgotten. If you miss class, borrowing another student’s notes is essential. But always be sure to borrow from top students.
Finally, and this needs be stressed, you need to develop verbal skills and learn to play a significant role in class discussion. You should speak in class even if it takes effort. Making notes to yourself about what you want to say before you raise your hand helps many students overcome reluctance to speak in class. Try to eliminate “mmm”s and “you know”s when you speak in class and think of your class contributions as relatively important events.
Learning How to Learn
To prepare for college, high school should be a challenge and an opportunity. Working hard is the best preparation. Developing curiosity, a desire for knowledge, and the ability to solve complex thought-provoking problems are important life skills.
Studying well is a matter of learning how to concentrate and block out everything else. Most people do better when not listening to music, but some people seem to be able to listen to soothing music when studying. Using study halls and homeroom to study rather than wasting time on video games or social media is a good way to be time efficient.
When it is permitted, studying with a classmate can be helpful, but you must choose wisely and keep focused on the work at hand and not on other matters. Indeed, choice of friends is an important ingredient of school success, and if your social group is motivated to learn, the chances are better that you will be, too.
Take challenging courses, including basic sciences and math courses even if that is not your primary interest. In computing rank and grade point average, many high schools give extra quantitative emphasis for advanced and honors courses. Colleges not only consider the difficulty of high school programs when weighing students’ applications, but succeeding in difficult courses will be the best preparation for the next educational challenges. Without high school biology, chemistry, and physics and college preparatory math and/or calculus as well as computer science, you will not be able to begin to understand the world in which you live. Furthermore, by not taking such classes you foreclose some of your future options in pursuing sciences and engineering. (You might read Steve Strogatz’s The Joy of x). Moreover, colleges expect you to have basic knowledge in those areas, even if you ultimately study the humanities, social sciences, or a business curriculum.
Even now when English is becoming the basic language of the world, it is important to study a foreign language. For one thing, it will help you understand the world better because you will learn something about another culture, and for another you will be preparing yourself for some choices if you decide to do a junior year-or junior semester- abroad.
Be alert about who are the best teachers, and take advice from the best students. Great teachers are demanding in terms of standards, but also create an environment where students experience learning as a privilege and a pleasure. Getting to know some of your teachers well will give you the necessary sources of recommendations for your applications. Getting to know the advisor or guidance counselor who prepares the material transmitted to college is essential. When possible, take advanced placements courses and/or courses in a local college.
Other Suggestions
Participate in extra curricula activities such as varsity sports, school newspaper, drama and choral groups, orchestra and band, debating, and student government. Developing skills and competence in these areas builds self-confidence. High school is more rewarding, fulfilling, and fun for those who are part of the school community. Moreover, selective colleges favor for admittance those who play a leadership role in such activities, in part because such activities at a more advanced level play a vital role in college life and in part because the best advertisement for a college are alumni playing a leadership role in their communities and perhaps on the state and national level.
College admissions people are favorably impressed with those who are active participants in the community beyond school by volunteering to tutor or read to adults or work with disabled children or give some time at the local hospital or hospice. That volunteerism can be connected with your church or synagogue. Meaningful summer and after school paid jobs such as working as counselor for younger children or in a hospital lab can also be a plus for admission officers.
Nothing is more important for high school success than physical and mental health. Getting a full night’s sleep, eating properly, and avoiding cigarettes, alcohol, and drugs will enhance your enjoyment of life and your success in your studies. No matter how dedicated you are to a project, you need to take some time for fun activities. Each day you need to do something you like whether it be a walk in the woods, a visit to a museum, watching your favorite TV show, or pursuing a hobby.
Conclusion: Preparation for the Application Process
Standards tests such as SAT and ACT play an important role in admission. Particularly in highly competitive areas, high school students pay for special preparation classes or hire a private tutor to prepare for these tests, and these classes can be costly. Competitive high schools often stress preparation for these tests.
In the spring and summer of your junior year, you should begin to visit campuses in which you are interested. But you should begin learning about what colleges are for you even earlier. Interview processes vary but they seem to play less of a role than they once did and most public universities eschew them.
Although the college application and admission procedure is stressful, it is important to remember that where you do your undergraduate work is far less important than enjoying high school and college, while discovering the joy and privilege of learning.
“How to Prepare for College,” July 13, 2014,Huffington Post,http://t.co/pbYR1ezXwfvia@HuffPostCollege
The College Olympics: How to Choose the Right College and How to Get the Right College to Choose You
I have been blogging forHuffington Poston Higher Education for a few years and have been given a contract to write a short book tentatively titled:The Joy and Practicality of Learning: Succeeding in College and Beyond.
What follows is a sequel to "How to Prepare for College" and "Nineteen Suggestions for College Freshmen."
Finding the right fit for college is a complex process requiring considerable effort.
1) Find a match between your interests and the schools you apply to.You need to decide whether you prefer a rural or urban environment, whether distance from home is important, whether you wish to go to a school that foregrounds your particular religion, whether the size of the enrollment matters, and whether you want a true campus experience where students live on campus and near classrooms. You want to learn about the size of classes, whether they are taught by senior faculty or adjuncts and teaching assistants, and whether undergraduates--especially in the sciences and engineering but also the in the social sciences and the humanities--have a chance to do advanced research. You might also think about the physical facilities and the activities that interest you. You wouldn't go to the University of Florida if skiing were an important activity.
2) Find a match between your high school record and abilities and the schools to which you apply. You can find out whether your grades, rank in class and SAT and/or ACT scores meet the qualifications of the schools that interest you. Standard tests are a way that colleges get data that shows them whether an A in one school equals an A in another. But some diligent and imaginative students do not test well and are at a disadvantage. While tutoring or enrollment in private classes can bridge the testing problem they are not guarantees to more successful college applications, in part because so many people do some kind of test preparation. Indeed, in some communities even those who test well take such courses.
Presumably in your freshmen year of high school you have begun the process of learning what courses are necessary and have taken the courses that you need to apply to specific colleges. If you are thinking of elite colleges or universities (and what is elite is debatable)--or, indeed, any of the flagship campuses of four year state colleges, many of which have select programs for their best students--you should have taken Honors and Advanced Placement courses.
When we think of elite and selective schools we think of such schools as the Ivies, MIT, Caltech, Stanford, Duke, the University of Chicago, Northwestern and many of our great state universities like Berkeley, UCLA, Virginia, Michigan, Indiana, Wisconsin, Illinois, and Texas, along with quite a number of smaller private colleges from Amherst, Williams, Bowdoin, and Middlebury in the Northeast to Reed and the five Claremont colleges out West. But we need to think, too, of such excellent if slightly less prestigious and often less costly universities -especially for state residents--such as (to name a few) Binghamton and Buffalo of the New York State system, the University of Vermont, the University of Oregon, the University of Maryland, and Penn State. (A useful web site is "College Confidential").
In the application process, note that extra-curricular activities and community service matter. But it is better to excel in and/or play a leadership role in one or two activities than to be a participant in a long list.
For non-elite schools, you should investigate the graduation rate and the time from matriculation to commencement.
3) Find a match between the anticipated costs and your ability to pay.Learn what kind of financial aid is available to you and whether that aid takes the form of scholarships, work study jobs, other jobs, or loans. Taking into consideration tuition, room and board, travel costs and allowing some funds for miscellaneous costs, make up budgets for the colleges that interest you.
How much debt you should incur depends on many factors, including your expected future earnings, but be careful about mortgaging your future. In past decades, especially the 1970s and 1980s, because of high inflation students were repaying loans more easily because the dollar they borrowed was worth much more than the dollar they repaid, but this has not been the case for some years. Of course now fixed interest rates are lower than they have been.
How will you pay for college if your parents cannot afford it or are unwilling to pay for most or all of it? The latter problem is sometimes fixed by legally declaring yourself to be an independent adult without supporting family in which cases your aid will be based on your own earnings and assets; be forewarned that this process is not easy. (See "What can you do if your parents refuse to help?").
The good news for those families of modest means is that a sustained effort is being made to help low-income high achievers get the necessary financial support to thrive in college. Whether this effort at economic diversity will succeed depends in part on whether the colleges themselves will sacrifice tuition revenue in the interests of economic diversity. AsDavid Leonardt points out, "On some campuses, including Caltech, Dartmouth, Notre Dame and Washington University in St. Louis, fewer than 15 percent of entering students receive federal Pell grants, which go roughly to students from the bottom two-fifths of the income distribution. One problem is that supporting economic diversity depends on the school's endowment, and those with lower endowments per student have fewer resources.
But more good news is that many of the elite colleges do need-blind admissions and have the resources to help those whom they admit and who need financial assistance. One should not be scared off by "sticker price," because there are means of getting significant support. Also, many schools offer merit scholarships to attract top students. The more highly endowed schools will offer an aid package with a large grant component. Other good news is that the US Department of Education has the Pell Grant program to help fund college education and the maximum 2014-2015 grant is $5730. For the Ivies and other schools with comparatively large endowments, qualification for the Pell is a signal to schools to provide--in almost all cases--generous aid packages. Further good news is there are many other scholarship programs, including those restricted to residents in each state; in New York State these range from $500 to $1500. In addition, there are many private scholarships administered by such organizations as the Rotary, although the latter focuses on study abroad.
Although Cornell does not have the resources of Harvard, Yale or Princeton, in the Cornell class of 2018, consisting of 3261 students, 47.8 percent were eligible for need-based aid and 44.4 percent received need based aid from Cornell sources, averaging $35,735 in grant aid--which does not have to be repaid-- and $5,783 in loans.
Another source of scholarships is athletics, but be aware that neither the Ivies or the (usually) smaller colleges in Division Three offer athletic scholarships. Be aware, too, that many more parents think that their children are candidates for athletic scholarships than there are scholarships and that Division One scholarships often have expectations for practice, conditioning, travel, and competition that take significant time from studies. New rulings seem to allow some schools to give more aid than in the past, but at what price to the student?
In addition, there are various loan programs, although I am wary of loans that saddle young people with enormous debts that can affect their ability to buy a home, start a family, choose a low-paying career such as social work or elementary and secondary school teaching, as well as prepare for retirement. In fact a handful of top universities have eliminated loans from aid packages and I expect more to follow.
Avoid for-profit colleges, many of which have engaged in fraudulent practices and are responsible for a disproportionate amount of student loan defaults. Several government studies have exposed these schools as taking advantage of gullible students and making exaggerated claims.
4) One key to college success is finding professors who are interested in you; it is worth researching whether teaching and mentoring are stressed at the colleges to which you apply.
Before you decide where to apply, the more you can learn about the school and the departments and professors that interest you, the better.
Both small colleges and large universities have great teachers, but the latter will have more courses taught and graded by graduate students who may also serve in the sciences as lab instructors. On the other hand, research universities will offer a wider variety of courses and programs.
Is it better, you might ask, to work with a world-class scholar at a top research university who opens the doors to exciting and complex projects and ideas than with a capable, enthusiastic professor who does little or no research? Or are you more likely to find at an excellent small college a professor who challenges you and shows interest in your growth as a person?
There is no one answer, but in my experience you are just as likely to find the ideal mentor at a large
university as at a small college. Katherine Burroughs, Cornell '85 recalls: "What is really remarkable though
is notwithstanding the size of [Cornell}and the focus on being a research institution, I can count on a few
fingers the bad experiences."
Keep in mind that major research universities can offer students opportunities to work with senior scholars on
grants and give you a leg up for graduate school. There are programs like Cornell's Presidential Research
Scholars that enable student to do independent research under the auspices of a senior scholar; these programs
are not limited to the sciences but can include the humanities.
My sense is that teaching at research universities, including teaching in STEM (science, technology, engineering, and mathematics) courses, has improved gradually and dramatically in recent decades. At research universities, teaching effectiveness is not only more a component in tenure decisions but is also stressed more in the administration's review of a department's and individual performances than used to be the case. But certainly at some universities teaching should be stressed in some disciplines more than it is.
Because of a tight job market, professors trained at the strongest graduate programs are everywhere now, and
you will be able to find excellent mentors not only at the most selective colleges and flagship state
universities, but at almost any college, including community colleges.
5) Suggestions #1-#4 means that you need to do the necessary research.This means finding the
tine to do some reading in catalogues and online sites--and, if possible speaking to people attending the
colleges that interest you. Talk not only to your guidance counselor or the person handling college
applications, but also to teachers whom you respect.
6) Visiting colleges is a good idea but don't overestimate what you learn in a campus visit.The best visits are overnight ones during the week that include living in the dorms and visiting classes rather than visits on football weekends at schools where football is foregrounded.
If you are a prospective athlete you will meet the coach and if he or she is interested in you as a potential player, you may be recruited with tales of championships and even exposed to campus partying, especially on weekends. You need to look at athletic facilities, find out how likely you are to play, and if you are offered an athletic scholarship, find out whether you lose that if you are injured or if you or the university decides you are not going to be on the team You need to do some research into whether the school is using you to bolster its athletic reputation or if it is really interested in your getting an education. There has been ample evidence that some schools universities are not educating many of its top athletes, especially in visible and revenue earning sports.
The worst reason to go to any college is because you think there will be lots of partying and sometimes eighteen year olds forget this.
7) Early decision (which is binding if the college accepts you and usually requires an application in November) and early action (which does not require a commitment until the regular commitment deadline of May 1) are often good options and in many elite schools give you a better chance of being admitted.For either, you apply to only one school. Early action still gives you a chance to apply elsewhere and compare financial aid offers. However, if you do early decision, you cannot compare financial aid packages; for those needing aid, early decision may not be the best alternative.
In my limited experience on admission committees at Cornell's College of Arts and Sciences those deferred during the process of admitting early decision applicants do not usually get admitted later. Nor are many students admitted from the so-called wait list. My guess is that this is true at virtually all the select schools and if you are deferred or waitlisted, you need to find out the facts on these matters. Your slim chances of being admitted off the wait list are increased by writing an enthusiastic letter expressing your strong interest, but don't become a nuisance by frequent writing and calling.
8) For those taking part in the regular application process or those who are rejected or deferred in the early decision or early action process, "safety schools"--those whom research plus your guidance counselor find are likely to admit you-- are a good way to avoid disappointment.
9) Think of the college admission process as an Olympic event in which you do your best, but if you don't get admitted where you want to be, be a good sport and realize this is NOT a judgment on your life to date or your potential.What you do at college is far more important than where you do it.
10) Once you have made a choice, commit yourself fully to that choice rather than thinking about "would haves" and "should haves" or what might have been.
11) Transferring is a possibility--and some schools give students "guaranteed transfer" if they meet certain stipulations--but in most cases the best thing is to give your all at the school in which you enroll.
If you are doubtful about which field you want to go into, choose a larger university with many choices of fields in which to major. That choice may be more important in STEM because you are preparing for a specific career than it is in the liberal arts where your skills in reading, writing, thinking analytically, making oral presentations, and summoning evidence are most important; in some liberal arts fields, you can move readily from one area to another. (See my "Why Study the Arts and the Humanities)."
In general it is easier to transfer from science and engineering programs into liberal arts than vice versa. Put another way, if you are interested in STEM, it is best to start in STEM.
12) One way to save on costs is to apply to a Canadian University or a university abroad.Canadian universities often do not require standard test scores or recommendations or essays--and some only require senior grades-- but they do give preference to students in their province. Canadian students submit their application to an application service or to the university and list their preference order. (See "10 Reasons to Attend Canadian Universities").
At Queen's University, one of Canada's elite schools, an American student's costs for tuition plus room and board might be in the neighborhood of two-thirds of an elite American school. Not only are there merit scholarships for international students, but you can also still apply for loans offered by the US government under theStafford ProgramandPLUSloan programs.
Universities in countries other than Canada are also possible choices and will be less costly than the most expensive US universities (See: "The Complete University Guide").
British Universitiesrequire the Universities and College Admission Service
Application.
Only Oxford and Cambridge require applicant interviews; both welcome but do not require SAT and ACT test
scores. For Oxford and Cambridge, an essay is also required but it is, rather than a personal essay, one
focusing on your academic plans.
Alternative Paths to a College Education
But there are many other scenarios other than the college Olympics. Great teaching and mentoring can take place at Community Colleges and commuting four-year schools. When cost is an issue or when you are undecided on your direction, commuting to college can make a great deal of sense, and so can spending your first two college years getting an associate degree at a Community College.
Some states have innovative programs for getting a college degree. For example, New York's Empire State College has a fully accredited program for associate and bachelor degrees which allows a combination of online and on site courses and even gives college credit for certain kinds of work experience.
Questions that are part of the process for many young people:
Is college for everyone? Do you want to go to college upon high school graduation or would it be better to go into the Armed Service and go to college later when the Service will pay much of the costs? (See, for example, "US Army Benefits"). What if you have had to work for some years to support a family? What if, because of financial reasons, you are thinking of going to college part-time? What if you didn't do so well in high school, but now, after working or military experience, you feel ready for college? What if you need, for family and personal reasons, to stay home?
For some students, the answers to the foregoing questions will lead to a decision to begin your higher education at community colleges. Despite the focus in my earlier comments on "elite" and "selective" colleges, we need to remember almost half of US undergraduates are enrolled in community colleges and many more are in four-year commuter colleges where the road from high school matriculation to graduation can be difficult.
In "Community College Students Face a Very Long Road to Graduation," part of a series focusing on LaGuardia Community College in Queens, New York City, Gina Bellafonte writes:
In recent years, mounting concerns about inequality have fixated on the need for greater economic diversity at elite colleges, but the interest has tended to obscure the fact that the vast majority of high school students -- including the wealthiest -- will never go to Stanford or the University of Chicago or Yale. Even if each of U.S. News and World Report's 25 top-ranked universities committed to turning over all of its spots to poor students, the effort would serve fewer than 218,000 of them. Community colleges have 7.7 million students enrolled, 45 percent of all undergraduates in the country. . . .
More than 70 percent of LaGuardia students come from families with incomes of less than $25,000 a year. The college reports that 70 percent of its full-time students who graduated after six years transferred to four-year colleges, compared with just 18 percent nationally, but only a quarter of LaGuardia students received an associate degree within six years.
Students at community college at times do not have access to the mentors and counselors who understand the ins and outs of transferring to four-year schools. If you take this route, you need to educate yourself on these matters and, in the best case, find mentors among your teachers and advising deans who will help you.
My former Cornell English Department colleague, Phillip Marcus, now teaching at a less selective four year college, Florida International, eloquently reminds me that there is world quite different from Cornell and other prestige schools, a world in which professors face challenges that Ivy League and other elite schools can hardly imagine:
To give another perspective that shows how difficult success at college can be for those marginally prepared, I cite Wendy Yoder, Retention Coordinator at Southwestern Oklahoma State University, another non-elite four year university:My own experience for the past twenty years would be quite different from yours as 80% of our 60,000 students are minorities (Hispanic, African-American, Afro-Caribbean) and most of them come from poor families and almost all work part time or even full time while carrying full loads of classes. I always have students who can't afford the textbooks. . . .
My students here face so many daunting challenges just to afford to go, though our cost is about 50 K lower per year than [Cornell]. . . As an example of differences between CU and FIU, the state mandates that we submit textbook orders very early, because a great number of our students simply cannot afford to buy new books and must search for used ones. Often the bargain books don't arrive in time and students are without books during the first crucial weeks of the semester.
Southwestern is . . . dedicated to students and willing to implement whatever changes necessary to optimize the success of our students. . . [W]e sometimes overlook the natural waning process that occurs between a freshman and senior class. College is not for everyone, but I believe that we can make a positive influence in the lives of our students even if they decide on another path in the future.
Despite these difficulties, four year schools like Florida International and Southwestern Oklahoma, where many and in some places most students are commuters, provide a viable alternative to the more expensive colleges and offer students without great means and perhaps honor grades in high school a chance to earn the necessary college degree to find a good job and make a difference in their communities. Similarly, community colleges play a crucial role for a great many students. They are often feeder schools for state university systems and provide a resource for upward mobility. They offer associate degrees after two years of successful full-time study. But because many of their students work full time and go to school part time, progress can be slow and many students drop out of classes during the term. Yet many students thrive in these schools and go on to graduate school.
Conclusion:
While not for everyone, higher education will not only expand your earning power by developing your
skills and intellect, but also open the doors and windows to the pleasures of reading and the joy of
learning.
“The College Olympics: How to Choose the Right College and How to Get the Right College to Choose You,” Huffington Post, Nov.11, 2014, http://t.co/Bx3506gqWR
17 Suggestions for Choosing Classes in College
After making suggestions to students about how to negotiate thefreshman year, sophomore year, junior year, and senior year, I have been urged to write a piece on how to choose classes. My suggestions, in no particular order, follow.
1) Even while filling pre-requisites and requirements for your major as well as distribution requirements during your first first two years, each term -- if time permits -- take one class that expands your interests.In some cases, required distribution courses will be expanding your range of interests.
2) After you choose a major, continue to take one course a term that expands your interests or develops necessary skills that complement your major.Even after fulfilling basic graduation requirements, STEM (Science, Technology, Engineering, Math) majors need to expose themselves to the humanities and social sciences; humanities majors need to take some basic sciences and social sciences; and students in the social sciences need to think about the humanities and science.
No matter what your major may be, you will need to develop tech skills. Every student needs to have a course in computer science and in economics, and every student needs to learn how to write lucidly and precisely and to learn to use evidence to make a well-structured argument. Take as many courses as possible that require extended written assignments.
Matt Barsamian, Cornell '04, observes: "I strongly agree with your admonition that students should step outside their comfort zone. I believe I dropped Introduction to Microeconomics three times as an undergraduate and never wound up taking it. I still regret not doing so. College is a rare opportunity where you can learn about just about anything and it is very very difficult to find the time and motivation to do so once you are working."
3) During your four years in college, take classes that cultivate new interests.Try a class or two in creative writing, music, art, and/or theatre. A basic survey course in these fields will give you an overview. Such classes will be an investment because they will prepare you for a lifetime of enjoyment.
In the humanities, where pre-requisites are less important, a more specialized class may be more challenging and ultimately have a higher yield in terms of introduction to a field. Thus what you learn from an in-depth class on Mozart will carry over into your understanding of Beethoven or Brahms, and what you learn about seventeenth century Dutch painting will help you understand the Italian Renaissance.
If you are not a scientist, take a class or two that enables you to understand such social and political issues as climate change, epidemics, population growth, genetic engineering and testing, and fossil fuels. At the very least you will be an informed citizen, but you may also have a chance in the future to shape policy on some of these issues within your community.
4) Speaking to other students about a professor or classes is a valuable source of information, but it is important to know how serious and responsible your sources are.Keep in mind that the best teachers offer courses that are often demanding. If you know that such a splendid class outside your major must get less of your attention in terms of effort and commitment, you might take it using the Pass/Fail option rather than miss the learning experience.
5) Sign up each term for as many courses as your school will allow and go to more classes the first week than you plan to take.After a few classes, you will have a good idea whether the class is for you. In addition, if need be, you can just go to larger classes without signing up. But where enrollment is limited, it is best to have your name on the initial list.
6) On the whole, when possible, take professors, not courses.Taking classes with engaged professors who love their subject and communicate their passion and in-depth understanding is part of the joy of learning. Such professors can brighten an entire semester as well as the entire college experience.
7) Find professors who are interested in their students and care about their students' growth.It may be reductive to say that some professors teach their subject, others teach their subject to individual students, but there is a good deal of truth in that distinction.
The professors who ask you about your plan of study, your goals, your outside activities, and seem to care about you as a human being will not only be those you can go to for advice, but those who could be a future reference. And thinking about who will be future references is important.
8) Remember, too, that no professor is the best professor for everyone.But in general, the best professors are those who expect you to come to every class prepared, take attendance, have high expectations, and give challenging assignments. The best professors not only treat student assignments carefully and expeditiously but also prepare each student to do the assignments successfully,
9) Take classes that emphasize concepts and how to apply them.Learning by rote is less important than learning how to think for yourself and to solve problems, a crucial quality for your future. Of course, some classes, like those in basic foreign language, do emphasize developing basic skills.
Learning how to think is a quality that develops in part from watching professors work through issues and synthesize on their feet when answering complex questions as well as understanding how they conceptualize assignments and exam questions. Most importantly, learning how to think involves solving problems and meeting challenges connected with papers and exams and, in STEM courses, complex conceptual and theoretical issues as well as interpreting the evidence from experiments.
Be aware that some problems are intractable and vague and courses that put everything in PowerPoint and neat packages are at times suspect. In your future career as a doctor, lawyer, government employee, or researcher, you will come upon problems that cannot be neatly solved or solved at all.
10) A current buzzword is "metacognition."What that means is knowing about knowing, or knowledge about when and how to use particular strategies for learning or for problem solving. Thus, when writing a paper or pursuing a lab experiment or social science project, think about what you know, what you need to know, what you can't know and how to use that mix to solve intellectually challenging problems and paradoxes.
11) Take courses that stress integrative learning, that enable you to understand material beyond one course, and to transfer what you have learned in one area to another area.
If your course in Russian literature enables you to better understand Putin's aspirations and follies, you would be integrating your learning. Another example is reading di Lampedusa's masterwork, The Leopard, not only for its literary value but to better understand Italian and Sicilian history, politics, and class divisions as well as continuing economic tensions between Northern and Southern Italy. Using psychology, including psychoanalyses, to understand literary characters and their authors is another example of integrative learning. By combining science and economics, integrative learning can also help us understand the effects of climate change on future generations.
12) Take courses where the professor can put material in context, reference other fields, and has some knowledge of the world beyond the classroom.Reading the New York Times in print or on the internet is one way for you to keep up with the world at large, including environmental and sustainability issues that affect us all, as well as how our government functions and how we can change it.
Follow international news and have a map of the world or a globe in your room and relate what you learn and read to specific places.
13) Take courses that help make you aware of ethical and moral issues.You are preparing yourself for life and such awareness will not only make you a better citizen, family member, and employee but a better member of the campus community.
14) Learn to think about the experiential implications of what you are learning and how solving academic problems can carry over into other aspects of life.Conversely, find internships and campus activities that give you an experiential base for what you are learning. Depending on your field, this could take the form of working in a lab, as a museum guide (docent), for a university publication or on the campus newspaper. Find summer internships and positions that enable you to integrate your knowledge with your experience.
15) Supplement the classes in which you are enrolled with lectures by guest speakers, audits, and occasion visit to classes that you are hear are stimulating.A professor will generally welcome guests.
16) Take courses that require your participation.At best such courses become communities of inquiry, and communities require working together. Learning how to be part of a functioning group comes from small classes requiring participation.
In your career, you will need to work with people, and employers like people who can work in collaborative situations, who know the basics of teamwork, and who respond to the ideas of others even while sharing their own ideas.
17) Because of the Internet, we live in a global village with virtually instant availability of news (as well as social gossip) as events occur and develop.While we cannot know what future technology will bring us, we do know that students need to take courses to prepare for continuing internationalization. Language skills are important, even if English has become he educated world's lingua franca, that is, its common language. If you want to be part of globalization -- and you have no choice -- you might think about learning Chinese while in college, and if your focus will be the Americas, fluency in Spanish is necessary. Collaboration in research and business and social programs can depend on language fluency.
Conclusion
Discussion-oriented classes in which you learn to articulate your perspective and respond to that of others are valuable not only for clarifying and refining your thinking, but also for developing essential tools for participating as a valued team member at work, in your avocations, and in the civic life of your community. Indeed, the give and take of ideas is what separates democracy from other forms of government.
"17 Suggestions for Choosing Classes in College,"”Huffington Post, May 5, 2015,http://www.huffingtonpost.com/daniel-r-schwarz/seventeen-suggestions-on_b_6807322.html
Twenty Suggestions for Incoming College Freshmen
With millions of college students about to begin their freshman year within a few weeks, it is an appropriate time for entering students to think about how to succeed in college and, in particular how get a good start in what is a life-changing experience and opportunity.
In 2012, I first published my "Suggestions for Incoming Freshmen" in theHuffington Post. Taking account of comments from readers and students, I have published updated versions each succeeding year. I have also written quite a few other Huffington pieces onhigher education. My forthcoming book on undergraduate education for Wiley-Blackwell, entitled How to Succeed in College and Beyond: The Art of Learning, is now in press.
My primary credential is that I have been a Cornell English Professor for 47 years and have also held visiting professorships at various public universities in three other states.
The following suggestions apply to all entering freshmen, although a few may be more apropos to those living on campus. Needless to say, this is far from an exhaustive list, but one that students, parents, and colleagues might think of as a point of departure.
Basics
1) Keep your career and life goals in mind, and remember why you enrolled at the college and in the program you chose.
2) College is an opportunity, but you need to be a savvy consumer, and that means much more than not wasting your own money or that of your parents and not running up loans beyond you and your parents' ability to repay.
Being a savvy consumer means taking advantage of what is offered in terms of personal and intellectual growth as well as developing the necessary skills for the next stage of one's life.Savvy college consumers take advantage of opportunities and learn what resources are available, not only on campus in terms of courses, professors, extra-curricular activities, museums, theater, work, and volunteerism, but also within the community in which the campus is located.
3) After a reasonable amount of time, if you and your academic program are not a good match, think about changing direction within the college or, if you are at a university, transferring to another college within that university.A "reasonable amount of time" is admittedly vague; when to change direction will vary from person to person. Student input has made me think that in most cases at least an entire academic year is more appropriate than one semester.
Yoshi Toyoda, Cornell'14, counsels that students should be patient before changing fields:
For many science/math/engineering majors, a lot of freshman and sophomore classes are going to be laying foundations that may not be obviously related to your field. For example, all of my engineering friends had to first get through all of the differential equations and physics courses which they may not have enjoyed in order to fulfill the prerequisite to take upper-level, interesting, applied engineering courses.
One should take one's time about transferring to another college or university unless it was always your first choice and you had been given "guaranteed transfer" if you met certain stipulations. Be sure you are not transferring just because you are being asked to meet higher standards than in high school or that you are not the center of attention that you were in high school.
Subin Chung, Cornell '15 and a transfer, advises:
[A] student should probably take at least a year (rather than a semester) to judge whether t they should transfer - one semester isn't enough. First semester is often just adjusting to change; second is when you really realize whether that particular school is the right fit for you. I find that many of my transfer friends (and myself included) tend to think so.
Time Management
4) If any one thing determines success in school and in life for people of comparable potential and ability, it is time management, that is, using time effectively and efficiently.Keep a daily record of how you are using your time; each evening, schedule the next day, even while knowing you won't be following that schedule exactly.
You need a regular routine for doing your academic work. When you are awake, think about how the day will be going in terms of time, including how much time you will be spending on extra-curricula activities (varsity or club or intramural sports, university publications such as the school newspaper or literary magazine, band or orchestra), paid employment, community volunteering, and social activities.
Jenni Higgs, Cornell '01, suggests:
[I]t might be helpful to encourage students to explore resources on campus that can help them adjust to new academic demands (e.g., study groups, counseling/study centers, etc.) It might be comforting to freshmen to know that it's common to feel overwhelmed initially and that there are plenty of organizations on campus to help them through rough patches.
An important Basic Rule: no time period is too short to accomplish something, and sometimes--especially when writing about something that you have been thinking about for a while--the time constraints of 15 or 20 minutes can actually produce better results than longer time periods. It may be that in some cases if people have less time for a task, they are moreefficient.
If you have time between classes, learn to use that time. If you have a fifty-minute class at 9:05 that ends at 9:55 and another that begins at 11:15, use those 80 minutes productively.
Know that the week has 168 hours. Be aware of how much time you spend with your smart phone, email, and social media such as Facebook, Twitter, etc. Be aware, too, of how much time you spend on social activities.
In July 1718,Cotton Matheradvised his son Samuel, as he was going off to college:
My Dear Child, look on Idleness as no better than wickedness. Begin betimes to set a value upon time, very loathe to throw it away on impertinencies. You have but a little time to live; but by the truest wisdom from you may live much in a little time; every night think how have I spent my time today, and be grieved if you can't say, you have gotten or done some good in the day.
Mark Eisner, Cornell Ph.D. '70 who has been both a teacher and administrator at Cornell, and has also spent time in private industry, admonishes:
In managing time, it is important to be aware, not just of a schedule, but of how productive you are able to be at each point in the schedule. All hours spent on tasks are not equivalent - if you are overtired it can take extra time to complete tasks, and if you miss a class or fall asleep during [the class], it can cost more time to catch up than it would have taken to be in class and attentive to the material. That extra time then gets stolen from other tasks, with the risk of falling further and further behind.
Zivah Perel, Cornell '99, who teaches at Queensborough Community College, CUNY (The City University of New York), reminds us of the differences between students at elite schools and urban students balancing college with other demands: "My students have a hard time balancing the demands of their jobs, the demands of their families, and school. It's hard to know what to tell them, since I understand when they sometimes (or even often) have to prioritize something other than my class." Adding an eloquent personal note, she writes: "It's interesting coming from a place like Cornell, which was a totally different type of institution than where I am now (obviously). I so valued my time at Cornell and had always hoped to teach some place like it, but I find my work now so rewarding and important. These are students who need good teaching and someone who values them academically. So often that hasn't been the case for them."
5) Come to every class on time, alert, prepared, and ready to take notes.
In response to the above sentence, Peter Fortunato, Cornell '72, a former student of mine who taught as a
lecturer at Ithaca College for years and in the Cornell Summer College, wrote: "Learn how to take notes (most
students, I've found, really don't know how to do this, or nowadays expect teachers to supply power-point
notes!) and how to connect writing and thinking whatever the subject matter."
Work on your courses every day but not all day; do something that is fun and relaxing every day, whether it be
formal activity like participation in an intramural sports or a singing group or a walk in the woods, a visit
to a museum on or off campus, or a pick-up basketball game.
Fortunato observes: "Learn how to relax and focus, either by taking a stress-busting workshop or meditation class or guided relaxation class. Students do much better in college when they are intentional about these matters or have teachers who add such activities to class time."
Participating in Campus Life
6) Experience complements what you learn in classes.Try to find summer jobs, campus jobs, and campus or community activities that parallel your goals. If you need or want a part-time job, try to get one compatible with your goals as a way to test whether you are on the right path. But also use jobs and activities to expand your horizons and interests.
Yet if financially possible, during term keep most of your time for academic work with some left over for extra-curricular activities and community volunteering.
In general if you are at an elite college or university, ten or twelve hours on a paid job is enough. To be sure, at less demanding colleges and universities, many students--particularly older students, some of whom have families to support or help support-- carry a full course load and work much more at jobs.
Gabrielle McIntire, Cornell Ph.D. '02 and a professor of English at Queens University in Canada advises:
Prepare to work hard: this is the gateway and ticket to your whole future, and it is worth investing everything you have in this four-year period to keep those gates wide open so that you have as many choices as you possibly can upon graduation. I remember somehow figuring out in undergrad that it was well worth my time to have a minimal part-time job (5 hours/week), and to use my "extra" time on pushing myself as hard as I could scholastically since that was the REAL investment in my future. That is, instead of earning $10/hour doing more part-time work, and thus having a bit more cash at hand in the moment, I realized that it would be better to be slightly poorer during undergrad which would then allow me to have many more rewards after [undergraduate years].
7) Be sure to participate in one or more of the many campus activities, but during the first term choose a limited number until you are confident you can handle your course workload.
8) Given that this is a tech-driven world, no matter what your major, develop tech skills, perhaps by taking basic courses in computer science if you have not already done so in high school.If you have done so, consider taking another one in college. Virtually every student who didn't developed tech skills has expressed regret to me.
Ryan Larkin, Cornell '14 advises: "Learning how to code (even basic HTML and CSS) would have been an invaluable step for me to take in high school, and some of the first advice I'd give to students would be to acquire hard technical skills that can add value to almost any kind of resume."
Kyle Sullivan observes:"[T]he world is developing at such a rapid pace and having the hard technical skills is almost a must in most job situations that aren't sales related. Although I'm in a sales position right now as a Small Business Commercial Lender for M&T Bank in New Jersey, I recently taught myself the basics of HTML CSS, and Java through a website called codeacademy.com because that's something that won't change and will be quite valuable just for personal use moving forward."
Broadening Horizons and Expanding Interests
9) Take advantage of lectures outside the areas of your course work as well as special exhibits, campus theater presentations, musical and dance programs and other campus resources as well as the natural and/or urban treasures and cultural resources of the area in which your college is located.
10) The world has become a global village. For you to be part of the village, you need to spend some
time each day keeping informed about international and national news.That means reading a major
newspaper in print or on the Internet like the New York Times.
Reflecting on conversations he had with fellow students, notably during the financial crises but also on other
occasions, Kyle Sullivan, Cornell '11, notes:
Some of my most valuable lessons in college came from the discourse I had with friends, friends from different upbringings and experiences that reflected their background and the places they came from or even visited for a brief or extended amount of time. Just having that intelligent and thoughtful discourse with them changed the way I look[ed] at a problem, or a topic and changed the way I react[ed] to [it]. . . . I remember sitting in the fraternity house huddled around either CNN or MSNBC and switching to Fox News to get a different perspective and learning so much just from listening to the conversations being had from the other guys sitting around the TV.
Choosing Classes and Studying
11) Think about your classes as communities of inquiry where you, your fellow students, and the professor are sharing intellectual curiosity, love of learning, and the desire to understand important subjects.I concur with what I have heard over the years: "If so-so [recognized at Cornell as a truly great professor] is teaching the Manhattan phone book, take it. "
Rachel (Greenguss) Schultz, Cornell, '83 emphasizes:
It is important to take interesting classes with great professors. Find out who the good teachers are and take their classes. Of course you need to be interested in the subject but sometimes a great teacher can awaken a passion.
I also think it is less about taking courses that fit your career path and more about taking classes that teach you how to think and learn. Success in adult life depends so much on being a life-long learner and any tools you glean in college to hone this skill will set you up for success later in life.
Take classes that emphasize concepts and how to apply them. Learning by rote is much less important than learning how to think for yourself and to solve problems; the latter skills are crucial for your future. Be aware in your thinking of what you know, what you need to know, and what is unknowable.
But the right class for you may not be the right class for others. Emily Choi, Cornell '14, counsels, "I think it's always good to register for as many classes as you can, and to go in your first week, even if it's just to feel them out." If possible when a class or professor is not fulfilling your expectations, drop it or change sections.
Some students, especially in the STEM (Science, Technology, Engineering, Math) enjoy study groups. As Zhongming Chen Cornell ' 14 recalls:
I felt that studying with friends was a key to my success. I . . .made a lot of close friends this way It was a great way for me to bridge my major activities (academics, social life, and athletics) too. I understand that I may be a little biased though. I did head teams that created videos for the Learning Strategies Center that promoted these methods. I was that passionate about it! Also, this method may not be equally applicable to all majors (the videos my teams prepared were for the biology and chemistry departments).
In small classes, participate in discussion and ask for clarification; in large ones, don't hesitate to ask questions if you have them and to visit the teaching assistant or lecturer's office when you need help.
Peter Fortunato suggests: "Learn how you learn; that is, whether you are primarily an information-based (facts and figures), visual, auditory, 'hands-on,' or interpersonal (teamwork) based learner. Many professors and curricula assume that all students function in the same way in their respective courses."
Eisner notes: "There is more to learning something than absorbing facts and techniques. Try to find opportunities to explain the subject matter to someone else, or to write an explanation in your own words. The best learning is active learning."
12) Get to know at least one professor reasonably well each term.The professors who ask you about your plan of study, your goals, and your outside activities, and seem to care about you as a human being will be not only resources that you can go to for advice, but also potential future references. If one or more professors become your mentors, mature, stable, selfless people for whom your personal and intellectual growth and future success in whatever you choose matter, you will be most fortunate. Although students are just as likely to find valuable mentors at large colleges as small ones, they may need to make more effort to reach out, and connect with professors. Even within the same college and university, department cultures are not the same. Where teaching is valued and teachers spend time with students, you are more likely to find a mentor.
Once you arrive at your school, I suggest visiting professors during office hours, showing interest in the subject (taking the initiative to do extra reading and then asking the professor about it), participating often and thoughtfully in class, as well as attending optional learning activities. All of the aforementioned are ways to find a mentor at a college of any size.
For Becca Harrison, Cornell '14, finding a mentor was crucial:
In high school, no one would have cared if I fell through the cracks; at Cornell (and probably many institutions), the minute I reached out to my chemistry professor and graduate student Freshman Writing Seminar instructor for help, I realized that finding a mentor who truly cared about my success made it possible to learn how to learn and work effectively.
Matt Barsamian, Cornell '04, advises:
You discuss, in the tips for incoming freshmen, getting to know at least one professor well. I think that is invaluable. I was fortunate enough to get to know three or four professors/instructors fairly well. I would also emphasize the value of attending office hours and point out that they don't exist merely for those students who perceive themselves to be struggling to understand the material or in response to a bad grade on an exam or paper. I would highly recommend visiting every professor at least once during the semester during his/her office hours as an opportunity to connect. I think it also evidences a student's interest in and commitment to the course.
By knowing some of your professors, you will not only feel more a part of your college community, but you will also have necessary references for programs within college, work positions, and graduate school.
In "It Takes a Mentor,"New York TimescolumnistTom Friedmanhas written:
What are the things that happen at a college or technical school that, more than anything else, produce "engaged" employees on a fulfilling career track? According to Brandon Busteed, the executive director of Gallup's education division, two things stand out. Successful students had one or more teachers who were mentors and took a real interest in their aspirations, and they had an internship related to what they were learning in school.
13) Find a few comfortable and quiet study places on campus, places where you work effectively and are not easily distracted.If you are commuting, you will still need to find places where you can focus on your academic work.
Maintaining Physical and Mental Health
14) Participate in campus activities--teams, musical and dance groups, community activities that serve the underserved and aged--and attend seminars that call upon collaborative action.Such collective endeavors give you an opportunity to develop group responsibilities, including social ethics and leadership skills necessary for later life. (I am skeptical about the need for fraternities and sororities in 2014, a subject I will discuss later, but they do respond to the social needs of many students.)
Students who participate in campus activities get more out of their college experience and feel more satisfied with their college years both while at college and when looking back from a distance of years. Richard J. Light notes that, based on surveys, "a substantial commitment to one or two activities other than coursework--for as much as twenty hours a week---has little or no relationship to grades. But such commitments do have a strong relationship to overall satisfaction with college life. More involvement is strongly correlated with higher satisfaction" (Making The Most of College: Students Speak Their Minds, Cambridge, Mass: Harvard University Press, 2001, 26).
15) Remember the three R's: Resilience (Falling down and getting up are one motion.); Resourcefulness
(Use your skills and intelligence.); and
Resolve (Pursue goals with determination and persistence.)More likely than in high school, you are
going to have disappointments and frustrations, but overcoming them is part of the process of preparing for
the world beyond college.
In between completing her freshman year and beginning her sophomore year, Pauline Shongov, Cornell '17, observed: "[F]reshmen should never underestimate their talents but also should be humble in everything they do. If they strike a balance between these two, they will be open to everything college life has to offer and will thus win others' respect while maintaining self-respect in return."
16) Look at setbacks and problems as challenges to be met and overcome; when you do so successfully, you will be gaining confidence to meet the next challenges.
Learning to build on failures is an important quality for success, as many of my former students attest.
Becca Harrison, Cornell '14, recalls "the value [for her] in failing, and not necessarily succeeding right out of the starting-gate that is freshman year." Recognize that all problems--personal and intellectual--are not neatly solved, and learn how to deal with complex and ambiguous questions.
Alyson Favilla, Cornell '16, adds:
The only thing I might suggest is adding something [about] adjusting personal expectations for success. Number 16 on the list [about handling setbacks and problems} was great, but requires significant perspective that isn't going to be available to students currently struggling with something that feels far out of their depth. Many students, especially those from highly competitive, privileged areas, have never before had to confront the limitations of their own abilities. Recognizing those limits, and determining to improve on them, I think, is an important lesson; knowing that you can successfully apply yourself to difficult or new material is very different than expecting to understand it right away, or feeling disheartened when you do not. Similarly, success does not always engender satisfaction. Being good at something, or achieving conventional academic success at that thing is not always a reason to pursue it. For me, that was an important thing to consider when deciding whether or not to switch programs.
17) When you enter a new situation such as the first weeks at college, you might feel somewhat desperate to make friends quickly.But it is important to retain your core values and judgment and to avoid becoming part of a herd or doing things only because others are doing them.
Quoting Psalm 139,Cotton Matheradvised his son going off to college: "[H]e that walketh with the Wise, shall be wise, but a companion of fools shall be destroyed. Shun the company of all profane and vicious persons, as you would the pestilence."
The period between entering school and Thanksgiving is sometimes known as the "Red Zone" because students are more prone to make bad choices, whether they be partaking excessively of substances that suspend their judgment or putting up with physically abusive hazing or bullying roommates. It is no disgrace to change roommates or to move to a different floor or dorm. If you feel a situation is beginning to get out of control, do not be afraid to protest to campus authorities, or, if you feel the situation is dire, to call psychiatric services or the campus police.
Seek help when you need it, no matter what the issue.
Mark Eisner, Cornell Ph.D. '70, succinctly observes: "There is no shame in seeking help, and doing so can save your education and possibly even your life."
18) Take Care of yourself physically and emotionally.Be sure to get enough exercise and
sleep, and be sure to eat regular nutritious meals. Sleep deprivation can lead to poor performance and poor
judgment.
Eisner, Cornell Ph.D. '70, puts it well:
19) Know that substance abuse is a problem on campuses, with alcohol being the most abused, and that use of alcohol and illegal drugs can lead to compromising situations in which judgment is skewed.Sometimes you have to sacrifice what you could have learned through an all-nighter in order to get to bed at an hour that ensures a productive day the next day. Preferably you should set a regular bedtime and get to bed at that time each night. If there is not time to do everything, consider productivity in choosing which tasks to short change and when to sacrifice them. Studying course material (and thinking deeply about it) as you go along is more efficient than cramming at the end.
Brad Berger, a father of a Dartmouth student and a reader of myHuffington Postarticles, feels that colleges abnegate their responsibility in not enforcing laws that forbid under age drinking:
When colleges allow drinking on the campuses, they are saying students and colleges can pick and choose what laws to break. Not only are they disregarding the drinking laws but also the behavior caused by the drinking is dangerous and destructive. Underage drinking in my opinion is the issue most important to colleges and least talked about.
20) Laugh a lot and continue to develop your sense of humor.When things are not going well, remember you can't fix the past, but you can start where you are and create the future.
“Twenty Suggestions for Incoming College Freshmen,”Huffington Post, July 22, 2015,http://www.huffingtonpost.com/daniel-r-schwarz/twenty-suggestions-for-in_b_7859008.html
Nineteen Suggestions for College Sophomores
After publishing articles in Huffington entitled “Suggestions for Seniors Graduating College” and “Fourteen Suggestions for Incoming College Freshmen” as well as “What to Do with a B.A. in English?” and “Why Study the Arts and the Humanities?” I have been asked if I had any suggestions for the years at college and in particular for the sophomore year.
Speaking to Cornell audiences about my suggestions for seniors and talking to my own students, I began to realize that students need to focus on planning at a much earlier stage than their senior year. Colleges and universities are becoming increasingly proactive about providing resources to help your planning. For example, the Cornell College of Arts and Sciences now has an Assistant Dean & Director of Career Services. So drawing upon my 46 years as a professor since arriving in 1968 at Cornell, and realizing that others will have additional suggestions, here I go with nineteen suggestions for sophomores who more often than not are nineteen years old. I would foreground my first three suggestions but after that there is no order.
1) Sophomore year is a time to think about the future-whether it be employment or further education or a combination of both. With the future in mind, you should choose your college major, your summer employment and internships, your community service, and at least some of your extra-curricula activities. Think about preparing yourself for graduate school-medical, law, masters or Ph.D.-and find out what the requirements are. Many MBA programs prefer some years of work before graduate school.
Develop your character in terms of self-knowledge, integrity, leadership, compassion, and judgment. Who you are becoming is as important as what skills you are developing.
2) Do not think of your career plans or even your choice of major in terms of future earnings but in terms of future satisfaction. Joy in work and joy in personal life are what give life meaning.
3) If you are in the wrong program, think about changing it because after the sophomore year you will have invested even more time and energy in a program. If you are in the wrong college, think about transferring. After your sophomore year, such changes become more difficult.
4) Be sure to choose an advisor who is interested in you and meet with your advisor regularly. Do not limit yourself to email communication. If you advisor doesn’t keep his or her office hours, get another one. I recommend that if possible you choose an advisor who has been your teacher because those who have taught you will know you better than an assigned advisor.
5) If you have more than one passion, think about double majoring.
6) If possible, take at least one course a term to expand your interests. Try a basic course in creative writing or photography or acting. Remember that a course in music or art appreciation is not only an investment in a degree but in life. If you are an English major, take an economics course. If an engineer, take an English or history course. And so on.
7) Sophomores should, if at all possible, finish fulfilling all non-major requirements in order to be able to pursue your major and take other upper-level courses.
8) Make an effort to know your professors, in part to cultivate potential references but also to take advantage of being around interesting minds. If a professor invites a class to go together to a theatrical or musical performance or to get together for a class dinner, don’t miss that opportunity.
9) Be sure you understand graduation requirements and major requirements, and be aware that your advisor may not be an expert so it is best to see these requirements in writing.
10) Take classes from the best professors, who may also be the most demanding and not the easiest graders.
11) Look for professors who are interested in students as people and want to know about your progress in college and future plans.
12) As much as possible balance smaller classes with larger ones.
Realize that sometimes you learn more from a professor who knows his field and mostly lectures than in a
discussion size class where a half-prepared professor begins each class session with “What do we all
think about this?”
13) Stay physically fit. Choose your friends wisely and avoid those who overindulge in alcohol and rely on illegal substances. Be very careful who and what you text and what you put on social media because these messages can come to back to haunt you.
Learn from your fellow students; spend time with students who are committed to the act of learning. Informal communities of inquiry will supplement your formal course instruction.
14) Use the campus cultural resources: theatre, music, arts, and museums.
15) Participate in activities on campus: debating, religious groups, college newspaper, sports even if intramural rather than varsity, musical and acting groups, etc. Also be a part of the larger community as a volunteer by tutoring underserved communities, helping the elderly, reading to the blind, etc.
16) Develop leadership skills in organizations; belong to groups in which your initiative matters.
17) Think about whether studying abroad is for you. The first term of your sophomore year is the best time for plan for this, but it may not be too late to think about it very early in the second term. I believe that study abroad for a term or a year is a terrific experience because you will live in another culture and learn new perspectives.
18) No matter what your major take courses that emphasize communication skills, notably expository writing and speaking. Whatever you do you will need to be articulate and write precise, lucid, and well-organized prose.
19) Finally, time is your most precious commodity. Use your time effectively and keep track of how you are using time.
“Nineteen Suggestions for College Sophomores,” Jan. 6, 2014, Huffington Post. http://huff.to/1cNLn5q via @HuffPostCollege
Suggestions for College Juniors: Balancing the Joy and Practicality of Learning
In my Huffington Post post on higher education, I have been stressing the joy and practicality of learning. What follows is a sequel to my "19 Suggestions for Incoming College Freshman," "19 Suggestions for College Sophomores," "Suggestions for Seniors Graduating From College: Planning for the Future," as well as my "How to Prepare for College." A number of people wrote me asking to complete my advice for each year and say something about the junior year, the one year I have so far omitted. Drawing upon my 47 years as a professor since arriving in 1968 at Cornell, and realizing that others will have additional suggestions, I have thought about the junior year. After discussing my No. 1 suggestion -- study abroad for a year or a term if at all possible -- I will briefly discuss some other suggestions.
The problem for today's college students, and especially juniors, is how to balance learning for practical purposes -- career and graduate school preparation -- with the joy of learning. I think of junior year as a bridge between the college experience and the post-graduate experience. It is your last year in the college incubator, but one that looks forward to a time when the college experience is over.
It is a year for testing and refining values, for discovering who you are and who you want to be. Obviously this is a process begun in grade school -- and, hopefully, continuing throughout your life -- but it comes to a head in the later college years. Key words for the junior year are "proactive," "imaginative," "experimental," as well as, on the practical side, "dossier building" (which means summer internships and work experience before and after your junior year are important). Even as you zero in on career and graduate student goals, you should make an effort to hone your communication and listening skills.
Junior year is the time to separate the wheat from the chaff in terms of making lifetime friends as opposed to superficial partying and to emphasize health and fitness. If excessive drinking has been an issue, it is time for moderation and self-control.
Writing in the NY Times, Frank Bruni has observed that college is the time to move beyond sectarian enclaves:
"{T]here's another dimension to college. . . . I'm referring to the potential -- and need -- for college to confront and change political and social aspects of American life that are as troubling as the economy. . . . [W]e should talk as much about the way college can establish patterns of reading, thinking and interacting that buck the current tendency among Americans to tuck themselves into enclaves of confederates with the same politics, the same cultural tastes, the same incomes. That tendency. . .[is] at the very root of our sclerotic, dysfunctional political process." ('Demanding More From College,' New York Times, Sept. 6, 2014)
Junior year is the time to broaden your horizons, reach out beyond your immediate circles, and develop your skills at seeing the points of view of others. Certainly developing tolerance is a goal that encompasses the joy and practicality of learning. If the current generation learns to communicate ideas in civil nuanced discourse, logically and lucidly -- presented in such a way that there is space for discussion and rejoinders -- all of us will have the pleasure of living in a less polarized and more civil society where democracy functions and diverse perspectives are respected.
Suggestions:
1) If at all possible, take a junior term or year abroad and participate in the Global Village.
Having studied abroad my junior year, I am a strong proponent of that experience and urge everyone to take advantage of the opportunity if it is possible. I still think after fifty years that spending a year at Edinburgh was a transformative year in my life. Without email and with phone calls being very expensive for my frugal parents, I was really on my own, even much more so than at a residential college in the US. I travelled all over Western and Central Europe and even took a month long train trip--rare for its day--into Eastern Europe, mostly Russia but with some days in Poland.
Going abroad often makes young adults better citizens by offering them a more cosmopolitan perspective on how the world works than they can get at home. Some of this comes from meeting students from other countries. Even students from other countries who are fellow guests may be more open than when in the US.
By encountering new challenges, you will learn more about yourself. Students usually return with greater self-confidence, poise, and maturity. Keep a journal of your experiences and think about the consequences of your experiences. Nothing teaches you how to think better and at a higher level than new experiences and new situations.
Although as an English major I was restricted to British universities, and Oxford and Cambridge in 1961-62 did not welcome American Juniors, today's students have a wide array of universities to choose from. They now take a term or a year not only in Europe but also in such places as Sidney, Seville, Cape Town, Prague, and Buenos Aires to say nothing of Nepal and Senegal.
Even though the world is far more connected electronically than when I did my Junior year in Scotland and my parents and I communicated entirely by snail mail--except for their one 3 day visit--you still will need rely more on you own resources when in a different environment and you will also need to make new friends.
I have very rarely heard a student returning to her or his home university with regret about taking a term or year abroad. The experience of studying in a different country and in many cases in a foreign language enables you to live in different cultures and among a diverse group of students unlike those in your American University. While many US colleges and universities now have an international inflexion with more and more foreign students coming here to study, the normative values--educational and otherwise--reflect those of the United States; foreign guests tend to adapt to the dominant US culture. But when you are the foreign guest in another country the values of that country's culture of course dominate and you need adjust.
Virtually every country in the world has a concept of its own exceptionalism, something we in the US may assume is ours alone. People take pride in their history and culture even if they come from countries that some politicians and even news media in the US either patronize as "Third World" and insignificant to the world's geopolitics or regard as in social and political disarray. For example, one might reductively think of Nigeria as a place where a radical Islamic group called Boko Haram kidnaps young girls, but Nigerians take great pride in the positive achievements of heir country.
During your term or year abroad, you may not work as hard or learn as much in terms of course work as at your home university. But learning takes place outside the classroom as you are exposed to different political systems and different social customs. Living in a different culture outside the comfort zone that you have developed in your first few years of college, your learning will take new forms. You will not only be reading history, you will--as you immerse yourself in another culture--be living history.
Your assumptions about how the world is organized politically and socially will be challenged. You will discover that many of the truths that you were taught and take for granted will be questioned. You may think that the US is the land of opportunity as well as the protector and paradigm of economic and political freedom, but others may see the US differently.
Learning about other cultures and languages is best done, in my judgment, through travel. Students from other countries need to visit the US and we need to visit other countries. Travelling is education by life experience and complements education by books and professors. While abroad, you should travel as much as possible. The opportunity to complement the experience of studying at another university with travel within and beyond the country where one is studying is another major benefit of a junior year abroad. Be sure to visit as many countries as you can and to see as much of your host country as you can. My junior year abroad turned me into a lifetime traveller.
If you study in Europe, you will be much more conscious of Hitler's rise and fall, of the effects of the World War, and of the Holocaust. If you study in Eastern Europe, you will discover that the military presence of the USSR from 1945 to 1989 and the effects of the Communist experiment inform every day of life in 2014. In the Balkans, you experience firsthand the costs of the terrible wars that divided the old Yugoslavia. In Russia or China, you will not only be living under different social and economic assumptions, but will also be exposed to far different views of the United States.
A personal note: In 1962, while driving across Germany in an inexpensive car that I bought, I stopped at a Bed and Breakfast. I came downstairs the next morning to see pictures of an SS officer on the wall. In Rome, a Jewish woman with a number from the camps came up not to beg but to greet me as someone she correctly took to be an American Jew. One night I wandered around Moscow with a friend because the subways had stopped running and we were miles from our hotel. In St. Petersburg, we met a young woman who was the granddaughter of a nuclear physicist and who wanted us to help her leave Russia; we went to the American Embassy on her behalf and were told something might be possible were the physicist the person who wanted to leave and that we were in all probability being follow by the KGB. These experiences taught me a great deal about Post-War Europe.
If you are not doing your study abroad an English speaking country, you will develop a new language facility. While some assume that English is the lingua franca of the world, learning foreign languages is more important than ever. Yes, many US campuses have international diversity, but people who are guests may be more inhibited about expressing their views and in some cases they may have not as good a command of English as they do of their native language. If you understand the indigenous language spoken in their own country, you may be exposed to a wide variety of views and perhaps more nuanced ones.
While in some fields--particularly engineering-- It is difficult to study abroad because of the large set of required courses in a tight four year sequence, more and more departments and colleges are encouraging students to try to find a way for students to do so. For example, the Cornell College of Engineering manages three exchange programs Universidad de Cantabria in Spain, Hong Kong University of Science and Technology, and Technion--Israel Institute of Technology. Yet at this point in most places, only a small fraction of engineering students go abroad.
Practical Advice on Junior Year Abroad Planning
Do not spend too much of your time with students from your own US college if they are in the same program.
Take courses with host country professors rather than with American professors that are sent along with
students in some programs. Usually it is best to enroll directly in the host university rather than be part of
a satellite program provided by an American university. If possible live with foreign students or a host
family rather than fellow Americans and certainly not with close friends from your own US college.
If you are planning an entire year abroad, you need, at your US college, to choose courses during your sophomore year that put you on track to fulfill a major and, in some cases, do an honors program. If you need to take Honors seminars before writing an Honors essay, be sure to do so.
Even if you are only going abroad for one term, you will still need to be attentive to what courses you need take and what will count of your courses abroad. The key when going abroad is to be sure that all your requirements for graduation and completing your major are covered and that your major advisor and the major department's Director of Undergraduate Study and/or whoever needs to sign off on your plans are consulted and in the loop so that there is not any misunderstanding about credits and requirements for the major upon your return.
Further Suggestions
2) Offered by more than fifty colleges, the best alternative to a term or year abroad may be a term in Washington, especially for a Government or American History major. David Silbey, Cornell '90, Director of Cornell's Washington program, observes: " I think the value of the Cornell in Washington program comes from its combination of academic and practical challenges. By marrying intensive classwork with the on the ground experience of working in DC, students gain an understanding of the political and policy world in a way not possible in Ithaca." Cornell's semester in Washington program includes an internship where you will get practical experience. Another possibility at some colleges is a term in New York, especially for those focused on the Arts; for example such a program is offered by the Cornell College of Architecture, Art, and Planning.
Changing your venue and your immediate associates will open doors and windows to new of ways of thinking and new experiences.
Many colleges, including the Cornell's College of Engineering have Co-op programs in which students may spend a term in industry, preceded by an extra summer of course work when they take the courses they would have taken in the first semester of their journey year. At Cornell the program is also open to Arts & Sciences Sophomores in Computer Science, and College of Agriculture and Life Sciences Sophomores in Biological and Environmental Engineering,
3) The Junior year is a time for engagement in a field of study, otherwise known as a major, and that
concentration of courses in a particular area can not only bring depth to your learning but also the
satisfaction of knowing that you have the tools and information to solve problems and to confront issues
with competence.
If you are in STEM programs--STEM is an acronym referring to the academic disciplines of science, technology,
engineering, and mathematics--your curriculum will have more required courses in sequence than other programs
and thus be more tightly organized. You will be taking courses in your major that build on proficiency
attained in more basic courses. If you are in the sciences, you will be developing necessary skills for a job
after graduation or for graduate school. In most of the aforementioned fields, you should explore the
possibility of doing research under the umbrella of professors' labs and research grants. Honing in on
individual research projects will enable you to see if a research career is for you.
At the Cornell College of Engineering, Mark Eisner, Harvard '60, Cornell Ph.D. '70, Senior Lecturer in the Cornell School of Operations Research and Information Engineering 1997-2007, writes, "[T}here is an active program to engage the students in research . . . .Really strong undergraduates do get their names on published papers from time to time. . . .[U]ndergraduate project teams. . . are particularly popular and valuable in engineering." (See http://www.engineering.cornell.edu/research/undergraduate/) Professor David Delchamps, Cornell Associate Professor of Electrical and Computer Engineering, adds: "Many engineering undergraduates participate in research. Sometimes they do it for pay (which often comes from external research grants and contracts), but usually they do it for academic credit."
In the liberal arts, the major may be a bridge to a career path. Contrary to popular wisdom, a major in the
humanities is not a passport to unemployment and living at home with your parents, something I have discussed
in prior Huffington Post articles:
"What to Do with a BA in English," http://www.huffingtonpost.com/daniel-r-schwarz/what-to-do-with-a-ba-in-e_b_4204376.html;
"Why Study the Arts and the Humanities," http://www.huffingtonpost.com/daniel-r-schwarz/why-study-the-arts-and-th_b_4059078.html)
For any field, among the most important skills that you need to develop are thinking critically, writing lucidly and precisely while marshaling evidence to make an argument, and expressing yourself articulately without a plethora of "umm"s and "you know"s.
If you have trouble expressing yourself in class or simply want to improve your speaking skills, junior year is an excellent time for a public speaking course if your school has such courses. Another place to develop verbal facility is the debating club, albeit the earlier one begins that activity--even in high school--the better.
Mark Eisner observes: "It may be easier to teach humanities graduates how to use a spreadsheet, prepare a specification and build a financial case than to teach STEM graduates how to write, speak, read, reason, understand, relate and create. Of course these humanities graduates need to be open to applying their intellect to mastering such mundane tasks, rather than falling back on 'I'm not good at math' and running away from them."
4) Balancing the practicality of learning with the joy of learning, the junior year is also a time to stress the joy of learning and to explore campus resources. You should strive to develop a few new interests, whether by taking a creative writing course, writing for the school newspaper for the first time, learning about classical music, yoga, acting and trying out for plays or maybe taking up a new musical instrument.
5) Choosing a minor in either a parallel or unrelated field to your major can be broadening. The minor is fairly new at Cornell and it enables upperclassman to branch out and complement their practical major with forays into the humanities, and, vice versa.
6) If you have an opportunity to do an Honors thesis, and thus do independent research, I advise taking it. To work on and complete an independent project is a wonderful experience in building self-confidence and developing intellectual curiosity and love of learning as well as way to polish your resume for the job market or for your graduate school application.
7) As you prepare for the future, junior year is a time for growth and maturation. This can take many forms, including expanding your competence and experience, both intellectually and personally. Even partial mastery of complex academic fields and completion of relatively sophisticated projects builds self-confidence to pursue even more difficult projects. If possible, it is a time to test and develop your leadership skills in one of the extra-curricular activities in which you are involved.
Choose some extra-curricular activities with your future career in mind. Debating club would be a good activity for law school or a career in politics, the student newspaper for a career in journalism, and so forth. If you want be a professional musician, you should obviously be in band or orchestra or the jazz ensemble or in a band you put together yourself with fellow musicians, or in a few of the aforementioned.
But don't ignore your avocations. If you wish to continue to develop skills in music or dance or stand-up comedy, you can do so by performing while in college. Moreover, you should try to develop at least one new activity that is fun and has lifetime potential, whether it be athletic such as biking, tennis or golf, or cultural such as joining a drama group or developing an interest in African art.
8) What you do in the summers between your sophomore and junior years and between your junior and senior years is important. Look for internships that might expose you to job opportunities or build references and experience for graduate school placement. In media fields--newspapers, magazine journalism, television, internet companies-- this seems particularly important for getting post-graduate employment. But building networks to help with placement after graduation--whether in employment or graduate school--matters in every field.
9) In looking for jobs on campus during your junior year, think about the future. Thus if you are interested in publishing, positions with the university press (if your school has one), the university publication office, or the alumni magazine will help. If you are a STEM student and can find a paying job, working in labs and on technology projects would be a good idea.
10) If graduate school--in medicine, law, STEM advanced studies, humanities--is in your sights, you must think about such admission tests as MCAT (Medical School), LCAT (Law School) GRE (Ph.D. or MA), GMAT (Graduate Management programs), or DAT (Dental). Many students take preparation courses for these exams, and others choose to study for themselves. But doing well on these exams is a component of successful application.
Paradoxically, with grade inflation--and this means grade conflation where so many students have similarly high grades--these exams tend to count more in the admission process than they once did. One argument for using standard tests--one made by graduate schools-- is it can weight a high GPA from one school against another school. Thus if one etudent has a 3.9 GPA from Dartmouth and another one has the same GPA from a much less prestigious college, the test enables a graduate school program to see if they are equally qualified or not.
This reliance on standard tests is especially true of law school admission where I find that, based on LSAT numbers, I can predict with some exactness to which schools a student will be admitted. Med Schools still have an interviewing process, but most other graduate programs do not.
11) Juniors need be thinking about who their references will be if they have not done so already when applying for summer positions and other positions requiring references. They should get to know some of their professors in smaller classes or, if they are only taking larger ones, cultivate a relationship with their major advisor and at least one professor. Another reference can come from faculty supervising research or supervising summer employment that is relevant to the post-graduate career or graduate school program.
Conclusion:
Junior year is the time to both narrow your focus on what you plan on doing and expand your focus in terms of interests, skills, and who you are and want to be. Test yourself and enjoy the process.
“Suggestions for College Juniors: Balancing the Joy and Practicality of Learning,” Oct. 17, 2014, Huffington Post. http://huff.to/1whujml via @HuffPostCollege
Making the Most of Your Senior Year in College
In my Huffington Post articles on Higher Education, I have been stressing the joy and practicality of learning. My credentials are teaching 47 years at Cornell, occasionally interrupted by visiting professorships elsewhere.
What follows is a sequel to my “19 Suggestions for Incoming College Freshmen, “ (http://www.huffingtonpost.com/daniel-r-schwarz/nineteen-suggestions-for_b_5647734 .html), “19 Suggestions for College Sophomores,” (http://www.huffingtonpost.com/daniel-r-schwarz/nineteen-suggestions-for-_b_4555784.html, “ Suggestions for Seniors Graduating From College: Planning for the Future” (http://www.huffingtonpost.com/daniel-r-schwarz/suggestions-for-seniors-g_b_5334827.htm) as well as my “How to Prepare for College” (http://www.huffingtonpost.com/daniel-r-schwarz/how-to-prepare-for-colleg_b_5582143.html).
It has been pointed out by readers that while I discussed how to plan for the future, in my “Suggestions for Seniors Graduating From College: Planning for the Future” (http://www.huffingtonpost.com/daniel-r-schwarz/suggestions-for-seniors-g_b_5334827.htm), I have not discussed how to make the most of your senior year, a time when you must balance academic work with seeking employment or applying for graduate school, and when the clock is running out on your precious undergraduate years.
Your senior year rounds out a four year—sometimes longer, especially for part-time students—investment of time and life experience and you want to bring it to as fulfilling a conclusion as possible. You may have entered college as an eighteen-year-old adolescent, but your goal should be to leave as an adult ready to confront the challenging world of graduate school or employment.
You need to balance the Joy and Practicality of Learning. Key concepts are “Preparation,” “Innovation,” “Experimentation,” and “Motivation.” I shall divide my suggestions between Preparation for the Future and Making the Most of your Campus Experience
The Campus Experience
What Anne Kenney, Head of Cornell’s Library System, counsels is especially true for your senior year: “I think having proper balance, being open to wonder and curiosity as well as academic work is so key.”
1) If you have a chance to write an Honors thesis and/or to do individual supervised research or
independent study, take advantage of those opportunities. Working closely with a top professor who
takes an interest in your work can be an exciting learning experience. Emily Choi, Cornell ’14,
emphasizes: “One of the most valuable skills I take away from my senior year is the ability to revise.
It's so important to be able to look at your work. . .candidly, and to evaluate it, and find creative
solutions for the parts that could change for the better.” In the first term of her seniors thesis
work in psychology, Sylvia Rusnak, Cornell ’15, writes: “My honors thesis thus far has proved to
be an important learning experience. Of course it's stressful and immensely time-consuming and frustrating at
(many) times, but to have the responsibility to run my own research study in a lab is an opportunity I feel so
grateful to have.”
The process of doing independent research or writing an Honors thesis may help you decide whether you have the
skills and passion to pursue a Ph. D. and a research career. To do so, you need to enjoy thinking about your
project every day. In my experience, those who succeed as research scholars are virtually fixated on their
projects over a long period of time, and when one project is over already have the next foregrounded in their
minds.
2) Presumably by now you have fulfilled your requirements. Senior year is a good time to take elective courses in new areas, perhaps even try a different foreign language (which also might help make you attractive to employers with an international business component). It is also a good time to take courses that develop your understanding of music, art, architecture and literature, that is, to invest in lifetime activities. If you are majoring in a Liberal Arts field such as history or philosophy, you might consider a course in government (political science at some schools) or economics. If you are concerned about grades, you can take these classes at most colleges on pass/fail or satisfactory/unsatisfactory basis.
Try something new in terms of extra-curricula activities, whether it is a new sport, acting in plays, photography, painting, etc.
3) While one cannot compartmentalize emotional problems, senior year is a good time to solve personal issues within the somewhat protective world of college, and that includes substance abuse issues like binge or excessive drinking.
4) Go beyond the comfort zone that you have established in your earlier years. Make a conscious effort to make new friends and spend time with people that are not your closest associates. If you are in a fraternity or sorority, reach beyond those enclaves. Benefit from the ethnic and class diversity at your college. Learn, too, the value of alone time when you depend on your own resources and respond independently and thoughtfully to the world around you and your experiences.
5) Think of your senior year as another stage in personal growth and becoming the person you want to be. Develop your potential as a leader as well as your ability to work on projects as a team. Leading sometimes means helping to create a cooperative environment or community where everyone participates, has input, and feels part of projects. Obviously leadership emerges before your senior year and leadership qualities begin developing in high school and even junior high school, but most campus organizations have senior leadership opportunities.
University of South Carolina Professor of English and Comparative Literature Scott Gwara advises:
In your campus focus group (friends, partners, colleagues with common interests) discover what your leadership passion is. . . .In discovering your leadership, harnessing your network, and finding campus/personal/spiritual resources, you should articulate a vision of yourself and your interactions with the environment you want to change . . . . Connect to the facts but make your vision big enough to inspire. Set an agenda. Decide to make a difference and persist. You will learn about your limitations, your ethics, and your leadership capacities. By the time you graduate, you will have accomplished something meaningful, even if your primary accomplishment is learning not to take NO for an answer. By all means, learn the art of pushing back.
Certainly learning how to negotiate with those resistant to your ideas is an important skill, blending preparation (knowing the facts), enthusiasm, poise, and courtesy with the ability to organize and articulate an argument. Indeed, many of these qualities can be developed within small classes, especially seminars. But all the aforementioned qualities are part of becoming an effective adult ready to play part in the larger world of work and civic responsibility.
One of my pleasures as a teacher is observing the process by which bright adolescents on the threshold of adulthood become confident adults ready to play an important role in their chosen profession and society, although of course the process continues in their twenties and should continue throughout their lives.
6) Spend some time each day learning about the world beyond your campus. Reading the New
York Times online or in print is one good way to fulfill my recommendation that you give a half hour a
day to learning outside your courses about fields you know little about. For liberal arts students, Tuesdays
Science section of the New York Times is a good learning opportunity. I also recommend the New
York Review of Books; much more than a book review, it is along with the Economist an
essential publication for understanding the world.
7) Seniors interviewing for employment positions need to begin to be aware that the employment world
does not operate on the academic calendar or clock. Liberal arts students
accustomed to awaking at 10 and going to bed in the wee hours of the morning need to learn that much of the
world awakens at 7 or before and also learn that Thursday-- the day many liberal arts students end their class
week-- does not end the work week in the employment world. Nor is there time in the work world to compensate
with an afternoon nap for sleeping only three hours. Some months after my older son’s graduation—his
college hours took him into the 3am range--I remember calling him at 11:05; then employed in the NYC’s
financial world, he growled: ”Don’t you know we go to bed at night here?”
Looking Beyond Your Undergraduate Experience
1) You need to be sure you know the qualifications for the career and graduate programs you have chosen. While pre-law and pre-med programs often make this clear, it may take some research to know how to prepare for careers in teaching, journalism, pharmacy, nursing, actuarial science, etc.
2) You need to continue to develop skills of time management. I recommend keeping a log on how you are spending your time will be helpful. In your senior year, unless you are taking a gap year, you will be balancing your course work not only with extra-curricula activities and work if you have a job, but also making time for job interviews and applications for graduate school. If you are looking for employment or interviewing for medical schools or non-profits such as Teaching for America, you may find yourself taking several trips away from campus.
Studying for LSATS, MCATS and GRES is time consuming. In fact, the summer between your junior and senior years may be the best time to study for LSATS, MCATS, and GREs. You usually take these exams in the calendar year prior to the year you will be applying for entrance. Thus if you seek entrance in 2016 you would take the exam in 2015, but early enough so that you have the LSAT scores when you decide what schools to apply to. If you don’t so as well as you wish, you may take these tests again.
The MCAT exam is often taken in the second half of the junior year, and it is given in January, March, April, and May but some students prefer to take it in the summer. On the whole I recommend taking LSATS in June after your junior year, but if you wish more time to study, the early fall test might work better. Most medical and law schools have rolling admission, which means they begin to accept students and fill classes as the applications arrive. (While what medical schools look for varies from school to school, the following if perhaps dated article from US News and World may be helpful: http://www.usnews.com/education/blogs/medical-school-admissions-doctor/2011/04/11/avoid-4-medical-school-admissions-myths)
3) You need to learn about your campus Career Service and Placement offices and resources.
Not only will these offices have organized schedules of who is visiting campuses to interview
candidates--often taking the form of Job Fairs--but also they will have tips for interviewing and preparing
resumes as well as writing both appropriate cover letters and personal statements. You need to set up a file
at these Career Service and Placement offices. These offices can also be helpful with applying to graduate
school, although some schools also have special offices and committees for law school and medical school
applications.
Professors who have shown an interest in you can also be important resources. They can not only advise you how
on the best course for entering certain fields but also put you in touch with influential people they may
know, including former students, who maybe hiring.
4) Learn how to interview; this means learning not only how to speak but how to dress appropriately, something which varies depending on the organization and even person with whom you are interviewing. Teach for America has different expectations for presentable dress than investment banking. My younger son has made very clear to me that dress within the mutual fund industry is different from dress for those working the academic world.
5) Think about whether a gap year is right for you. If you are undecided about your future career or you want more time to prepare for GRES, MCATS, and LSATS or you feel you need a rest from the demands of study, taking a year between undergraduate and graduate school can be a good idea. It may be a good idea in STEM fields—Science, Technology, Engineering, and Math—to not take more than a year because you might forget some of what you learned, but taking time between college and graduate is sometimes a necessary space for different kinds of learning and experiences.
Some students work on a political campaign, others take a few years to teach in other countries or join the
Peace Corps. But there is a huge number of worthwhile possibilities. Schools offering an MBA want their
applicants to have a handful of years of work experience.
Conclusion
Your senior year in college is an excellent opportunity to bring your undergraduate years to fruition and to
open doors to the next phases of your growth and development.
“Making the Most of Your Senior Year in College,” Huffington Post, Jan.22, 2015, http://t.co/nhy9ewrqbD via @HuffPostCollege.
Suggestions for Seniors Graduating From College: Planning for the Future
Last May I published a The Huffington Post blog, “Suggestions for Seniors Graduating from College,” that received quite a bit of attention. Indeed, I have been asked to give talks on the subject. After thinking further and getting suggestions from students, colleagues and readers, I have added some new suggestions and done some fine-tuning.
My primary credential is that I have been a Cornell English professor for 45 years and have held some visiting professorships at various public universities in three other states. I have also written several other HuffPost blogs on related subjects, including “Fourteen Suggestions for Incoming College Freshmen” as well as “What to Do with a B.A. in English?,” “Why Study the Arts and the Humanities?” and “Nineteen Suggestions for College Sophomores.”
I am going to divide my suggestions into two categories, although, as will be seen, they overlap.
I. Future Plans
1) The time to begin thinking about what you will be doing after graduation — whether it be graduate school, law school, medical school, etc. or entering the work world — is well before graduation, that is, when you are you are a freshman or perhaps a sophomore. For graduate programs, you need know what the expected requirements are. To be sure you may change direction, but choosing your courses, major, campus and off campus activities, summer work, including internships, and even where and whether to study abroad during your junior year are all part of this process. This does not mean everything you do must be directed to your future plans, but it does mean you should not be an ostrich — burying your head in the sand — about the future.
2) Your first choice for employment should usually be position where the employer is thinking about where you will be in few years not how much money you will bring in immediately. Usually, the best positions are those in which you have a chance to learn and grow and not those where you are used simply to sell something without getting much training. In the latter case you are an interchangeable cog and are probably not in the employer’s long-range plans. When you are offered a position, learn as much as you can about the culture of the employer, including whether employees stay and advance and are well treated.
3) Summer internships — whether paid or not — are a way to get to know an organization and the organization gets to know you. Thus internships are often a bridge to employment with the organization.
4) Cast your eye widely when applying for positions. Sometimes organizations will find applicants that are at a slightly oblique angle to their posted job specifications more interesting than those who are more obvious candidates and invite such applicants for interviews.
5) In a first interview — and indeed through the hiring process if you are just out of college — the prospective employer is mostly in charge, but once you are offered a position, you can be pro-active in asking questions and perhaps contact other employees. Of course later on when you have acquired skills and stature and you are shopping for a new position while holding a good one, you can be more aggressive in the early stages of the hiring process.
6) Learn as much as possible about the company interviewing you. Prepare for interviews in advance by anticipating questions. It is a good idea to write down questions and answers so that you are not responding with “you know”s and “umm”s. Recording your answers so you can listen to yourself is a good idea. Practicing with a friend is also helpful.
7) Interviews are the chance to show why you are the person for the position, and you need make sure by the end of an interview that you have given the interviewer the information that makes you special. If the company is hiring four people, finishing fifth is not good enough
8) The kindergarten criterion “works well with others” is at least as important after graduation as before. Self-presentation in terms of speaking well, showing your initiative, convincing an employer or a selection board that you have much to offer, and, yes, having an appropriate appearance is most important in interviews. But self-presentation is also important on a day-to-day basis and you will be judged on it. Respect diversity in the work place, and seek diversity among friends.
9) Once you take a position or enroll in a graduate program, you have chosen a path. Give it your full effort and every chance to work by making a full commitment. There will be plenty of time to change direction, and it is fine to do so if you decide after giving a situation a real chance that you have made the wrong choice.
Be aware that staying the course is considered by many a virtue, and flitting from one path to another every six months is not an advertisement for your persistence or stability when applying to graduate programs or seeking employment.
II. Life After College:
1) Learning has many dimensions. Understanding how your new environment functions in terms of its expectations and culture sometimes requires more imagination, flexibility, maturity and judgment than working through a course syllabus. This is true particularly but not exclusively in employment situations.
2) If you are in graduate school, you are both a pre-professional and a beginner/freshman, but isn’t this true in a new employment position? If are working in a new position or in graduate school you need to ask yourself what you have learned that day that applies to your work and what else you have learned.
3) Whether in medical school, graduate school, or law school, or beginning a new career, time management is crucial. Keep a chart of how you are using your time, including recreational time. EMC — Every Minute Counts — will serve you well. No matter how much you enjoy your work, do not become your work. Be sure you do not become a workaholic without any life outside work/school.
4) Remember that time is not money; time is time and it is what you have on this earth. Every day do something that is fun and relaxing. Busy people are more likely to be happy people. In contrast to college where the activities were there for the taking like a smorgasbord, you may have to take the initiative to find groups — athletic, fitness, drama, music, cooking, learning new skills, etc. — that interest you.
5) Take care of yourself physically and emotionally. Be sure to get enough exercise and sleep. Eat healthily. If you have emotional issues, seek help. Substance abuse, including alcohol, is as much if not more a possible distraction and danger in your post-college life.
6) Be a part of a supportive community of friends and family. Isolation and loneliness are not your friends. Keeping in touch with college friends, or if you are employed in a big city, living with friends is a good way to bridge your journey from college into a new world. Your community may come from an alumni association, a religious group, a volunteering commitment, an outdoor or nature group, a choir or orchestra, a book group or any combination of these and others that I have left out.
7) Use in work and graduate school the academic, practical, and interpersonal skills you have learned in college through classes and activities in which you have participated. Interpersonal skills help networking — and this is helpful in opening doors — but don’t spend your life worrying about making connections. If you are involved in activities, networking will come.
8) Speaking articulately, writing lucidly and precisely, reading carefully and thoughtfully, and thinking critically will serve you well.
9) Understand that everyone has not had the same experiences as you and be open to learning from others. Balancing listening and speaking is an art form that needs to be learned. If you tend to be a talker, sometimes it is necessary to call a time-out on yourself and consciously not speak for a while.
10) Develop new skills and interests — both in your professional and non-work life — even if you have limited time to cultivate them. Open the door to new experiences such as travel. If you are living in a city or visit one, try art museums, opera, ballet, and other cultural experiences that you may not have given much of chance.
11) Be bold and take reasonable risks. Have a dream, but be sure it has roots in reality.
Let me conclude with two suggestions that I have borrowed almost verbatim from my aforementioned “Suggestions for Freshmen.”
12) Remember the three R’s: Resilience (falling down and getting up are one motion.); Resourcefulness (use your skills and intelligence.); and Resolve (pursue goals with determination and persistence.).
13) Laugh a lot and continue to develop your sense of humor. When things are not going well or you make mistakes, remember you usually can’t fix the past. But you can start where you are.
“Suggestions for Seniors Graduating from College: Planning for the Future,” May 15, 2014, Huffington Post, http://huff.to/1lmn70s via @HuffPostEdu
Changing the World: Are college students less idealistic than they were in the Sixties?
At a recent dinner party, a retired college professor who had no Cornell connection vociferously argued:
The current generation of undergraduates are apathetic narcissists who think only about themselves and not about the world and their relationship to it.
With nostalgic regret, he recalled the halcyon days of the late Sixties when he and his fellow idealistic students participated in peace marches and dreamed of a revolution that would change not only American foreign policy and the staid university but the capitalist system itself.
Still active: Jordan Wells ’07 protests the demolition of Redbud Woods in 2005.
Thinking of my students, I strongly took issue with him. It is just too simplistic to contend that in 1968-70—my first years teaching at Cornell—we had an activist student “reformation” and that in recent years we have been having a “counter-reformation” defined by self-immersed materialism and ironic detachment from the world beyond self.
What I see today are students who wish to contribute to their communities but have a practical awareness of what can be accomplished. They are much more conscious of the environment than earlier generations of students, and they are more likely to volunteer in programs aimed at educating prisoners or working with disadvantaged school children, albeit less likely to be involved in protests—in part because we no longer have a draft.
Most of the students I know well are English majors. Many of them have double majors, and quite a few are pre-med or prelaw. Some study economics, often at the behest of parents who are worried that an English major is a passport to poverty. Students today are understandably reluctant to choose academic careers in fields where the job market is tight, but some do. We still have many students who wish to teach or to write the Great American Novel.
Most students are more pragmatic than they were forty years ago. They also seem more grade-oriented. Decisions about courses and summer jobs often depend on what is the best preparation for jobs. But are they cynical careerists? Not in my experience. I find them to be more directed and mature than their predecessors, although perhaps more realistic about what they can contribute to saving the world.
When I first came to Cornell, the students editing the Daily Sun or acting in plays were often not those who were excelling academically; now they are more likely to be the same. If there is one thing that categorizes today’s students, it is not the thought that time is money but that time is time—and that time needs to be used as fruitfully as possible, whether for work, extracurricular activities, volunteerism, or social life.
Because today’s students communicate electronically, activism tends to be less visible. Internet access is basically private and students debate issues and organize themselves online. According to Kayla Rakowski ’08, students learn about the possibility of joining political groups from Internet sources: “We are mavens of communication; we text, call, blog, instant message, Gchat, comment, and e-mail.” Kayla, a magna cum laude graduate in English, was an education intern at the Johnson Museum and president of her sorority; she is now working on a master’s degree in museum studies at NYU.
Are today’s students lacking in idealism? This past year, I wrote recommendations for four graduating seniors to Teach for America, a nonprofit to which students commit for two years to teach in “underresourced”—i.e., low income—urban or rural schools. In 2007-08, almost 25,000 candidates applied for about 3,700 places. While these students are modestly compensated, they are making an enormous commitment to the public good.
Students used to take pride in cutting the umbilical cord when they arrived at Cornell. They are less independent now and often think of their parents as friends as much as authority figures. Several students and parents with whom I have spoken feel that parents are less restrictive, which conforms to my impression. Although some parents believe they are being told everything in a constant stream of e-mails and phone calls, most students only selectively confide in them.
I will close with a comment from Ashley Featherstone ’08, a magna cum laude graduate in English and the first member of her family to attend college: “The people I spent the most time with shared many of the same values as me—hard work, determination, integrity, and service. . . . Whether through music, art, literature, business, science, or medicine, Cornell students are idealistic, and they are struggling with issues of war, poverty, race, gender, sexuality, education, and the environment.”
“Changing the World Without Revolution: Are Today’s Students Less Idealistic Than Those of the Sixties,” Cornell Alumni Magazine, 111:5, March, April 2009, 10.
How to Succeed at College and Beyond: The Art of Learning
I. Preparing Students for the College Experience and Responding to Critics of the American University
I have just published my How to Succeed at College and Beyond: The Art of Leaning (Wiley-Blackwell). I argue that students necessarily must balance the joy of learning with the practicality of learning, and achieving that synthesis is what I call the Art of Learning. Put another way, my book is about the college experience and how to make the most of it,
In late summer 2014, as he began his ninth and last year as the President of Cornell, David Skorton asked vital questions about American higher education:
For the first time in my 36 years in academia, the value of America's colleges and universities is being questioned—and seriously. Is what we offer worth the money and time invested? Will a college degree really translate into a better job down the road or improve our quality of life? Couldn't we rely more on technology and less on highly paid faculty members and expensive campuses and student amenities to deliver our “product” at lower cost?
In part, my book is a response to issues raised in these questions.
While my book is also something of a “How To” primer, it is based on considerable research that supplements my 48 years as a professor at Cornell within which I have held three visiting professorships and directed eight NEH Summer Seminars for college and high school teachers.
Many of the chapters derive from my widely read Huffington Post's articles on higher education supplemented by further research and input from hundreds of past and present university and college students as well a great many administrators and faculty members. My book was written to be useful and interesting to undergraduates, parents, high school college and college teachers, and high school guidance counselors.
I discuss what I call the College Olympics, namely how students can find the right college for them and how to pursue financial aid. Even before the College Olympics begins, parents can help to prepare their children to flourish educationally and be ready for the admission process.
Beginning with the crucial freshman year of college and continuing through the senior year, my book offers suggestions on how to negotiate the challenges of each year as well as suggestions about specific issues such as time management and whether to study abroad for a term or even a year. In specific chapters I address how to choose classes, why the humanities are essential, and how to prepare for the future after graduation
My book also discusses the social choices that need to complement academic decisions, including a chapter that examines in detail the pros and cons of the Greek system (fraternities and sororities) that plays an important role on many campuses. I also discuss the role of parents once their children are attending college.
Believing, for a more fulfilling life, everyone should take some courses in the arts and the humanities (as well as gain a grounding in basic science and computer skills), I then turn to issues that pertain to the study of the arts and the humanities. I am responding to the widespread view that the study of the humanities is a passport to unemployment if not to poverty.
I conclude with a section on my perspective as a professor. Because I think students and parents will benefit from knowing what a professor is thinking about when he or she organizes courses, I discuss my goals and my philosophy as a teacher. I discuss the balance between teaching and research and why, despite some claims to the contrary, these two activities usually supplement one another. Finally, I discuss the values of the current generation of students and the current emphasis on community involvement. In doing so, I take issue with the charge that contemporary students are self-immersed and less interested in the world than their predecessors.
Thus the purpose of this book is to help prepare students, parents, and high school advisors for the college experience and beyond. My goal is to help students balance the joy of learning with the practicality of finding a career path. My book is for all those contemplating a college education and their families as well as for those already admitted to college.
I stress the positive aspects and the enormous potential of the American college experience. I do so at a time when much has been written of late about the shortcomings of American colleges and universities, including the relatively little time students spend on their academic study, the excessive partying that turns campuses into permissive social circuses and sites of sexual abuse, and the burgeoning costs accompanied by excessive student loans.
We need to consider how to open the doors of higher education, including those of the most prestigious schools, to students in the lower economic and social strata. Goldie Blumenstyk, author of American Higher Education in Crisis? What Everyone Needs to Know, asserts:
[Y]ou'll still find lower-income students and minority students far more concentrated in community colleges and for-profit colleges, and upper-income students and white students more concentrated at four-year private colleges and publics. . . . [A]n adult from a wealthy family is nine times as likely to earn a bachelor's degree by the age of 24 as one from a poor family — with all the implications for social and financial success that entails
A narrative of higher education in America should highlight the role of public education, including that of the great state universities like California and Michigan and the role that CUNY (City University of New York) played and still plays for first generation Americans. Unfortunately, the days of free and almost free tuition have passed. Nonetheless, the public universities still offer a lower cost alternative to elite private schools, particularly for residents of the state or city in which they are located.
Discussions finding fault with American higher include not only William Deresiewicz's Excellent Sheep: The Miseducation of the American Elite and the Way to a Meaningful Life (2014) and the 2014 CNN documentary Ivory Tower but also Kevin Carey's The End of College: Creating the Future of Learning and the University of Everywhere (2015) and, to a lesser extent, Frank Bruni's Where You Go Is Not Who You'll Be: An Antidote to the College Admissions Mania (2015).
Perhaps we professors and administrators need to do a better job responding to naysayers. As Nicholas B. Dirk, Chancellor of the University of California at Berkeley, asserts: “For too long we have neglected the need to aggressively defend, explain, and promote the value of the education our institutions provide, not just for individuals but for society as a whole.” One goal of my book is to do just that while not overlooking areas that need improvement.
I do not ignore the failure of American universities to be economically inclusive, specifically the need to tap the potential of those in the bottom 20 per cent of the economic ladder. Nor should we turn our heads from issues raised by the diversity we have achieved and the need to achieve further diversity. Clearly the discomfort of minority students on American campuses needs to be addressed, and we need to underline our commitment to the actuality that Black Lives Matter. We also need to acknowledge other troubling issues on campus such as underage drinking, excessive drinking, sexual harassment— notably at parties where drinking takes place—and discuss the shortcomings of the Greek system, how it can be improved and whether it is in the long range interests of universities to sustain it.
Not only are the value of a college education and the economics of colleges and universities under scrutiny, but so too is the concept of the American dream whereby people use their ability and education to fulfill their potential and move up the socio-economic ladder. Today colleges and universities do have greater diversity in their student bodies and faculty than in the past. But at the same time evidence of severe economic inequality and social injustice dominate the news. Inequality and injustice are causes and effects of a crisis in America that extends to the role of higher education. I address those issues in the context of offering ideas for applying to and succeeding in college, including how to apply for financial aid and limit burdensome loans that hamper a student's future.
I suggest initiatives that might help middle and working class parents and their children who cannot afford to send their children to expensive private schools or to live in affluent communities with elite public schools. In these affluent communities, preparation for college dominates virtually every educational policy decision made by school administrators and Boards of Education. In such school districts, parents are in the foreground encouraging their children, playing roles in shaping school policy, and contributing to foundations that supplement the tax base and support extra-curricular activities, including sports and music. These parents also pay for their children's private tutors and sports coaches. By contrast, in many rural and urban schools, graduation rates are low, school budgets are pinched, teachers are overworked and deal with serious discipline issues on a daily basis, guidance counselors are asked to serve far too many students, and parents struggling to make a living do not have time or funds to be advocates for their children.
While my primary focus is on the US system of higher education, my suggestions are transferable to the educational systems of other countries. Young adults seeking higher education everywhere face similar challenges and pressures, although the US is unique in the financial issues students face. While career opportunities vary from country to country, balancing the joy of learning with the necessity and reality of career preparation is a pervasive issue.
II. The Economic Value of Higher Education
While I am realistic about problems, I tell another more optimistic story about the value of a college education. Barry Glassner and Morton Schapiro addressed this issue in the Oct 8, 2014 Chronicle of Higher Education:
The vast majority of students graduate with relatively modest loans—under $30,000, on average—and almost one-third leave college with no debt at all. Meanwhile the college premium—the ratio of earnings by college graduates to those by high-school graduates—is at or near a record level.
MIT economist David Autor writes: “The economic payoff to college education rose steadily throughout the 1980s and 1990s and was barely affected by the Great Recession starting in 2007.” According to Autor, this is also true for a great many “developed countries.” In the US, Autor finds that between 1965 and 2008 the value in lifetime earning of a university education, compared to those with as high-school diploma has “roughly tripled.”
We are often told that college isn't for everyone, but it is surprising how many people can benefit from graduating from a four-year college. According to David Leonardt in a 2015 New York Times article entitled “College for the Masses”:
The unemployment rate among college graduates ages 25 to 34 is just 2 percent, even with the many stories you hear about out-of-work college graduates. They're not generally working in menial jobs, either. The pay gap between college graduates and everyone else is near a record high.
What needs to be stressed is that even students with less than sterling credentials benefit greatly from college, even if among this group there is a high drop out rate:
Less selective colleges often set such benchmarks: Students who score 840 on the SAT, for example, or maintain a C+ average in high school are admitted. Those who don't clear the bar are generally rejected, and many don't attend any four-year college. . . . Perhaps most important, the data show that the students just above the admissions cutoff earned substantially more by their late 20s than students just below it — 22 percent more on average
From the practical standpoint, we know the economic value of a college degree. In a Wall Street Journal piece entitled, “A College Degree Pays Off Far Faster Than It Used To,” Josh Mitchell writes:
College graduates may be taking on historically high debt burdens to finance their educations. But it will take them far less time to get a return on that “investment” than it took their parents' generation.. . .someone earning a bachelor's degree in 2013 will need 10 years to recoup the entire cost of that degree. Those who earned a bachelor's in 1983 needed 23 years to do so.
Thus we have overwhelming evidence for the value of a four-year college degree.
III. College Education and Quality of Life
What about the value of a college education in non-economic and at times intangible terms? In my book, I emphasize what education can add to the students' quality of life in terms of self-awareness, understanding of the past and present contexts that define our individual and community experiences, and appreciation of the arts as doorway to a fuller life. To those lifetime gifts, I need to add that education teaches us to solve problems, to read insightfully, to write lucidly and logically, to speak articulately, to think rigorously, and to be creative.
College can also make us more tolerant citizens by teaching us to be receptive to diverse ideas. This is a goal that fulfills both the joy and practicality of learning, for if students learn to communicate ideas in nuanced discourse, logically and lucidly presented in such a way that there is space for substantive discussion, we will have the pleasure of living in a less polarized and more civil society where democracy functions and diverse perspectives are respected. At best, college teaches democracy by teaching students not only to work cooperatively in classes and extra-curricular activities, but also to speak their minds, often with the hope of changing the minds of others.
Notwithstanding the shortcomings of US universities, they offer hope and possibility. While some of our American students may take this for granted, most of my students are aware that they are in a crucible of opportunity. Foreign students who come here understand that the United States and its better colleges offer them something special. As Emma Ianni, Cornell '17, an undergraduate from Italy puts it,
I came here to find something that cannot be found [at home]: a bright future. My generation was born in a time that many define as the worst period for the job market since the Great Depression. Crisis, fear and disillusionment are pandemic, but here at Cornell I did find something I could have never found in Italy, my home country: here in the United States I found that determined hope that everyone needs nowadays. I say “determined” because I don't mean hope in a sort of fatalistic way; it's not about lightheartedly waiting for things to work out, it is rather about making things work out.
IV. Responding to Naysayers: College as Hope and Opportunity
In the aforementioned Excellent Sheep: The Miseducation of the American Elite and the Way to a Meaningful Life, William Deresiewicz has complained about the shortcomings of education at what he calls elite schools—a list of which he never provides and a category he does not define precisely. Using a disproportionate number of examples from Yale and Harvard students, he claims that all these elite schools encourage careerism and stifle creativity and boldness: “We want kids with resilience, self-reliance, independence of spirit, genuine curiosity and creativity; and a willingness to take risks and make mistakes” (236). He does praise some non-elite liberal arts colleges as places where teaching, rather than research, is valued and where the humanities are emphasized.
I am sure that this emphasis on teaching takes place in the world's prestigious public and private universities too, as well as throughout the American higher education system. Every day I see those qualities that Deresiewicz regrets missing. My Cornell classes and those of many of my colleagues are devoted to building those qualities even while we teach subjects.
Perhaps there is a small fraction of students who are busy building their resumes as opposed to enjoying and immersing themselves in their studies. However, Deresiewicz's macrocosmic generalizations lack evidence—almost all of his student comments are unattributed sources— and his indictment of the “meritocracy” is reductive.
Certainly, in some urban and suburban places there is an anxiety epidemic on the part of parents worried that their children will not excel. I have heard parents in NYC worrying about getting their children into the best private nursery schools and even hiring people to prepare their three-year-olds for interviews. I have had students who had so much parental help and expensive private tutoring that, despite having terrific grades in private day schools and competitive public schools, they had trouble as first-term freshmen doing their own work.
But we need to understand that this anxiety epidemic is only one strand of the story of students making their way through the American educational system. I also see middle and lower income children—often first generation college students—from less competitive public schools excelling at Cornell. Within a term they usually catch up with students from prestigious private schools and most competitive public schools.
Upward mobility is alive and well, although it could be even stronger, as I have mentioned when discussing accessibility to colleges for those is lower income brackets. Were admission based purely on merit, the Ivies would take fewer legacies and potential varsity athletes.
One of Deresiewicz's basic premises is that students have changed for the worse. He tells us that students were once more creative, imaginative, and interested in learning for its sake than they are now. My experience contradicts this claim.
We are also told that previous generations of students were happier, more confident, and had more developed “souls,” a term Deresiewicz uses in a secular sense. Put another way, he claims that students were less anxious, stressed, and depressed, and more reflective about who they were. But Deresiewicz does not provide substantive evidence or consider that prior generations were less likely to admit to depression and anxiety, because in the past admitting stress and depression or seeking help was culturally less acceptable.
Judged by the attention he received, Deresiewicz briefly touched a popular chord and became a rallying point for naysayers. Anxious parents whose children were not, or might not be, admitted to elite colleges could feel that little had been lost. Yet I believe much of what he says is either hyperbolic or lacks factual underpinnings. An example: “Everybody [at elite colleges] thinks that they're the only one who's suffering, so nobody says anything, so everybody suffers. Everyone feels like a fraud, everyone thinks that everyone else is smarter than they are” (Deresiewicz, 16). Suffering is living under the fear of having one's home bombed, or being displaced from an area where one has lived for generations, or having a dread disease, or losing a beloved friend or family member. Suffering is not, in most cases, being concerned about your future when you are nineteen-years old and are attending an elite university in the United States. What he is describing is the discomfort that we all experienced as young adults and, indeed, periodically thereafter.
Students from our current diverse ethnic and socio-economic backgrounds may have more anxiety than those admitted to elite schools two generations ago, but they succeed. Moreover, today colleges and universities admit students with emotional and physical challenges who might not have been able to function at college in earlier eras. We have far more support for deaf, blind, and physically challenged students as well as those diagnosed with bi-polar disorders, depression, and dyslexia.
Did universities, especially elite ones, have higher standards in the past? If we use grades as our criterion, there is some reason to answer “Yes.” Without doubt we have grade inflation, and one could argue that giving an A- for what thirty years ago was a B or B- is a lowering of standards. On the whole, however, I do not see a decline in the quality of academic work. I would argue that the quality of my students in terms of their preparation and performance is better than it once was. Moreover, while some students (being human) may occasionally take advantage of a professor's good will and trust, I don't see at Cornell much evidence of Deresiewicz's particular complaints: “[T[here are due dates and attendance requirements at elite colleges, but no one takes them seriously. Extensions are available for the asking; threats to deduct credit for missed classes are rarely, if ever, carried out. Kids at prestigious schools receive an endless string of second chances” (218). Is there anything wrong with a day or two extension for a student who is ill or temporarily overwhelmed?
Another area where standards may have suffered nationally is the amount of time students spend on their academic work. Some of the time once spent on academics has been replaced by the surge in the time spent on extra-curricular activities, community involvement, and employment. At non-elite schools students often have jobs to pay for college and family needs, and these jobs may require that they work many hours a week and perhaps full-time. Furthermore, statistics show that a good deal of students' time is spent on social media. It is possible that more time than in the past is spent on what is now called “partying.”
Of course, how students use their time varies from student to student, from field to field, and from college to college. From what I see not only at Cornell but where I have visited and what I hear from colleagues and students elsewhere, most students value their educational experience and manage their time to take full advantage of their learning opportunities.
V. Conclusion
I close with an echo of Ralph Waldo Emerson's great essay “The American Scholar,” an essay derived from an 1837 address he gave to the Harvard Beta Kappa Chapter. The American Scholar, Emerson argued, should be “Man Thinking” (which we modify in the twenty-first century as “Man and Woman Thinking”), that is, drawing upon “an active and creative power of mind”—rather than being “a mere thinker, or still worse, the parrot of other's people's thinking.” These creative thinkers have an obligation “to see the world clearly, not severely influenced by traditional historical views and to broaden understanding of the world from fresh eyes and not to defer to the popular cry.” These qualities of vision, I submit, are the qualities to which our college students and their teachers aspire—and at times come close to achieving— in the continuing quest to master the Art of Learning.
“How to Succeed at College and Beyond: The Art of Learning,” Huffington Post, 9:16, March 1, 2016.
The Shame of the Greek System
More than a decade ago, in 2011, former Cornell University president David Skorton penned an op-ed for The New York Times after a 19-year-old Cornell sophomore named George Desdunes “died in a fraternity house while participating in a hazing episode that included mock kidnapping, ritualized humiliation and coerced drinking.” Pledging to take action to “remedy practices of the fraternity system that continue to foster hazing,” Skorton noted that, at Cornell, “high-risk drinking and drug use are two to three times more prevalent among fraternity and sorority members than elsewhere in the student population.”
Scores of hazing deaths have been recorded nationally—accounting for at least one death on a college campus per year since 1970—but that does not begin to tell the story of what is wrong with the Greek system. What befuddles so many students and faculty is why it continues.
The Greek system encourages excessive drinking, abusive bullying under the guise of hazing, groupthink and sexism in various forms ranging from the objectification of women to sexual assault. Thus the Greek system runs counter to the values espoused by contemporary colleges and universities.
Fraternities and—perhaps to a lesser extent at some colleges—sororities impose a kind of conformity that stifles growth and creates anxiety about being different. In the form of shared social, ethical and political attitudes and behavior, members are expected to adhere to the accepted mores of their Greek houses. Membership in Greek organizations stifles student innovation and creativity. Greek life absorbs time that could be better spent on academic work and more rewarding extracurricular activities, including community service.
Since I first discussed this issue at length in How to Succeed in College and Beyond: The Art of Learning (Wiley-Blackwell, 2016), I have seen no significant change and am even more certain than before that the Greek system, while providing value to some individual members, has outlived its usefulness.
While my most intimate knowledge necessarily comes from my home campus of Cornell—where only a third of undergraduate students belong to fraternities and sororities—and three visiting professorships elsewhere, I have for over half a century been reading about the Greek system and talking to colleagues and students during campus visits across the country. Although two Cornell students have died since 2011 due to two separate fraternity hazing incidents that received national attention, comparatively little has been done to control the Greek system here. In fact, Sigma Alpha Epsilon, the fraternity that was the site of Desdunes's 2011 hazing-related death and was disbanded for a decade, has recently been allowed back on campus.
Just this past weekend, the Cornell police issued alerts reporting that one student was sexually assaulted and at least four others were drugged at off-campus residences affiliated with registered fraternities, prompting the temporary suspension of all fraternity parties and social events.
These temporary measures raise a more timeless question: Why are these organizations tolerated by universities? We know from studies that alcohol abuse is more common among those belonging to the Greek system than among other students and that membership in residential Greek organizations is associated with binge drinking and marijuana usage through midlife. As if that was not bad enough, a recent New York Times article on the University of Alabama's sorority rush highlighted the superficiality and frivolity of this system and the significant cost in dollars that membership entails.
To be sure, one can find alumni and students who believe fraternities and sororities do enrich the lives of young adults. Yet virtually every current and almost all recent female sorority members to whom I have spoken about the Greek system over the past few decades think it is obsolete and should be terminated. While not as close to unanimous, most of the fraternity members to whom I have spoken one-on-one—as opposed to in the presence of their fraternity brothers—have similar views. Most current students—and almost all the women—do not believe that men and women should be segregated by gender as is the case with the Greek system.
The Greek system makes my university, Cornell, less than it should be. I know of no student or faculty member who thinks that the minor tinkering that has been done these past few years sends the necessary message. Cornell needs to abolish an antiquated, sexist, classist, elitist, discriminatory system that encourages excessive drinking, sexual abuse and dumbing down of the intellectual environment, even as it discourages interaction among diverse racial, ethnic and socioeconomic groups. I recently spoke to a group of fraternity brothers where I saw some ethnic diversity but very little economic diversity, in part because membership in the Greek system is expensive.
Notwithstanding announcements of reforms, the perception among present and former students is that nothing substantive has been done. I understand from reading and discussion with students and colleagues that the same is true at many other colleges and universities despite significant efforts to abolish the Greek system on many campuses.
It is fair to say that a great many students and faculty believe on this issue that their administrations have been rearranging the deck chairs on the Titanic.
It is puzzling why college presidents and trustees ignore this community cancer, since they must know that the combination of hazing, bullying, predatory sexual behavior and binge drinking contributes to long-lasting physical and emotional injuries. One reason for inaction is pressure from older alumni donors who in hindsight treasure their Greek days. But we know from colleges that have abolished the Greek system—Amherst, Colby, Middlebury, Swarthmore and Williams Colleges, among others—that fundraising goes on just fine in absence of fraternities.
Another reason for inaction is that the Greek system supposedly helps solve housing problems. But were the Greek system to be terminated, the national organizations could sell the houses to the university at a nominal price since they would have no reason to sustain them. The result would be no loss of housing space.
The principal reason given by students for joining is to overcome loneliness and give students a sense of belonging. But now there are a plethora of clubs and activities from a cappella groups to juggling groups, adding up on many campuses to well over 1,000 opportunities for students to find friends and cohorts and to make networking connections for future employment.
At a time when there were few organized activities on campus, the origins of the Greek system developed from a need for male bonding and, later in the 19th century when women began attending college in numbers, female bonding. The Greek system flourished during the time of parietal rules governing relationships between men and women on campus. But now these rules are vestiges of the past and an irrelevant encumbrance to university goals. The question is whether in 2022 colleges and universities are better for the Greek system, and my answer—shared here by the vast majority of students and faculty I've spoken with—is a resounding no.
“The Shame of the Greek System: Fraternities and Sororities Should Not Be Permitted To Continue at American Colleges and Universities” Inside Higher Ed, Nov. 10 2022
What to Do With a B.A. in English?
After the appearance of my October Huffington blog, “Why Study the Arts and the Humanities?,” I have often been asked the question, “What can someone do with a B.A. in English?”
Some months ago I was giving a talk to an audience of over 100 at the midtown New York Public Library on my book Endtimes? Crisis and Turmoil at the New York Times. During the post talk question period, someone who wandered in a few minutes before and was standing on the side–and apparently knew I was an English professor–asked somewhat aggressively, “And what do your students do?” Since I knew fifteen or so of my former undergraduate students were in the audience, my response was: “Let’s ask them.” And as I went around the room, they responded: “I graduated from Harvard Law school and now work for the city of New York”; ” I am at MOMA working on foundation relations after doing an M. A. in Museum Studies at NYU”; “I work at Christie’s as a Junior specialist in European Furniture, porcelain, and decorative arts, after completing a Magister Literarum degree–accredited through the University of Glasgow– from Christie’s Education”; “I am working in hospital administration”; “I work in the financial industry”; “I am preparing to take the law boards in a few months and am working as a paralegal”; “I am an editor in a major publishing house”; “I am a professor of English at a branch of CUNY”; ‘I am in medical school in New York,” and so on.
Other of my former undergraduate majors have become authors and journalists (one won a Pulitzer not so long ago) or have been successful in the theatre and film industry (I was Christopher Reeve’s teacher and advisor). One is the founder of a major hedge fund.
Among those former English majors not in the audience, one writes for Jane’s, which specializes in defense and military technologies; another for Brides; and a third works for an ad agency. Others do technical and business writing or are excelling in various areas of library administration.
English majors choose a major that not only challenges them intellectually but gives them pleasure. They love to read and think that reading matters. Or they hope to be writers and have taken courses in creative writing to test their potential as poets, fiction writers, and dramatists. They may have taken courses in expository writing to polish their skills or to see if the essay and other non-fictional forms were their best genres for a writing career.
English majors believe in education as an end, not merely as a stepping-stone in the path to a career, but they are not necessarily impractical. They are idealists, but unless they have large trust funds or they expect an imminent inheritance or have immediate prospects for marrying into wealth, they need a career.
What an English major brings to career possibilities is the ability to think critically, speak articulately, write lucidly and precisely, and to read powerfully, deftly, and with understanding of subtleties and nuances. They know how language works and have the written and oral skills to communicate effectively.
The Obvious Possibilities:
English majors often go into teaching.
In bygone years, we encouraged our best students to think about a getting Ph.D. and going into college teaching. Many of them did and had splendid careers. I recall being made to understand that I could get a Ph.D. and enter into the mysterious world of academics. It was almost like being tapped for a secret society.
Now unless you really feel a calling akin to what I assume prospective clergy experience and are willing to teach anywhere in the country and perhaps at a small college with limited prestige or a two-year community college, you should think twice about graduate work. You can have a wonderful career teaching at such places, and you will find good students and colleagues everywhere. You may end up at a prestigious place, but job opportunities are more limited than they were when I went to grad school 50 years ago. If you do apply to graduate school in English, it is often better to wait a year after graduation so if you graduate with honors or make Phi Beta Kappa, you have that on your application
2) Teaching secondary school is another option. Some Ph.D.s now teach at elite preparatory or public high schools, but the more traditional degree is a Masters degree in English and if your choice is elementary school, a Masters in Education. We used to say college teachers teach subject and high school teachers teach students. I like to think we both teach subject to students. Teaching subject at a top public school or private school can be challenging and exciting.
3) Teach for America–a two year commitment to teach at underserved schools– has become a program that many of our students seek out and find rewarding. Similar programs such as New York’s Urban Teaching Corps also exist. This could lead to a career teaching students who are most in need, but it can also be a prelude to more traditional secondary teaching and/or public or private school administration.
4) Teaching abroad is a possibility; a number of programs exist for placing students in English speaking schools abroad and/or teaching English as second language. The Peace Corps can be another teaching venue.
But a BA in English is often a prelude to law school and even medical and dental school. Doing well on LSATS will make an English major as competitive for law school as any other major; reading deftly, writing precisely, thinking critically, and speaking well are important skills for a law career. Some of our students pursuing medical careers have double majors in English and biology or chemistry, but not all. Double majoring in economics is a good idea if you want to go into the business world, especially investment banking.
Other (But Certainly Not All) Possibilities:
English majors are often interested in becoming writers. Often the best way to pursue this is by getting an MFA (Master of Fine Arts). The few years in a MFA program enable you to focus on writing and are also good preparation for a teaching position in a creative writing program, especially if you are getting work published in respectable venues.
Many English majors become journalists. Several of my own Cornell students have done well in this field. Journalism now has expanded beyond print, radio, and TV broadcasting into the electronic media. In the past, a journalism degree was often a recommended path to a journalism career, but it is far from the only path. If you are interested in journalism, you need to get experience by writing for your college newspaper and to get summer internships in the media. Major papers sometimes hire students as part time “stringers” who submit stories that pertain to their campus.
Unfortunately some of the best internships do not pay. Recent litigation on the issue of unpaid interns may mean some of the media companies will pull back on such internships, but perhaps they will offer a lesser number of paid ones. You may have a better chance of employment if you specialize in science writing, music reviews, etc. and have a weekly column or, even better, an editorship on the student newspaper.
Unless you are very well connected, your first journalism position will not be with the New York Times, which tends to use other papers as a kind of farm system, and hire those writers whom they see as promising young stars. Smaller magazines and newspaper may pay less but will offer good opportunities for advancement.
5) Publishing. Again, summer internships are good because publishing house senior editors get to see your work and observe how well you work with a team. Once upon a time, publishing houses used to hire women as typists and fact checkers even if they had outstanding academic records but now publishers are equal opportunity employers.
6) Needing writers for publicity and for publishing reports to stockholders and clients, businesses hire English majors. So do Ad agencies, which need clever writers. Politicians and some CEOs need speechwriters. English majors are also hired by major investment banking firms because the firms see potential to grow capable young adults who are imaginative, innovative, and have communication and people skills. Again summer internships can open the door to being hired.
Interviews:
When you go to interviews, even med school interviews, you will be asked why you majored in English. Think of something to say beforehand such as–and these are only suggestions–”I majored in English because reading about other cultures and time periods complemented my life experience” or “No other major would have taught me so much about how people behave in various circumstances and in various cultures. More than any other major I felt I would learn how know other people live, what values motivate them, and why and how people think and feel.”
Among qualities to stress in an interview: you write lucidly; you know how to organize and synthesize complex material; you are an experienced researcher, comfortable with the Internet and libraries; you speak and write well; you have made presentations to audiences and you are a savvy member of the twenty-first century digital universe.
Emphasize that, having taken small classes and seminars, you know how to work within a community: you have exceptional listening skills, work well with peers and supervisors, and learn from others.
Keep in mind that you will be offered a position not for what you are but for what you will become. That is, you will not be hired only for the posted entry-level job but for your potential for growth. You should emphasize that you want be an important asset and will take initiatives within assigned tasks.
Keep a notebook for possible answers to expected questions. Whether it be a job or university interview, always go to interviews informed about the place interviewing you. Foreground what makes you the very person the interviewers want. Always dress appropriately. What might be appropriate for a major finance company might not be best for Teach for America where expensive clothes might have the interviewer wondering how you are going to be able to teach in the South Bronx or on an Indian reservation.
Conclusion:
I asked a few of my former students how they use their English major. Kayla Rakowski, Cornell ’08, who is the student working at MOMA, observed: “I use the writing and proofreading skills I honed as an English major every single day, whether I am drafting a grant proposal, editing down content for a donor report, or simply typing emails and business correspondence. Further, the major greatly expanded my knowledge of cultural history, building a context that is a great asset to me as an employee of an art museum.” Devon Goodrich, Cornell ’07, Harvard Law ’11, Assistant Corporation Counsel in the Environmental Law Division of New York City, responded to my query: “[T]he reading comprehension and writing skills that I developed as an English major gave me an edge over other law students and young lawyers. . . .[T]he ability to closely read a text while also placing the text within its larger context directly translates to law. Practicing law involves reading all aspects of a situation — not only the applicable statutes or regulations, but also the clashing personalities of involved parties, the historical background of a project or property, and the political circumstances surrounding a case — and providing sound advice based on all the facts and angles. . . . Often when reading a legal document, the best readers can read what is not said in the document as well as the words on the page.”
Playwright and actress Zoe Geltman, Cornell, ’08 observed: “Majoring in English has definitely contributed to my appreciation of the Arts and of Literature in general. I think it has made me a more thoughtful, insightful person and made it easy and natural for me to analyze a piece of text–be it a play, a piece of fiction, or an article.” According to Liz Wight ’07: “I think the thing the major gave me most was critical thinking, a yearning for discovery and clear means of articulating myself.” Sal Ruggiero, Cornell ’07,who has been an editor and is now Assistant Manager, Domestic Rights for the Knopf Doubleday Publishing Group, adds: “Reading and writing not just well but for a purpose has proved paramount to my job. . . Plus learning argument and persuasion techniques in essay writing sometimes proves useful in contract negotiation or pitching.” Amanda First, Cornell ’12, assistant editor at Brides, notes, “My English major has lent me creative, critical thinking, and analytic writing skills that have my writing clearer, more exciting, and more serviceable to our readers.”
Grace Jean, Cornell, ’2000, US naval reporter writes for Jane’s as well as a part-time music reviewer for the Washington Post, brings the commentary from former students to an apt conclusion: “All the skills that I developed and honed through my English classes and seminars are put to use daily in my career as a journalist. Close reading, analytical thinking, and clear and concise writing have become the bread and butter of my livelihood. I have the English major to thank for playing an integral role in my professional development.”
What all these comments show is that the English major opens doors through which students walk to a splendid and varied future.
“What to Do with a B.A in English?” Nov. 2, 2013, Huffington Post. http://t.co/ArxW1dR7p5 via @HuffPostCollege
Why Study the Arts and the Humanities?
Following the recent report of the American Academy of Arts and Sciences on the crisis in the Humanities entitled “The Heart of the Matter,” I have seen quite a few insightful commentaries, most stressing economic utility — how the humanities help students succeed in whatever endeavor they pursue — and some stressing how the humanities contribute to making students better citizens in a democracy.
In my definition, the humanities not only include literature of both ancient and modern languages, the performing arts, philosophy, comparative religion, and cultural studies, but also history, anthropology, and linguistics, although the latter three are often on the border between humanities and the social sciences.
What follows are my own reasons to study the humanities, with a particular focus on the arts. My reasons balance utility with more idealistic quality of life issues. Thus I want to stress both the isness and doesness of the humanities, which in fact is a version of the Horatian credo of delighting and instructing.
On the utility or doesness side, I would stress the value of learning to think critically and independently, read powerfully and perceptively, write lucidly and precisely, and speak articulately.
On the quality of life or isness side, I would stress that the arts take us into imagined worlds created by different minds and enable us to understand how others live. We are what we read, the museums we visit and the performances we see and hear. They are as much us — part of our memories, our isness — as the culture we inherit and the life experiences we have.
That entry into other worlds and minds does give us a larger context for thinking about how to live and how to confront and understand present personal and historic issues, even while also giving us pleasure for its own sake.
Another way to think about what the arts do is to ask whether experiencing the arts makes us more perceptive
and sensitive humans. We can say with some certainty that reading and viewing masterworks in the visual arts
or in attending performances of great music, opera, or ballet
widens our horizons about how people behave and what historical and cultural forces shape that behavior. But
will, say, reading War and Peace be a catalyst to heroic action or, as Tolstoy urges, putting family first?
Probably not. Will it make us slightly more aware of the need to find definition and purpose in life? Perhaps
in some nuanced, immeasurable way, the answer is “Yes.” Do adolescents learn anything about life,
love, and the place of the imagination from classic young adult fiction like Lawrence’s Sons and Lovers,
Joyce’s A Portrait of the Artist as a Young Man, and Salinger’s Catcher in the Rye? I did.
Perhaps the best answer to who gets the most out of the arts is that it depends on what the reader, viewer, or listener brings to her or his experience. For there is a symbiotic relationship between art and audience, and each perceiver is a community of one. Or, as Constantine Cavafy puts it:
Laistrygonians, Cyclops,
wild Poseidon — you won’t encounter them
unless you bring them along inside your soul,
unless your soul sets them up in front of you. (“Ithaka”)
Even while teaching us, the arts insert a pause between the tick and the tock and in a sense suspend our
diurnal lives. In defending the humanities, perhaps we need to assert the value of that pause, whether it be
attending a performance of a Balanchine ballet, a Mozart opera, a Beethoven symphony, or a blues concert by
Buddy Guy. The joy and wonder evoked by such performances are real if immeasurable values.
By awakening our imagination, art intensifies and complements our own experience. Art represents people,
cultures, values, and perspectives on living, but it does much more. While bringing us pleasure, art teaches
us. While reading or contemplating a painting our minds go elsewhere. We are taken on a journey into a world
where form and meaning are intertwined.
Form matters and gives pleasure. How a work of art is organized — its technique, its verbal or visual texture, its way of telling — gives pleasure. So does the inextricable relation between form and content. The form of imaginative art, as well as the form of well-written non-fiction, organizes the mess (if not the chaos) of personal life as well as that of external events. Form not only organizes and controls art but also other bodies of knowledge within the humanities. Form imposes structure that our own lives — as we move from moment to moment through time — may lack.
Narrative — sequential telling — imposes form as it orders and gives shape. Indeed, in the sense that each of us is continually giving shape to the stories we tell to and about ourselves, there is continuity between what we read and see and our own lives. Put another way, what we read teaches us to find narratives within our own lives and hence helps us make sense of who we are. Our seeing shapes and patterns in stories and other kinds of art helps give interpretive order — in the form of a narrative that we understand — to our lives. We live in our narratives, our discourse, about our actions, thought, and feelings.
While there is always a gulf between imagined worlds and real ones, does not the continuity between reading lives and reading texts depend on our understanding reading as a means of sharpening our perceptions and deepen our insights about ourselves? Reading is a process of cognition that depends on actively organizing the phenomena of language both in the moment of perception and in the fuller understanding that develops retrospectively.
To cultivate both the utility of the humanities and their contribution to the quality of life, we need to develop passionate, committed teachers at every level whose knowledge, enthusiasm, and interest in students enable them to help open the doors and windows of students’ minds to the importance of the humanities. Too often university professors are so immersed in their own research that some courses offered are narrow in scope, inadequately defined, and unattractive to students.
Much more stress in college and university curricula should be on how to attract students rather than how to satisfy faculty. But that does not mean dummying down curricula or abandoning the canon. Rather it means organizing the curricula so that the best teachers — those that truly engage students in the odyssey of learning — are foregrounded. Course syllabi must be more than maps of a teacher’s taste and interest. They need to be an astute selection of texts as windows into cultural traditions and values. Teachers should remember that the goal of the humanities is not only to intensify and complement their students’ life experiences but also to give them tools to understand and interpret the world in which they live. This will help them be economically and professionally successful. But it will also enhance their lives, enabling them to take pleasure in the arts and satisfaction in being part of an ongoing humanistic tradition of reading, writing, and thinking.
“Why Study the Arts and the Humanities, Oct. 7, 2013, Huffington Post. http://t.co/4Gnri3s2oi via @HuffPostCollege
Do the Humanities Help Us Understand the World in Which We Live?
What do the Humanities do? I would argue that they help us understand ourselves and the world in which we live. When we read, we listen to words, respond to behavior, and try to judge what people’s mindset is. We “read” human behavior every day in our interaction with colleagues, family, friends, and public figures, and our reading improves our knowledge, perspicacity, judgment, and sensitivity. In other words reading helps us make sense of our lives and the world we live in.
Reading literature and experiencing music, dance, live theatre, and the visual arts are as much part of our life experience as other events and can have a similar impact. The Humanities contribute to our moral, historical, and political awareness; this occurs even if the events described in a literary text, a painting or sculpture, or an operatic or theatrical performance are more imaginative than factually accurate.
Thus Joseph Conrad’s Heart of Darkness (1898), with its stress on European imperial greed and racist exploitation of Africans, helps us understand the history of the country now called the Democratic Republic of Congo — formerly the Belgian Congo — and to some extent other former colonies in Africa. E.M. Forster’s Passage to India (1924) helps us understand India, particularly the continued divide between Muslims and Hindus and the more recent efforts in India to move beyond both its caste system and its colonial past to define itself as an inclusive democracy.
Let me turn to a current event, namely, Russian President Vladimir Putin’s seizure of Crimea from the Ukraine. What follows is not an apology for Putin’s outrageous and duplicitous behavior but an effort to understand it through the lens of literature.
Readers of Dostoevsky and Tolstoy will better understand Putins’s behavior and his response to Western disapproval if they remember those 19th century authors’ deep skepticism of the Enlightenment’s emphasis on logic and reason. Dostoevsky and Tolstoy believed in the Russian destiny and the exceptionalism of the Russian soul. While Putin shares many of their beliefs, we will also see that he ignores some of the humanistic implications of their fiction.
Although steeped in a Marxism that can be seen as a product of Enlightenment thinking, Putin sees himself as a Slavophile living by passion, faith and intuition and unwilling to submit to Western views of reason and fairness. Reading Dostoevsky and Tolstoy, I believe, helps us understand Putin’s disdain for the West. What Westerners may see as Putin’s arrogant belief in Russian destiny needs to be understood in terms of a nation that fears not merely Western domination but Western invasion.
Putin’s acute xenophobia mixed with suspicion of Western ways of thinking were on display when he announced plans to absorb Crimea into the Russian Federation:
“Some Western politicians are already threatening us not just with sanctions but also the prospect of increasingly serious problems on the domestic front. … I would like to know what they have in mind exactly: action by a fifth column, this disparate bunch of ‘national traitors,’ or are they hoping to put us in a worsening social and economic situation so as to provoke public discontent?”
According to David Herszenhorn, the author of the aforementioned article: “Widely expected to be enacted into law, the proposed cultural policy emphasizes that ‘Russia is not Europe’ and urges ‘a rejection of the principles of multiculturalism and tolerance’ in favor of emphasizing Russia’s ‘unique state-government civilization.’” Among other things, Putin, when evoking multiculturalism and tolerance as Western ideas, is expressing his disdain for homosexuals.
Putin’s mindset owes a good deal to Napoleon’s and Hitler’s invasions of Russia and the historical memory of those events. The Napoleonic invasion was never far from the 19th Russian imagination, and that is particularly true in Dostoevsky’s and especially Tolstoy’s case. Even more timely for Putin is the more recent invasion by Hitler in World War II; although born in 1952, the historical and personal memories of the horrors of World War II were a defining part of the world in which he grew up.
Putin believes that once again the West wants to shrink Russia — that is the greater Russian empire he imagines — and that shrinkage has been going on since 1989. In his mind, the Russians lost no war but rather have been out-maneuvered to lose the peace. He detests any alliance between Ukraine and NATO. As he said March 18, 2014: “NATO remains a military alliance, and we are against having a military alliance making itself at home right in our own backyard; in our historic territory.”
Putin claims to have read Tolstoy and Dostoevsky and includes Anna Karenina, Crime and Punishment, and The Brothers Karamazov among his favorite books. Whether he reads them carefully or read about them, he would have found in those authors strong evidence of national disunity, severe class division, decadence, alcoholism, and the need for transforming Russia by one means or another.
Dostoevsky cast his lot with the Slavophils who were skeptical of Western ideas and thought Russia needed to maintain its cultural distinctiveness, That distinctiveness included spirituality and mysticism, as well as disdain for measuring and categorizing humans by scientific theories that fail to take account of each individual’s uniqueness. According to Robert G. Durgy: The Slavophils sought to dissociate Russia from the western influence and to discover her peculiarity in the old peasant commune that was believed to reveal her socialistic soul. Whereas the Westerners’ doctrines were either frankly atheistic or at least are areligious, the Slavophils believed in the primacy of the moral and religious laws of the Russian Orthodox Church and favored a holistic, spontaneous reason over the lower logical and analytic reason they associated with western positivism. (Notes from Underground by Fyodor Dostoevsky, ed. with an introduction by Robert G. Durgy, trans. Serge Shiskoff. New York: Thomas Y. Crowell, 1969, xi-xii).
Dostoevsky is skeptical of the abstract reasoning and logic that he believed dominated Western Europe and in particular the Enlightenment. That is, Russia must find its own way derived from its own past and cultural traditions.
He was doubtful that the light of reason could effectively illuminate, organize, and understand human behavior by means of social and scientific theories. Dostoevsky was skeptical of western philosophical ideologies such as utilitarianism and political systems such as socialism or democracy that made rational claims about human behavior. He had great doubt that the scientific revolution would lead humankind to a better life or that humankind could step by step accumulate universal truths by evaluating hypotheses according to evidentiary tests. Nor did believe we can predict behavior from observation as if a human being were an experiment within — to use a figure from Notes from Underground — a laboratory retort. Nor did he believe, as did some of his Russian contemporaries who bought into Social Darwinism, that humans were upwardly evolving and fulfilling a teleological pattern to a perfected or at least a much-improved humanity.
He believed that the only way for humankind to contain man’s darker impulses–self-love, passions, desires, and impulses to narcissistic and destructive behavior–is through belief in God. Dostoevsky is something of a mystic who believed in the Russian soul as an individual and collective entity.
In Notes from Underground (1864), Dostoevsky is sympathetic to his narrator’s rebellion against logic
and reason and various Western social formulae ranging from British utilitarianism (as defined by John Stuart
Mill and Jeremy Bentham) with its concomitant Hedonic Calculus to the Romanticism of Rousseau with its
idealization of human behavior. The Romantics believed humans were born with an inherent propensity toward the
good and beautiful that, were humans not corrupted by society, could be maintained in a state of nature.
Dostoevsky understands that we humans do not always act logically and or in our self-interest. With few
exceptions, most notably Alyosha in The Brothers Karamazov (1880), Dostoevsky’s characters not only lack
modesty, balance, and gradualism but also at times respond to passions and needs that they barely understand
or control.
Let us consider how Dostoevsky proposes an alternative to Western thought. For most of Crime and Punishment (1866) we are in the world of chronological, linear time where we hear the clock ticking and ask what will happen next. However, within the novel, there is another alternative reality and that is the one that matters most to Dostoevsky: the timeless reality of God and salvation, a principle of inner order, patience and tranquility represented by Sonya. This is the world of faith and the Bible, specifically the account of the resurrection of Lazurus, which foreshadows Raskolnikov’s transfiguration. Transfiguration takes place within significant time — what the Greeks called kairos — when the tick-tock of passing time doesn’t matter. When Raskolnikov throws himself down at Sonya’s feet in an act of humility, we are to understand that he experiences a transformation from immersion in the chronological world to awareness of this alternative, richer reality: “They were resurrected by love; the heart of each held infinite sources of life for the heart of the other” (Crime and Punishment. Trans. Richard Pevear and Larissa Volokhonsky. New York: Vintage, 1993; Epilogue II, 549).
Although his father was an atheist in keeping with Communist ideology, Putin was baptized into the Russian Orthodox Church under his mother’s auspices. Since the 1990s he seems to have embraced Russian Orthodoxy; he makes clear that he wears a cross around his neck that was given to him by his mother. Whether he believes or not, he wants the Russian people to see the cross as a link to the Slavophil tradition just as he wants to advertise his supposedly remarkable physical fitness and outdoor adventures — including swimming in a cold Siberian river and other daring- do as alternatives to supposed Western decadence.
Let us turn to Tolstoy. Putin would certainly have found a source for Russian exceptionalism in Tolstoy’s diagnosis of what is right and what is wrong with late 19th century Russia. Tolstoy’s focus in both War and Peace (1869) and Anna Karenina (1877) is Russia in the later nineteenth century after the freeing of the serfs in 1861 but still in the time of the Tsars. In the earlier novel, the focus is on the Napoleonic invasion and the perversion of Russian values by decadence that is often but not always of Western origin.
In War and Peace (1869), Tolstoy’s narrator is often a surrogate expressing the author’s views: major events do not depend upon a hero’s will but upon a confluence of causes. History is an accident informed by God’s will which humans cannot understand; military action is more often farcical than the fulfillment of a plan. Humans need to isolate a comprehensible concatenation of events from the historical mess.
What makes life meaningful is human love, but finally we need to recognize God’s miraculous world. We think we control far more in our personal lives than we do. Selfishness is bad and self-immersed narcissism is worse, but some self-love is necessary to act effectively. Tolstoy’s conservative view of Russia’s social structure sees the great families as necessary guardians of serfs and peasants.
In the combination of the characters’ empty social prattle, family ambitions, and manipulative and self-serving discourse in War and Peace, Putin would have seen Russian decadence and examples similar to contemporary cocktail parties of influential people and wannabes. Even as the upper classes speak French, the gathering storm is Napoleon’s expanding empire. Quite ironically, the first words we hear are Anna Pavlovna’s French. As Count Rastopchin sarcastically remarks in 1811 when the restive Napoleon is proving an unreliable and patronizing ally: “[F]ar be it from us to fight the French. . . .The French are our gods, and our kingdom of heaven is Paris” (War and Peace. Trans Richard Pevear and Larissa Volokhonsky; New York: Alfred A. Knopf, 2007; 2.5.iii.545).
Among the historical themes in both War and Peace and Anna Karenina that Putin evokes from Tolstoy is the greatness and specialness of Mother Russia with its own Slavic traditions and culture, including its traditional rural communities as opposed to the impersonality and frivolity of the modern city and urban life. Notwithstanding his own luxurious life style and his concept of “state capitalism,” part of Putin’s ideology is based on his appeal to the have-nots and to those who think traditional communism was better. In Anna Karenina, he would have found underemployed and marginally employed workers whose safety is not taken seriously, as in the case of the railroad watchman accidentally killed when Anna meets Vronsky for the first time.
Putin claims to be concerned with how Russia is to organize itself morally and spiritually. In Anna Karenina, Konstantin Levin is a typifying character with historical resonance struggling with moral and economic issues facing large landowners once the serfs are freed. It is Levin’s values that resonate with those of the other Tolstoy surrogate, the narrator. Tolstoy is scathingly critical of wasteful and dissolute ways of living by people of privilege. To an extent, Levin is the cultural answer to the triviality and superficiality of the world of Oblonsky, Vronsky, Anna, and her husband, Alexei Karenin.
Like his character Levin Tolstoy believes that the Russian nobility have special responsibilities to the less fortunate, but also believe that the Russian (Slavic) temperament and soul are different from those of Europeans. Levin’s acceptance that he lives in a universe informed by God’s presence transform Levin into a fully functional person.
Many of Levin’s — and Tolstoy’s — values are implicit in Putin’s espoused program. Like Tolstoy, Putin is impatient with the compromise and sluggishness of democracy, and he claims that his mission is to extend economic welfare to the less fortunate.
Putin’s appeal is to Russian Manifest Destiny and the purity of the Russian land, now polluted in the Crimea and Eastern Ukraine. When we join Levin in the country in Part Two of War and Peace. Chapters xii-xvii (151-173), it is as if Tolstoy takes us into a different, cleaner, and clearer world than the urban world of Part One. Tolstoy’s view of urban life, contemporary fashions, and political machinations is very much that of Levin’s. Tolstoy draws a strong contrast between what he sees as the superficiality of urban life and the substantive family oriented life of those who live on the land. It is almost as if the Russian soil is a mystical presence shaping character. Yes, Tolstoy can be a polemicist — he hates triviality, licentiousness and sloth — but understands intuitively that human behavior cannot always be controlled by reason.
The question is whether Putin is misreading Dostoevsky and Tolstoy and doing so to cater to reductive and simplistic solutions that serve his own purposes. For there are also significant differences between Putin and both these authors, and, given the positivism of Marxist theory, we can see the irony of Putin’s invoking both of them. Moreover, while Tolstoy undermines the great man theory and sees much of history as accident, Putin sees himself as larger-than-life figure unifying Russia in the wake of the terrible and catastrophic break up of the USSR in 1991.
We might remember, when thinking about Putin’s self-concept bordering on megalomania that Tolstoy detests Napoleon’s megalomania, ambition, solipsism and self-immersion. Tolstoy presents Napoleon as a vain foolish man who is in over his head. He mocks Napoleon’s invading Russia — he sarcastically calls Napoleon “that genius of geniuses” (4.2 viii.1001) — and thinks every major decision Napoleon made was wrong-headed. In Christianity and Patriotism (1896), he wrote, “No feats of heroism are needed to achieve the greatest and most important changes in the existence of humanity.”
Putin has done everything possible to remain close to the now independent nations that once composed the U.S.S.R. He plays on what he believes is the Russian desire for strong leadership, but Tolstoy was ironic about the transfiguring presence of a Czar, and both Tolstoy and Dostoevsky were in fact far more concerned with spiritual values, the moral qualities of the individual, and the specialness of Russia under the auspices of God and less with power than the Machiavellian and xenophobic Putin who often appeals in his intolerance to diversity — whether in his attitude towards sexual orientation or political opinions — to the lowest common denominator of the Russian sensibility. He may see himself as an heir to the Tsars and the charismatic Lenin and Stalin, but we see him as a deluded man following his passions. When it comes to Dostoevsky and Tolstoy, he is misreading the literary and historical analogies he invokes and ignores the essential humanism that shapes their view of personal relationships.
“Do the Humanities Help Us Understand the World in Which We Live? Putin, Dostoevsky and Tolstoy as Examples of How We Learn and What We Learn from Literary Texts ,” May 2, 2014, Huffington Post, http://www.huffingtonpost.com/daniel-r-schwarz/do-the-humanities-help-us_b_5253271.html
Are Teaching and Research Mutually Exclusive?
I say research and teaching are … inseparable. And they are symbiotic (Nobel Laureate Roald Hoffmann)
Recently after Adam Grant proposed that tenure should be awarded for good teaching as well as good research, I thought about his claim that research showed that, “In all fields and all kinds of colleges, there was little connection between research productivity and teaching ratings by students and peers.”
Of this study, Saul Teukolsky, Cornell’s Hans A. Bethe Professor of Astronomy and Physics, writes: “The study he cites basically lumps together many levels of teaching in many kinds of institutions (not restricted to research universities) and finds little connection between teaching and research. No surprise: You don’t have to be a strong researcher to do a good job of teaching freshman calculus or freshman composition. Since most university teaching is at the freshman level, this is the effect the study finds. But in my experience the strongest teachers of upper-level undergrad courses and graduate courses tend to be the strongest researchers. Of course there are exceptions, but statistically I believe this is true.”
I am not a social scientist and am basing what follows on my 46 years of college teaching in the humanities, mostly at Cornell but with a few visiting professorships at state universities. I have been fortunate to have won Cornell’s major teaching awards and have had some success as scholar.
The connection between teaching and research depends on a number of variables including where one teaches, how many courses one teaches, what the teaching expectations are, what field one teaches in, and what kind of students one teaches. It also depends on the criteria by which one rates teachers. But what is clear is that those who do research find a strong relationship between their teaching and research, and in most cases that teaching includes undergraduate teaching. As Ron Ehrenberg, Cornell’s Irving M. Ives Professor of Industrial and Labor Relations and Economics and an authority on higher education, puts it, “Put simply, my research enhances my undergrad teaching and my undergrad teaching enhances my research.”
My own experience as a teacher-scholar in the humanities makes me skeptical of the claim that there is no relation between effective teaching and effective research. As Beth Newman, Associate Professor of English and Director of Women’s and Gender Studies at SMU, stresses, “[T[he kind of knowledge dispensed in the humanities requires significant investment in producing that knowledge: "We do not produce tangible or marketable goods but knowledge. And that knowledge must not be confused with information. It is more often interpretation, in its broadest sense of re-framing of other knowledge for new social and cultural contexts. It is difficult to invest intellectually in this knowledge and to keep current in it, and therefore, to teach it responsibly to others, if one is not also producing it at some level."
It has been my impression that at Cornell and peer institutions, the most esteemed and productive scholars in the humanities have been for decades the most effective teachers, especially for the best students. But I decided to ask a number of colleagues in diverse fields--humanists, social scientists, and scientists--what they thought about the relationship between their own teaching and research, virtually all of them expressed the view that their teaching and research were strongly inter-related.
For me, there has always been a strong correlation between my teaching and writing. In a classroom, one learns to organize material, articulate it lucidly and precisely, and defend one's ideas, and that is also what one does when presenting research. To be sure, I have given many presentations based on my research at academic conferences and in other venues, but the often small audiences at conferences there do not always test you as much as a bright and informed group of graduate students or advanced undergraduates. Thus teacher-scholars in the humanities often test their hypotheses in the classroom before bringing them to conferences or submitting them to journals.
I am fortunate to teach in the humanities at a university where I have time to do research and where there is a strong relationship between what I study and what I teach. Indeed much of my scholarship derives from my teaching experience. Right now, I am working on a book on the European novel since 1900 that will include a chapter on Proust's Swann's Way. My reading and thinking about Proust informs what I bring to my current graduate seminar on Joyce's Ulysses in terms of narrative theory, and the experience of testing my ideas there is helping my understanding of Proust's narrative strategies.
Most of Cornell's best scholars in diverse fields believe that teaching helps their research. Nobel Laureate Professor of Chemistry emeritus Roald Hoffmann writes: "I have thought about [the relation between teaching and research] over the years, and overall reached the conclusion that it works in both directions, and importantly for me, teaching introductory chemistry has made me a better researcher.” Cornell Professor of Mathematics Louis Billera writes compellingly about how even properly taught introductory classes are informed by the need to explain how specific material fits into the context of a larger field: “Early on, I noticed that my research benefitted each time I taught a course I hadn’t taught before. Organizing a subject in order to teach it, especially to undergraduates, meant you had to really know it, not just have what we call ‘a nodding acquaintance’ with the material (which means you can nod sagely when hearing a colloquium lecture about it). Conversely, I think it is important to know where a subject is going as well as where it has been to be a truly effective teacher. Those not involved in research tend not to know much, if anything, about the former. Where a subject is going, which includes how it might be used, is essential to get and keep student attention, again, especially that of undergraduates.”
What follows is not, I hope, a boastogram, but an informal account of my own experience. Had I not taught James Joyce’s Ulysses many times and worked through my approach in a classroom, I would not have been able to write Reading Joyce’s Ulysses. Following my mantra, “Always the text, Always historicize,” teaching other modern writers–including Joseph Conrad, Wallace Stevens, D.H. Lawrence, T.S. Eliot, Virginia Woolf, and E.M. Forster–certainly helped in writing chapters and books about them. Doing research–learning these writers’ historical contexts, their lives, and the ways they have chosen to present their material–immeasurably helped my teaching. Much of my literary and cultural research has been shaped by the interaction of studying the aforementioned authors’ work and my presenting what I have discovered to both graduate and undergraduate students. Indeed, one of the joys of teaching is learning something new every day both in the preparation of classes and in the insightful response of students.
Years ago during the high tide of Deconstruction I wrote an influential book on the history and practice of the Anglo-American literary method and theory as it pertained to fiction. I refined the ideas for the book not only in upper class and graduate classes but also in an informal colloquium attended by graduate students with whom I was working and anyone else who wanted to come. Directing several Summer Seminars for College Teachers for the NEH gave me chance to present the ideas for the aforementioned book. Later, teaching NEH Summer Seminars contributed to the book I wrote in the 1990s about the relationship between modern art and modern literature.
When I write for a professional audience or for lay readers, I write as a teacher imagining my audience as those interested in knowing what I have learned. What effective teachers and good scholars have in common is a joy in the process of learning and of sharing what they have learned with others.
My Cornell colleague George Hutchinson, Newton C. Farr Professor of American Culture, observes: “My book on the Harlem Renaissance resulted from teaching African American literature surveys on the one hand and advanced courses on Whitman and the American Renaissance on the other. I wanted to see how these fields intersected and it resulted in that book.” He adds: “Every time I teach a course, I teach some stuff I’ve never taught or even read before, and in the process of preparing to teach it and then actually teaching it, I do research, take notes, perform in class, and then take stock of where I’ve ended up. Even if I never end up writing an article about the new text I’ve just taught, I learn a lot from teaching it and it adds to my knowledge of the fields in which I am engaged.”
Research has also driven my own syllabi. As soon as Imre Kertesz won the Nobel Prize in Literature, I put Fatelesnesss in my syllabus for my “Imagining the Holocaust” seminar even though I had not yet read it. If my past work and book on Holocaust memoirs, dairies, novels, and films, helped me interpret Fatelessnes, teaching it brought me new insights. As I learned more about Woolf, Forster, and Wilde for my books on Modernism, my syllabus for my lecture class changed. A few years ago I gave an invited lecture on Darwin and Modern Literature, and realized much of what I though I knew about Darwin’s theory of evolution was out of date, and that affected my presentation of intellectual and cultural history in the same course.
Curiosity, the desire to share knowledge, and enthusiasm for watching young adults develop their potential are essential to effective teaching at the college level. Similar qualities drive research. Good scholars must find ways to convince other scholars that their scholarship matters and that their findings are to be taken seriously, and this presentation of research is a kind of teaching. Indeed, as Nicholas Kristof has argued, for researchers to reach our to larger audiences and be public intellectuals, they must be lucid writers and not simply produce dry scholarship dressed up in a incomprehensible jargon: (http://www.nytimes.com/2014/02/16/opinion/sunday/kristof-professors-we-need-you.html).
I have always been skeptical about a scholar from another field who can’t tell me in layman terms what she or he is doing. If the scholar’s explanation is so abstruse, how is that person going to teach undergraduates–or even graduates– to say nothing of freshmen?
Often the best teachers leave a mark that lasts for decades, sometimes in ways that can’t be quantified, such as arousing an interest in literature, art and music that grows into a passion or arousing a desire to find scientific and technological answers to significant problems and perhaps contribute to solving issues that sustain life. Truly inspiring teachers–who, among other wonderful results, often teach students to become teacher-scholars– are unforgettable and accompany us throughout our lives.
“Are Teaching and Research Mutually Exclusive?” Feb. 26, 2014, Huffington Post. http://t.co/2abwQaKeXu
Teaching Freshman Humanities at Cornell: Toward a Community of Inquiry
I. Prologue
I have taught a wide variety of undergraduate courses during my thirty-eight years at Cornell, but I shall focus on English 270, The Reading of Fiction, and a course I frequently teach in the freshman seminar program. This course is one of three 200 level courses offered by the English department; the others are English 271, The Reading of Poetry and English 272, The Reading of Drama. Currently the 270 classes are reserved in the first term for those entering students who have a “4” or “5” on the Princeton AP test or who have scored “700” or better on the English Composition or English Achievement tests; in the second term, the 270 classes are open to those who have taken a freshman seminar program, but the students understand from fellow students and advisors that these classes are more demanding and in the second term the principle of self-selectivity works well. Thus the students in English 270 rarely if ever need remedial writing instruction.
Under the current ethos, each 270 section has different reading materials. Originally the course had a common reading list, and that common list encouraged colleagues to discuss pedagogical issues including how to integrate the teaching of reading and writing. I would prefer to return to this format, or at least have half of the readings be the same. Not only does the teaching staff learn from one another when they teach a common syllabus, but, according to recent data, students taking common courses learn from discussing the material.
II. Teaching Goals
The challenge is to get students to think in sophisticated terms while they write on subjects generated by the reading assignments. Let me say at the outset that I believe in directed discussions focused on the material we read and the papers we write. I think of myself as an orchestra conductor trying to get the most out of each player and working with each individual to bring out his or her talent. We know that if a student finds a mentor or two in his or her college career, that student will usually have a better experience, and we faculty teaching freshman seminars need be accessible to fill that role.
My pedagogical goals are:
(1) To teach our students to write lucidly and logically and to teach them to make an argument that uses
examples of close reading to support concepts and uses historical and cultural contexts. I seek o teach
precision of thought, clarity of expression, logic of argument, an individuality of voice—individuality that
may include controlled passion.
2) To encourage our students to think independently and challenge accepted truths when they think them wrong
or in need of modification.
(3) To teach our students how to compare, contrast, and synthesize. While I use 270 course materials as a
paradigm, this skill is transferable to other courses and inquiries beyond our particular subject matter
(4) To teach our students to read closely and well, alert to nuances in language, and to see the value of
reading in a visual age. Close reading–attention to verbal nuances from tone to phonics– teaches attentiveness
to language in writing and in speech. . (My mantra is: “Always the text; always historicize.”)
5) To teach our students to articulate ideas orally. We need as teachers to develop student skills that are
transferable not only to other disciplines but also to their future careers. Within the humanities, we need
place less emphasis on pre-professional skills and more on skills that will make students productive citizens
who might participate in civic life.
III. The Freshman Seminar as Intellectual Opportunity
I like to think of the subtitle of my 270 class as Cornell Optics. I continue to think of my class as a process of opening doors and windows. I believe every freshman section of the writing program should in part be a course in opening eyes and helping the students see more. I call attention on a regular basis both on the course list serve and in class to the vast variety of concerts, lectures, films, and writing opportunities for newspapers and magazines that are part of Cornell University.
I also utilize the resources on campus: the art museum as well as, more informally, the plays performed at the Cornell theater, films shown on campus, and the architecture and design of our campus. I invite the students to join me at some of these sites and provide complementary theatre tickets, tickets that the Weiss-Community Life Partnership underwrites. I hold at least one class session in the Johnson art museum and generate an assignment in which I ask the class to compare specific works they have read with specific paintings or sculptures. Before that class I ask each student to select a work that he or she will discuss. The class at the art museum emphasizes the distinction between the spatiality of the visual and the temporarily of literary arts, while also showing students that, contrary to what many have thought, painting and sculpture may have a narrative element, and literature may have spatial organization.
IV. Teaching Writing
By having students participate as a community in carefully constructing paragraphs on the blackboard, the students learn how to discuss difficult and sophisticated texts in lucid sentences. In this, the workshop aspect of the course, I stress strong conceptual topic sentences, a taut evolving argument, and the ability to integrate a specific story–or experience or piece of knowledge–with other stories and knowledge. Usually, the focus is on one or two problems derived from the prior set of essays such as the need for more use of the active voice or ways of for organizing evidence to make forceful arguments. Thus we might work together to examine how to use evidence from the text, and how to structure a paragraph that moves sequentially from concept, to a middle level of discourse that negotiates between concept and specific, to specific evidence including perhaps a quotation, to precise comment in terms of the argument, to perhaps more evidence and comment, and then back to middle level of discourse, and finally back to concept.
I should make clear that I teach two 75 minute classes a week, and that the classes meet Tuesday and
Thursday. Graded papers are always handed back the class after they are received. In the first few weeks when
the students are not overwhelmed by other work, I assign shorter papers with shorter intervals between
assignment and due date. When we begin the longer assignments, we have nine days between assignment and due
date, and I correspond on email with those seeking input on outlines and drafts.
I do what I call needs based assignments–that is, assignments based on the students’ progress. Some
students might continue to write shorter essays; some might revise more essays than others; some might propose
topics that are a little outside the typical rubric of papers for an assignments. In addition to one
stipulated revision assignment, each student may revise as often as she or he wishes. The original grade is
not erased, but the second and subsequent grades are recorded. I also give students the option of writing a
short story so they can see how to handle point of view, characterization, development, and beginnings and
endings. Most take this option.
V. Teaching Reading
My interest in narratology and in modern art informs my teaching as it does my writing. I acknowledge the place of resistant reading perspectives–that is the perspective that resists the point of view that an author (or painter) thought he was expressing and built into his text. Often these resistant readings contribute rich feminist, gay, ecological, minority and other multicultural perspectives that the author ignored. Certainly our student body has evolved over the years I have been teaching here into a much richer and more varied group where difference is respected. With these changes came changes in how we discuss reading assignments and the writing topics we assign. For example, discussion of the homoerotic implications of male bonding plays a larger role in my discussion of “The Secret Sharer” than it once did. Thus the canon changes even if the names of the texts are the same.
Without using much of the jargon of contemporary criticism, I differentiate in one semi-lecture class between different traditional and more recent critical approaches and define deconstructive, Marxist, new historical, cultural studies, and, especially, feminist approaches. When we discuss texts I try to make the students aware of what approaches we are using. Thus when we do the full length Woolf novel, To the Lighthouse, we particularly focus on issues of writing and reading as a woman and what that gender difference means.
VI. Building the Bridge between Reading and Writing
Close reading of complex creative texts teaches that style enacts values, that the expectations of audiences change, and that every choice a writer makes affects how an audience read his or her text. I discuss the first stories we read in terms of formal issues of point of view and show how they reveal the world in which the speaker lives. Because these texts address problems of unreliable and imperceptive narrators, we discuss degrees of reliability and perceptivity. Later I move on to third person omniscient narrators. I stress voice and persona as a way of getting students to be aware of how their structure and choice of language enact their voice and persona.
While acknowledging that scientific writing has different requirements than expository writing, I stress the need for the active voice. If students use the active voice to describe the author’s creative decision and the narrator’s self-dramatizing role, they become more aware of how creative and polemical authors make decisions that affect readers’ responses and they learn the difference between authorial and resistant readings. In discussion, to increase the emphasis on the creative act of writing, I insist that students use more accurate terminology to describe what is going on within a text than the clichéd and unspecified “it says” or “they say.”
While discussing the literary works, I not only emphasize the issues I want discussed in the papers, but demonstrate how a paper on the assignment or–if I give a choice among topics, as I do after the first paper or two–assignments might be structured. Sometimes I assign papers asking students to discuss works we have not yet discussed in terms of issues we have been discussing. Other times I ask them to build on issues within a text that we have been discussing–particularly when we are addressing complex texts, such as Dostoevsky’s Notes from Underground, that they need to revisit to understand.
VII. Creating a Community of Inquiry
I wish my classes to be more than a site where I set assignments and the students do them to fulfill a course requirement. Needless to say this is a goal to which we reach and often fall short. But I should like to suggest how we might develop a community of inquiry where each student understands learning as a process, takes responsibility for being prepared each day, takes assignments seriously, feels part of a functioning group, and writes assignments with a sense of pride in her or his work and her or his evolving writing voice.
When we do a short reading assignment, I ask about half the class members to report orally on specific subjects; when I do a novella or the one longer novel, I might ask the entire class to prepare different subjects. Thus for James Joyce’s “Araby,” two students might address the retrospective telling, another the beginning, another the end, someone else the theme of Catholicism, another student the theme of Empire, two others might be asked to think of the issue of guilt and how it shapes the retrospective teller, another would focus on the role of women, yet another the speaker’s prepubescent psychosexuality. When two students are assigned the same subject, I encourage them to talk to one another and work together. The students are resources for the subjects when they arise or they might be called upon to make a very short presentation.
Indeed, I teach writing in the spirit of, “This is true, isn’t it?” and try to eschew the dogmatism about writing to which my generation and some of our students have been exposed. For does not the House of Good Writing have many rooms? My goal is to encourage each student find his or her own voice rather than homogenize their voices into one Proper Compositional Style. While I do not require it, I suggest keeping a loose-leaf journal, alternating days of writing about personal life with days writing about political and campus issues–or whatever is of interest to the student. I offer to read the latter pages during and/or after the course is over. Interestingly a number of students have taken up this suggestion after the course–and after the demands on their first or second college semester have lessened– and brought me their journals to read.
My goal is to have every student take part in discussion in at least two classes out of three. Once students begin to participate they rarely stop. When they participate (rather than sit in the bleachers and watch), they feel better about themselves and the class. The class becomes the student’s own experience, not something she or he observes as a bystander. More importantly, when a student articulates ideas, the student often clarifies those ideas for himself, and that clarification continues when listening to ensuing responses to his or her contribution.
Email has changed teaching for the better, opening up new ways of bridging the gap between the dorm room and the classroom and creating an exciting nexus between the two sites. On the first day I collect email addresses and establish a course list serve; each student is expected to make a substantive contribution to an online discussion of at least one text or recurring issue; most contribute more often. Indeed, as the term progresses and the students become better readers, the colloquies on email are often stunning not only in their thoughtfulness and sophistication but also in the precision, lucidity, and energy of their writing. At the end of the term, along with their essays, the students submit their email contribution in their folders. I might add that students are overwhelmingly enthusiastic about the list serve.
I encourage both email comments addressed to the entire class and individual dialogues with me. Freshmen–and except for an occasional transfer student or a student who has postponed one writing seminar, my 270 students are freshmen–look to their teachers in small classes as mentors more than they do to their formal advisors. We teachers need make clear that we are accessible to them in office hours and open to email and phone inquiries. I answer email several times a day from home, and I am also accessible by phone from 8 am to 10 p.m. The students tend to write each other “off list,” and that is exactly what I want. I have no problem with a student showing a draft to a friend or roommate or other class member as long as the student writes his or own paper. But the email has another important function in building a community of inquiry. Students are also encouraged to share with the class information about concerts, plays, or sporting events in which they participate; as a result students attend one another’s activities and build commitment to our community.
One way that a class becomes a community of inquiry is regular and prompt attendance even for classes beginning at 8:40. We need to have rules for attendance and make a show of knowing who is present. The last time I taught English 270 I had over the entire term less than one absence per student, and more than half the students did not miss a class. I usually arrive early and, as the class assembles, I ask what films they have seen and share my views of films I have seen; at other times we might discuss Cornell theater plays or campus issues, or adult choices with which freshmen are faced such as whether to join a fraternity or sorority and how to organize time among the demands school work, activities, and part-time jobs.
In these pre-class discussions, which, on occasion, overflow into the first few minutes of our 75 minute class period, I might mention such freshman anxieties as what resources are available students are having trouble with any of their courses. Or I might discuss how to address difficulties with study habits or time management, particularly at hectic times before midterms and finals. At the end of each month a few students or myself bring a little food for a brief class party, and, while nibbling for 15 minutes, we discuss films, course issues, or Cornell and even national issues. At the end of term I give students an informal reading list, suggesting further reading in authors we have read as well as authors we have not read, especially authors related to those we have read. I offer to read the students’ work in the future. I remind them that when they read they should always be aware of the way apiece is written. For examples of good (but not always faultless) writing, I suggest that they should continue to read the editorial page and the Op-Ed page in the New York Times and perhaps the New Yorker. We have class reunions the next semester, and sometimes these reunions continue for four years. Since the list serves remain in place, class members and I continue to write one another after the class is over. Many of the 270 students take other classes from me, some become my major advisees, and quite often we keep in touch beyond their graduation, sometimes for decades.
What, finally, is a community of inquiry? It is a class in which students commit themselves not merely to the teacher, but to the material and each other in a spirit of learning. In a community of inquiry the class does not stop when students and teachers separate and the course ends. The students speak to one another outside the classroom and on email about their reading and writing, and carry their intellectual relationships beyond the life of the course.
What I described in terms of building a community of inquiry is an important in all my classes. For example,
in my lecture course on Modernism—a class that averages in the mid fifties in enrollment but can reach 75– I
have a list serve to which all students are required to make contributions and I respond rapidly to off list
queries and discussion and reading assignments. I get to know each student in the course and try to come early
and chat with a few different students before each class. As in English 270, I offer them a chance to join me
and my wife as our guests for Cornell theatre as well as dance and musical events.
Especially in the humanities, we need to stress learning as an end itself and as a lifelong odyssey so that
our students as, Constantine Cavafy put it, “Keep Ithaka always in mind. / Arriving there is what
you’re destined for. / . . .Ithaka gave you the marvelous journey/ Without her you wouldn’t have
set out . . .. /Wise as you will have become, so full of experience, / you’ll have understood by then
what these Ithakas mean.” The students need understand that Cornell–and life– is composed of many
Ithacas and that these Ithacas represent the wonder of learning.
“Teaching Freshman Humanities at Cornell; Towards a Community of Inquiry, ” Words of Wisdom: Essays from Weiss Presidential Fellows, Cornell University, 2006, 30-36.
Does it Make Sense to Pursue a Humanities Doctorate? The Pros and Cons of Graduate Education in the Humanities
I. Introduction
You loved studying literature in college and thought how much fun it would be to be the teacher leading the discussions you enjoyed. What if you could turn your love of reading and thinking about what you read into a lifetime career? Maybe even write a novel or poems? Spend your days on a beautiful campus?
These dreams were my dreams and for the most part college teaching fulfilled them, but is that opportunity still available in the first quarter of the twenty-first century or has the Golden Age of Higher Education passed when young Ph.D's had a reasonable expectation of joining the tenured faculty of elite universities or colleges?
What you need to know before deciding to pursue a Ph.D. in the humanities is that when you finish your degree you will be entering a very difficult job market, in part because many colleges and universities supplement their tenured faculty with adjunct professors who are usually poorly paid. Even if you do get a position at an elite college, it may be only after post-docs, some years off the tenure track, or after taking a first job at a much less prestigious school, or some combination of the above. Young faculty are often getting tenure at Cornell ten years later than many in my generation did because they had post docs and positions that did not offer tenure or they began teaching elsewhere.
The job market becomes even more difficult if your personal circumstances--say, a partner whose work is in a specific place--constrains you from looking throughout the US and perhaps even abroad. Subtracting yourself from all but one geographical area makes the job search all that much more difficult.
You will have a better chance if you are also open to community college teaching or secondary school teaching, perhaps at a strong private school or even a first-rate public school. Clearly it will be more difficult to do research or write that novel or play in positions where you are teaching a much heavier load, but it is not impossible and has often been done.
II. How To Proceed If You Are Sure Graduate School is for You
Often a gap year is a good strategy. If you make Phi Beta Kappa as a senior and graduate with honors, you will be a more attractive candidate when applying for admission during the year after your senior year compared to applying in the middle of your senior year. Furthermore, you will have time to study for the GRE exams that many top schools require.
Be sure the people who write your recommendations are enthusiastic about you. Also, be sure they are reliable since, alas, some professors do not do this task in a timely and conscientious manner. If a professor comes to class prepared, meets office hours on time, returns essays with alacrity and shows interest in the students--and particularly in you--you will have an better idea how reliable and committed that faculty member will be in writing your recommendations. Since the genre requires some hyperbole, it is good to choose people who know how to write recommendations.
Getting a masters degree first can be a good idea for several reasons. For one thing, it allows you to see if grad school is for you. For another, if you are not admitted to a top tier graduate program, a masters can prepare you to be a strong candidate at a more prestigious school. But be aware that if you transfer for your Ph D. to a different school, you probably will lose time. That is, students entering with a masters degree do not finish two years sooner and often not even one year before students beginning right after taking their B.A. The process of transferring, getting used to a new place, and putting together your doctoral committee not only can be time-consuming, but so also can be course requirements -and suggested courses--as well pre-dissertation exams.
Apply widely to graduate schools and choose some that are not in the first tier and a few that are safety schools where admission seems very likely. You can always decide not to go to the latter, but in my experience those who apply to only elite schools and don't get admitted-- even if they knew that might happen--were devastated. If your finances are tight, most schools will waive the application fee. Although the job market is discouraging, applicant numbers are still very high, and many of the elite schools, in recognition of the difficult job market situation, are taking fewer students than they once did.
While you are applying to universities, admission and fellowship decisions are actually made by the department in which you wish to study. Your application should show that you know something about the department faculty and programs to which you are applying. This means that you will need to fine-tune each application so that it shows a personal awareness of and interest in all the departments to which you are applying.
You do need study for the GRE exam. One way to study for the literature subject exams is to read the Norton Anthologies of British and American Literature. How well you do will make a difference, particularly in this era of grade inflation where most applicants have similar grades. Some schools take the subject exam (in the case of applicants to English Departments, "Literature in English,") more seriously than others, but in my experience, the majority stress the Verbal and Analytic Writing scores.
Corresponding with professors with whom you might study may be helpful to your application, but be aware that only a small number of professors serve on the graduate admissions committee each year and they have the final say. Also be aware that admission is quite subjective, in part because it is not easy to differentiate among strong candidates. On virtually every selection committee I have ever been on, I can say that if one person in the room were different, the outcome would be different because the dynamic among those making these decisions would be changed.
A big variable is who is on the committee and what their inclinations are. I have been on committees where foreign language facility mattered a great deal to one member, and I admit to thinking myself that if a student cannot do reasonably well on the quantitative GRE, the student may not have the best reasoning power.
What the foregoing means is that you will probably be admitted to some programs and not to others, and you may be offered a more generous aid package by one school than others. If the more generous offer is not from the most prestigious school that admits you, you will have a difficult decision. Sometimes, you can tell a school you have had a better offer and that school might come up with a bit more.
If you are thinking of an MFA (Master in Fine Arts), you should know the numbers of applicants are even higher at top programs than they are for Ph.D. programs. For the 2015-16 entering class, the Cornell English department extended admission offers to 22 Ph.D. students and one joint MFA/Ph.D. student out of 258 applicants. The MFA program extended offers to eight students of 810 applicants, less than one in hundred.
What the MFA does is give you a chance to write; at Cornell the MFA is a two-year degree with an additional two years as a teaching assistant with his or her own section of freshmen humanities class stressing writing. But you need to know that unless you are recognized as an important talent on the basis of already published material, your getting a position at the conclusion of an MFA is even more difficult than at the conclusion of a Ph.D program.
After admission, prospective graduate campus visits are much more valuable than
undergraduate ones. If you are admitted to a number of schools, you might want to visit the ones that you are
most likely to attend and to speak to the professors with whom you might study and the students who are in the
program. If professors seem uninterested in you and morale among students is not good, you might think of
going elsewhere, providing that you have that choice.
III. What Students Need To Know
Be aware that you will be investing five or six years of life in a process that may not yield a place in the college teaching profession and that a job in a major research university is even less likely. Those who do get such jobs often begin elsewhere and get noticed by writing important articles and books. Graduate students in the humanities are usually those who loved learning as undergraduates, but--and these categories are not mutually exclusive--they may also be people who didn't know what else to do.
Many grad students convince themselves that the joy of learning is enough, but when they don't get positions, they are heart-broken. Students may convince themselves jobs don't matter when they are accepted in graduate school at 22 or 23, especially if they have a five-year support package, but they are often devastated when they can't find a position at 29.
If your goal is to be a professor, you need to be aware that colleges and universities tend to hire from the top graduate schools and this is even more true of the elite schools.
On the other hand, in my experience some community colleges and smaller colleges and satellite regional campuses of some state universities are more likely to hire those with strong teaching credentials who may not have Ph.D.'s from elite research universities.
IV. Crucial Decision: Choosing a Graduate Mentor and a Graduate Committee
In most doctoral programs you have a graduate committee composed of three or four members. I actually in most cases prefer three because it is less cumbersome to get people together and to function as a team. An alternative is to have three but have an informal fourth who reads dissertation chapters and gives advice when needed.
Whom you choose as chair of that committee is essential, even though the other committee members should also be mentors. In general you should choose faculty with whom you have taken classes and received positive feedback. Each member will represent a somewhat different field. One way of preparing yourself for the job market is to have range; small colleges are looking for people to cover their curriculum rather than research scholars who can best teach graduate seminars in their dissertations subject.
As much as you want a match for your specific interest, I would recommend that wherever you go you should seek mentors who are fully interested in you and your progress. I have been, I think, as effective a mentor for those working in my exact areas of interest as I have been for those whose work was reasonably close to my expertise.
You need to choose as your Graduate Committee chair:
1) A mentor who is interested in you and your subject and who knows the difference between mentoring and creating a clone. The best mentoring is helping a student find his or her own way.
2) A mentor who thinks of mentoring as an essential part of his or her professional responsibility and is not only there for you when needed while you are a graduate student but also understands that mentoring does not stop with the Ph.D. You want someone to whom you can always turn at every stage of your career for advice and timely recommendations. Be aware that professors who have trouble giving back papers and chapters within a week or so will be equally unreliable when you need them for other things later.
3) In general choose someone who answers emails promptly, keeps office hours, and also has reasonable social skills. It is not easy to deal with eccentrics, and there are many in academia. Ideally, you want someone who is a good listener, advocates for you when necessary, and is enthusiastic about both teaching and research.
V. Necessary Skills
The most important skills for graduate success are similar to those for undergraduates: time management (knowing where your time each day goes) is essential. So is your knowing your program's requirements--including whatever qualification exams precede thesis writing--and making a schedule with your graduate committee to meet them. You need to be proactive in discussing these requirements with your committee members because on occasion some graduate faculty may be inattentive to their students moving forward.
Begin projects when they are assigned, leave time for drafts, understand expectations, and participate in seminars. Go to department and university lectures, but realize they are significant time investments--often with Q&A and reception stretching to 2 ½ hours--and ration how many you attend. Make sure you take time every day to do something that is fun, whether that means going to the gym, practicing the guitar, or taking a walk. Take time to make friends at your new school.
First-year graduate students often have a little trouble adjusting to their programs. They have been validated stars in their undergraduate programs but now they are all, in some sense, beginning students in programs where the older students are the stars. Especially in the first term, some first-year graduate students feel like freshmen. If students come from less prestigious schools they may worry about whether they can compete with students from elite schools.
Keep in mind that you were selected in a rigorous selection process because the department committee thinks you can do the work. It is up to the graduate program to help in the transition, but you should be aware that feelings of inadequacy and self-doubt are almost universal. If you are having problems, speak to your Graduate Field Representative or, better yet, a professor with whom you are taking a seminar. Be aware, too, of the mental health facilities on campus, and use them if necessary.
VI. The Doctoral Program's Responsibility
I would like now to address graduate departments.
Training College Teachers should be an important focus since teaching college is the position most grad students want. At Cornell we have an excellent freshman writing program and graduate students in several humanities fields spend the summer between their first and second year as apprentice teachers. In their second year, they usually teach their own class under the supervision of a course director. While commendable, this still leaves us with inexperienced teachers. To some extent we at Cornell pretend the teaching is better than it is and that one summer of training makes a master teacher.
Mentoring teaching should continue throughout the students' graduate career, but this responsibility is not always fulfilled in doctoral programs, despite the fact that most of humanities graduate students aspire to be professors. Every doctoral committee should have a teaching mentor who visits the graduate students' classes and meets one-on-one with the graduate student to discuss what has been observed. The mentor and student should be having a continuing dialogue on teaching methods throughout the student's graduate career. Needless to say the mentor must be a skilled teacher. Ideally, funding would be available to enable the student to work with the mentor as a teaching assistant not only in large lecture classes but also in smaller classes.
Programs that put skilled teachers on the market will have a placement advantage, especially for positions at small liberal arts colleges. The emphasis on quality teaching at research universities has improved and has always been important in English departments. Thus research universities will be looking for those who will be able to teach undergraduates as well as to give specialized seminars and mentor graduate students. Certainly, the chances of getting a position at a small liberal arts college, a community college, a regional campus of a major state university, or even a secondary school is increased by having mentored and supervised teaching experience.
VII. Moving Forward or Taking Time to Build Credentials?
Let me segue to a complicated topic: the current length of graduate school in the humanities and whether it is necessary. Given the lack of jobs, should graduate programs be speeding up the process rather than slowing it down? We are dealing often with adults in their mid to late twenties and it can be demeaning and lead to arrested development if they remain students for six or seven years prior to seeking employment. If they are going to get a position after years of trying, do we want them to be well into their thirties when and if they finally get a tenure track position?
Now because students need publications and conferences, they often take longer than five years to complete their degree. But perhaps we should streamline that process. Too many graduate students take weeks off preparing a conference paper for a tiny audience or belong to several reading groups. On the other hand, as my young Cornell colleague Greg Londe contends, if one chooses to give conference papers that lead to dissertation progress, they may serve a useful purpose. Perhaps a balanced approach is to recommend, prior to entering the job market, a few conferences within five years but also to stress the importance of getting one or more of those conference papers published. One publication in a reputable journal is worth a great deal more than multiple conference presentations.
We need, I believe, to figure out a program that lasts five years, including teaching assistant years and a fellowship year. Admission to candidacy exams should take place no later than the sixth term. We should encourage students to find a dissertation topic as early as possible and encourage course essays that become early versions of dissertation chapters. Sometimes faculty are dilatory in grading papers, encourage incompletes by raising the bar unreasonably for course papers when they should consider course essays as necessary exercises, and fail to push students to take exams and submit chapters.
VIII. Career Preparation
We need, as I have been stressing, to make clear that many if not most Ph.D. students are not going to get tenure track jobs at research institutions and that many of those getting jobs will be teaching heavy loads at small and not elite liberal arts colleges and community colleges. We need to warn them about a system that can exploit them by offering low paying adjunct jobs.
I recommend that graduate programs in the humanities have an informal continuing colloquium for our grad students about alternative careers to academic teaching/research positions. Such a colloquium should be a component of Ph.D. programs in the humanities.
We need to present other opportunities for graduate students in the humanities, including positions in non-profit charitable foundations that support educational initiatives as well as positions in student services, cultural institutions (especially museums which publish catalogues and also require research and writing skills for their exhibits), journalism, publishing, and the new media.
As we open more doors to what Ph.D.'s might do, we should consider whether we can train them to write for a larger audience as a serious journalist or staff writer for a major and influential magazine. Graduate programs should invite non-fiction writers to give classes or even short terms training sessions and suggest that graduate students enroll in journalism classes on campuses that have them.
If they have not done so in their undergraduate years, graduate students in English and other humanities, should be taking courses in communication departments and even computer science departments in order to develop skills transferable to the Internet world. Those who have taken such courses could explore other art forms as well as economics and sciences with the idea of expanding the areas on which they might write for a general audience.
Part of the problem is educating our humanities colleagues to be aware of these other career paths as they prepare and advise graduate students. Many are so deeply immersed in their own narrow research and academic politics that they have a frog's perspective on other opportunities.
In some fields people with doctorates can move back and forth between industry and academia. Celebrity public figures and some creative writers have been able to do this, but it is rare in the humanities. In STEM fields there are many more opportunities for positions in private industry, especially in fields like pharmaceutical and computer engineering where research is paramount and publication encouraged. In some areas within the new digital economy, English Ph.D's have found places where their writing and editing skills are valued.
IX. Literary Scholars as Public Intellectuals
We humanists need to speak to those outside the academy and strive to be public intellectuals who communicate, by means of ideas and lucid prose, with those in the larger community who are interested in the various arts as well as to those making political and economic decisions that have an impact on public life, including on cultural institutions and universities. We need to think of our graduate students of today as potentially the public intellectuals of tomorrow. We need to teach graduate students to write for a broader audience so that they will bridge the gap between academia and those in the public who are readers and thinkers as well as those who are members of influential political and cultural communities.
I applaud Kevin Birmingham's effort in The Most Dangerous Book: The Battle for James Joyce's Ulysses to write for a larger audience rather than to join those academic ostriches who pretend there is no audience beyond specialists. I also applaud his Harvard mentors, at least one of whom, Louis Menand plays, with his pieces in The New Yorker and The New York Review of Books, a role in public discourse. To shift metaphors, Birmingham eschews academic mole work that makes readers think: "Something must be going on down there because of the small pile of dirt next to the holes, but what exactly it is we cannot ascertain." Indeed, much of my considerable enthusiasm for Birmingham's project derives from his efforts to write as a literary intellectual reaching out to an audience that goes beyond Joyce scholars.
We need to eschew jargon that interferes with communication, and we need be wary about assuming that we are moving teleologically forward in criticism and scholarship, an assumption that leads to patronizing past scholarly approaches. Chances of placement outside academia increase when one can write lucid precise prose without reveling in specialized academic speak.
X. Conclusion
For me, the academic life--teaching bright and committed students--and writing about literature and culture
has been a perfect fit. But I am hesitant to advise students to pursue an academic career in view of the job
market. With financial exigencies caused in part by a decline in state aid for public universities and in part
by rising expenses, some of which are mandated by laws, as well as a decline in humanities majors, I cannot
foresee that the job market will improve. Add to this the often exploitive hiring of underpaid adjuncts and
you see the reason for my hesitance.
For one thing, there are too many already minted Ph.D.'s hoping to get the opportunity to occupy a tenure track line. For another, starting a tenured job in your later thirties after post-docs and short term lectureships or non-tenured assistant professorships limits your career development compared with those of professors in the past who had tenure track jobs ten years sooner. I see people getting tenure in their mid-forties which delays having children and some of the other pleasures of an economically and socially stable adulthood.
Nevertheless, if you are willing to immerse yourself in your studies with the knowledge that the future is indeterminate, and you have the good fortune to get full support from a strong department, I would caution you about the odds of getting an academic position, but I would not discourage you from trying.
“Does it Make Sense to Pursue a Humanities Doctorate? The Pros and Cons of Graduate Education in the Humanities,” June 27, 2015, Huffington Post, http://www.huffingtonpost.com/daniel-r-schwarz/does-it-make-sense-to-pur_b_7151004.html
Should a Lottery be Added to the Admission Process?
To think admission to elite colleges has been fair is a form of magical thinking. For that reason, I propose we select a quarter of the entering class at Cornell as well as at other colleges where many qualified applicants are rejected.
Given the recent U.S. Supreme Court decisions that stipulated that affirmative action is unconstitutional as well as increasing attention to how legacies, donors, athletes and the very wealthy are favored, we need to ask the following questions:
- How can the highly selective colleges achieve ethnic diversity in the face of the Supreme Court ruling?
- How can highly selective colleges achieve socio-economic class diversity, including first generation college students?
- Can colleges phrase the admission essays in such a way that we can get information necessary to have a diverse class?
- Will elite colleges consider legacies on the same footing as other applicants rather than make legacies — especially multiple legacies — a deciding factor? Will these colleges continue to favor the children of the wealthiest legacies who are major donors along with children from families with significant donor potential?
- Will the highly selective colleges continue to favor applicants from elite private secondary schools — and a small number of suburban public schools in wealthy areas — even though we know how much help some of them get not only from school counselors but also highly paid private advisors?
- How much preference should be given to elite school applicants whose athletic skills will successfully represent the school in winning conference championships?
- Will college limit favoritism to faculty/staff children who apply and who have benefited from a different kind of affirmative action?
The college application process has long been scrutinized for its fairness, particularly around alleged racial quotas, as demonstrated by the case against Harvard University on which the Supreme Court recently ruled. While I am fully supportive of Diversity, Inclusion and Equality, I am not comfortable knowing a much smaller percentage of qualified Asian students were admitted than apply, just as I am uncomfortable with the knowledge that the same was true for Jewish applicants at elite private colleges and universities in prior generations.
But at the most competitive colleges, where administrators are seeking a diverse class of brilliant, well-adjusted students whose later accomplishments — including economic success — will bring luster and funding to their college and universities, the very question of how to determine who is fit for admission needs rethinking.
The counterargument to a lottery is “Human judgment must prevail,” but that pretends that there is enough available evidence to make an informed judgment. At present I conjecture that three or more times the number of applicants whom we accept for admission have outstanding SAT and ACT scores — if they submit them at all — as well as the same number of AP courses with the same scores and, due to rampant grade inflation, virtually the same grades and similar recommendations. We cannot be sure how many hands wrote the application essay and if one or more of those hands were paid. If we don't require SATS and ACTS, it is palpably discriminatory to use their absence as an indication of the student's inferiority to those who do submit.
When I was writing my book How to Succeed in College and Beyond: The Art of Learning, I observed the Cornell admissions process in the College of Arts and Sciences for a few hours a week over the course of a number of years. Before my children applied here in the 1980s, I also volunteered to work on the committee one morning a week so as to learn how the process worked. I concluded that well-meaning people convinced themselves that they could make nuanced discriminations on what I regarded as little evidence.
One problem is the sheer number of applicants which due to the Common Application have grown exponentially. Even if we were to discuss every application for 15 minutes, we would need a larger admission staff. In fact, many applications thought to be from unqualified students were discussed in less than a minute. Lacking a staff to read extremely large numbers of applications, we now outsource applications to retired teachers and other alumni in the community.
As to alumni interviews, they are often conducted by close friends of the parents, especially in high income areas where a Cornell parent interviews the daughter of Brown parent whose son in turn is interviewed by the Cornell parent.
Right now, with available data so similar, it is difficult to make decisions. I have followed a few students in recent years and watched how equally elite schools made different decisions on the same person, with often the relatively less competitive college rejecting a student, when a more competitive school admitted the same student, probably because the legacy of multiple family members put the student over the line.
Sometimes the difference between acceptance and rejection is a compelling story such as a student having an unpaid internship volunteering to help physicians in Botswana, or sex workers in Thailand, or motherless elephants in Kenya. But do we think a young person from a modest working-class family who needs to earn money for college has such an opportunity?
Suppose that what follows was the first sentence of a college essay: “I am a Pacific Islander. My grandmother was born in a cave in Guam during the Japanese Occupation.” Now it happens this is, I believe, a true statement from a student I taught, admired and advised, but how, without a large staff of researchers, could admissions people validate such claims or indeed the ones mentioned previously.
Thus, I propose a lottery for a part of the class at Cornell and for each college and university that has far more qualified applicants than available spaces. After colleges take the truly exceptional applicants and eliminate those who would have a hard time in the field they chose to study, I would put some percentage of both the fall early decision and the spring regular decision into a lottery.
The elite universities and colleges might begin gradually with taking 25 per cent of the class from a lottery. We could even give students the choice of taking part in the lottery if they are not chosen in the first merit round. When mailing out acceptances, college need not tell those selected that way. Of course, the administration would have to measure those admitted in traditional ways against those admitted by lottery and see if student performance at college and beyond is any different.
If we believe that in a democracy higher education is a value and if acceptance at an elite college is a bridge to success, then a lottery may be the fairest way to create opportunity and possibility for qualified applicants who might otherwise be rejected by admissions people who see differences when there may be none.
Daniel R. Schwarz is the Frederic J. Whiton Professor of English Literature and Stephen H. Weiss Presidential Fellow in the College of Arts & Sciences. He is The Cornell Daily Sun's 2023 visiting columnist. He can be reached at drs6@cornell.edu.
“Should a Lottery be Added to the Admission Process?” Cornell Sun, Aug. 30, 2023, 6; https://cornellsun.com/2023/08/30/schwarz-should-a-lottery-be-added-to-the-admission-process/
The Function of the University Classroom
“It can never be satisfied, the mind, never.”
I wish to discuss what University professors do other than engaging in research and conveying crucial information. In the midst of my 56th year since arriving at Cornell I continue to reflect on my teaching goals and to savor the joy I take in teaching.
If career preparation is the daily prose of the University, then the poetry is what happens when teachers and students join in the pursuit of knowledge, working collaboratively to create communities of inquiry in which we learn together, muster evidence and respond to the ideas of others with respect.
As teachers and mentors, whether in STEM, social sciences or humanities, we can share with students the ideal of learning for its own sake, the pleasure of reading and knowing and the necessity of continually questioning accepted truths, including those propounded by us teachers. Whatever our fields, we can share a sense of wonder and discovery with our students.
As a humanist, I want my classroom to be a site where 1) we have a common sense of purpose; 2) the work we are discussing says something crucial to every student, even as it arouses wonderment in response to its artistry and 3) my students share with me the expectation that we will fulfill the possibility of learning together.
As the term progresses, the students in a successful class commit to not only the material and the teacher, but to each other, and the class becomes an intellectual community. Clearly this is easier in small classes, but I have seen it happen to a degree even in classes of 70 or 80 or more.
Teaching is a collaborative activity in so many ways. I tell my students I can do my part to make our class a memorable experience, but I cannot do it alone. Each meeting of a course matters not because it will necessarily help students earn more money, but because learning is an end in itself. Yes, I know students have practical goals and I respect that, but we aim to make our classes oases where other values, especially the pursuit of knowledge, prevail.
Teaching is an art not a science. The essence of teaching is opening doors and windows to opportunity. Effective teaching means helping to create in students our own driving curiosity and our own pleasure in learning. Our roles as teachers are to nourish our students' minds so that they are prepared for whatever is their next step after college, whether it be further studies or an immediate launch of their work life.
If we can teach our students to think critically, to read complex and nuanced texts, to propose an argument based on evidence (which is crucial not only to STEM but all fields), to synthesize what they are learning, to write lucidly and precisely while holding in their minds several ideas at once and to speak articulately, we will have accomplished a great deal. If we teach our students to listen carefully and respectfully to the ideas of others, and to appreciate the views of others who may be from different cultures and socio-economic backgrounds, we will have done even more. Teaching students how to take part respectfully in the give-and-take of informed discussion is to create citizens who sustain democracy and contribute to our communities.
Inspiring teachers shape their students, perhaps most by opening the door to future learning in terms of encouraging reading, curiosity and awareness of the world. Helping students realize their potential and not only achieve their immediate goals, but also set lofty goals for the future should be our teaching goal. Our role is helping to transform possibility into actuality, while giving students the confidence to do more than they think they can do. Important, too, is knowing that sometimes the best five words you can say to a student are, “I am here for you.”
I have never taught a class at Cornell where I did not learn from the insights of students, more and more of whom come from different backgrounds and countries. Students keep me on the pulse of social change and aware of campus issues. I have taught many of the major editors of The Cornell Daily Sun, and they have heightened my awareness of what is happening on campus.
One crucial aspect of good teaching is listening. Efficacy as a teacher is enhanced by interest in students and their knowing we respect what they say, how they feel and what they care about. Empathy and sympathy matter when students are having troubles and frustrations. We need to try to hear what students are saying, and sometimes what they are saying requires interpreting because they may be speaking obliquely. I should add that I don't pretend to be a psychotherapist, and when I think a student needs help, I refer her or him to those who are professionals.
Let me turn to my own field. As a professor of English, my focus is on teaching literature. Among other things, I want to convey what serious literature does: 1) It takes us into the worlds of others, including different times and places; 2) It exposes us to dialogues among characters that reveal different perspectives; 3) It teaches us how to love and respect words; 4) It pushes us to think about how we would respond to ethical quandaries.
When we begin reading an imaginative work we are sealed off from the rest of the world. Whether reading fiction, poetry or drama we enter a created world with its own geography, temporality and history as well as its cultural assumptions about how people should behave.
It is not too much to say that a kind of genesis takes place; that is, if the work is effective, readers are transported to a new world with its own cosmology invented by the author. That imagined world is sustained through the ending when the process of reading culminates in an apocalyptic moment that reorders what precedes. To describe our journey through a work towards the final destination in the form of its ending, we might think of reading as an odyssey.
We return to the tick-tock of passing time that counts our days, defines our responsibilities, and places us back in our present historical moment. Yet losing ourselves in the words images and sounds of artists affirms the immortality of art and the human spirit. Thus Homer, Shakespeare, Joyce, Picasso and Mozart live and breathe in their creations. And we share their immortality.
With universities and libraries under attack, I believe that as humanists we have the responsibility to look beyond the academy and take part in larger discussions about what we read and how and why we read. In this politically charged country, we need to be stakeholders in public discussions about the role of the humanities and to argue for the role of imaginative literature and other art forms in transforming our minds. We need to articulate why the study of literature matters. We need to engage larger audiences beyond the specialists who do what we do, and perhaps ourselves learn from that engagement.
As a teacher I keep in mind Emerson's great essay “The American Scholar.” For him The American Scholar needs be “Man [and Women] Thinking”— thinking as an active and creative power of mind — rather than “a mere thinker, or worse yet the parrot of other's people's thinking.” What he meant is that a Woman or a Man thinking has an obligation “to see the world clearly, not severely influenced by traditional/historical views and to broaden understanding of the world from fresh eyes and not to defer to the popular cry.” These qualities of vision, I submit, are the qualities for which we as teachers and students must strive.
Daniel R. Schwarz is the Frederic J. Whiton Professor of English Literature and Stephen H. Weiss Presidential Fellow in the College of Arts & Sciences. He is The Cornell Daily Sun's 2023 visiting columnist. He can be reached at drs6@cornell.edu.
“The Function of the University Classroom,” Cornell Sun, Sept. 21, 2023, 6; https://cornellsun.com/2023/09/13/schwarz-the-function-of-the-university-classroom/
How has English Studies Changed
Rebecca Sparacio: Since I have the honor of writing a column with Professor Daniel Schwarz, I've chosen to have a conversation about how the English major has changed over time. To start, Daniel, what are some of the big picture changes that have occurred within the English department over the years?
Daniel Schwarz: Our department, Rebecca, changed its name to the Department of Literatures in English and stipulated a curriculum where each student is required to take courses from among a group of burgeoning fields that reach into once neglected areas. We need to remember that what English departments have traditionally done well is to teach students how to read closely, carefully and critically and to see the nuances and ambiguities, as well as the passion and power in words, sentences and paragraphs. That is, the English major prepared students for a lifetime of careful reading no matter what field they chose.
The model for a liberal education in elite universities in the U.K. and the U.S. had originally been a study of classical literature and the focus was on historical criticism and philology. Literature after the 1900s or so was not something serious people studied. The two-year Honors degree in Edinburgh where I did my 1961-1962 junior year left a week or two for the modern authors who followed Hardy. In the post-World War II world, American Literature was still fighting for a place for full curricula representation.
RLS: Going through Cornell's Courses of Study Archive to see how the course offerings have changed, I was able to access course rosters from 1980 onwards. The courses in 1980-1981 address historical periods; for example: classes like “The Romantic Poets,” “The Victorian Period,” and “The Early Twentieth Century.” This contrasts starkly with the Fall 2023 course offerings which are thematically inflected: “Revolution or Reform,” “Free Speech, Censorship, and the Age of Global Media” and “Communicating Climate Change.” Is historicism no longer prioritized as highly over connecting works to contemporary themes, issues and even politics?
DRS: Yes, Rebecca, our evolving departmental curriculum reflects changes in what we are doing. You correctly note that the focus on periods has changed and that our classes are more thematically defined. We have diminished the centrality of the Western Literary tradition. For much of my years here each student was required to take a two-semester chronological survey of English Literature beginning with Chaucer, if not before. Such a course was based on the concept of a canon of major works that all majors had to know, including Paradise Lost and Shakespeare's major plays. We have opened the door to other literatures in English, some from the Global South — Nigeria and all of Anglophone Africa; India; the Anglophone Caribbean — which is a developmental, not a geographic concept and excludes developed countries like Australia and New Zealand which are in the Southern Hemisphere. We no longer require our majors to have read a common group of works.
RLS: I think at the heart of this issue are two major points. The first is the idea that culture is never stagnant. If we are going to have an education that makes us culturally aware and opens the doors and windows of the mind, I think it is important that students learn about a wide variety of experiences. The second issue is the question of what happens when close reading in a historical context takes a back seat to thematically inflected readings that connect works to contemporary politics and issues. The loss of a historical grounding can be dangerous if teachers fail to stress that works of literature represent the historical times in which they are produced. In today's climate of cancel culture, we need to explore how some past works of literature reflected views we now find abhorrent — homophobia, racism, class elitism — while past literature was in the vanguard of criticizing such views.
In today's classrooms, students are concerned with the political implications of a text to the point of asking the following question: If my professor is stressing a certain political line, would I be negatively affected — in terms of grade or the esteem in which I am held by the professor — if I were to dissent? It would be wrong to contend that students do not self-censor to some extent both in the classroom and with one another.
DRS: Our job as literature teachers is not political re-education but rather teaching students to articulate their perspectives based on evidence and to listen carefully to the perspectives of others. Too often academic scholarship has led to a disconnection between thematic and politically foregrounded literary criticism and the process of reading; thus, writing about literature has become a rather arcane enterprise. But this need not, and should not, be the case in functional classrooms where both close reading with attention to the inextricable relation between form and content and the belief that literature opens the door to a better understanding of the world go hand-in-hand.
RLS: The term “Native American” or Native American literature is nowhere to be found in 1980. In a course called “American History and the Literary Imagination” — defined as a class with a focus on narratives surrounding “certain controversial American events such as the Salem Witchcraft trial, the Nat Turner slave revolt, the Oppenheimer Security Hearing. The dispossession of Native American Indians from their land is not detailed as one of these “controversies.” That today's English offerings include both an “Introduction to Native American Literature” and “Contemporary Native American Fiction” is a move in the right direction.
DRS: My credo has become the paradoxical: “Always the text; always historicize.” I have been proselytizing for pluralistic literary studies that balances aesthetics and thematics, text and context, close reading and historicism. Depending on what text we are reading or viewing, I try to find the balance, drawing upon a multiplicity of approaches and information, including biography. My current focus on retaining formal analysis is an effort to find a balance between the historicizing from a narrow political, polemical and pontificating perspective and retaining the pleasure of close reading and discussion of the complexities of a text.
Formalists proceed from the basic premises that form and content are inextricably related, and that understanding the choices an artist makes determines meaning. A formalist never forgets the difference between our world and the ontology and cosmology of an imagined world. She or he focuses on:
1) How a literary work is constructed and how narrative coding — foreshadowing, echoing etc. — are part of our aesthetic pleasure;
2) Whether and in what ways, the work's narrator is reliable and/or perceptive;
3) The author's narrative choices, including the very specific language and images — the how — that shape the what is said and ultimately the reading audience.
Groundbreaking literary texts are often in part about the writing of themselves, notably The Divine Comedy, Ulysses, Middlemarch, and even more recent work such or W.G Sebold's Austerlitz or The Years by French Noblest Annie Ernaux. Thus, authors teach us how to read. Each significant text — ones to which we return for rereading, and which becomes part of our memories and our imagination — create its own readers.
We need to understand the process by which a written or visual text moves from beginning to end and to be aware of the synchronicity of a text in terms of retrospective understanding. By synchronicity I mean the presence of the entire text when rereading.
RLS: I've taken a wide range of English courses now that I'm a senior. I was not subject to the new course requirements introduced in 2022 which include: two courses focused on Literatures of the Americas, and one course focused on Literatures of the Global South. Despite that, I have been exposed to many works that fall into those two categories. In a comparative literature course called “Great Books: The Great Short Works” I read works that spanned cultures and time periods such as Bolaño's By Night In Chile and Kafka's The Trial. Even with such a broad range of works, a common theme in the class was the connection between form, content and historical context. In a class called “Law and Literature”, I wrote an essay that compared Walt Whitman's Leaves of Grass with Layli Long Soldier's Whereas. I first read Whitman's Leaves of Grass in a class titled “American Poetry Since 1850” which focused — like the courses in the rosters of the 1980s and 1990s — on a specific subject matter and a specific time period. In Law and Literature, a class that featured a theme, I was able to synthesize my knowledge of Whitman with the 2017 poem of a Native American poet. Despite the thematic focus of the class, the works we read were still thoroughly historicized. This class also aimed to open the mind to the ways that law affects people — with literature acting as a medium towards our understanding of an individual or group's story and its implications within the law — and the way that law and literature interact. Such a class can inspire people to imagine new prescriptions for the law if they were to pursue a career in law.
DRS: Rebecca, I applaud the two courses you praise and would take them myself. What you are eloquently saying is that fields grow and evolve but we need to be aware of their history and roots.
Let us think about the English major as produce wanting to be chosen by students. In the early 2000s we had more than 100 majors annually with a high of 139 in 2004 and for seven years beginning in 2000 we averaged 110 majors; in 2023 we graduated 41. Introducing a minor some years ago helped our total course enrollments and so do the popularity of our creative writing courses. But if we consider the increase in the size of the student body, we need to acknowledge that the numbers of students in our classes are not as robust as we would like.
With more focus on career preparation, perhaps because of both the rising cost of education and the presence of more first-generation college students, the English major seems a luxury to some families. In my early days here in the late 1960s until the late 1970s many of our majors wanted to become professors, and the job market in a time of expanding state universities and of a robust demand for literature courses — including at state colleges that produced secondary teachers — was strong.
RLS: There is also a shift in student interest towards taking creative writing classes over classes that are focused on reading, analyzing and historicizing novels. There is a decline in students choosing to major in English, but there is, as you note, a rise in students who are minoring in English. I took the introductory creative writing class here and I enjoyed it. In the class, we read different types of works — poems and short stories — and emulated different techniques to create a version of our own. Given all the English courses I have taken at Cornell, I am pleased that I have a mental library of the types of literature (and experience) that existed at certain time periods throughout human history from Biblical times to our contemporary moment.
DRS: If you have a historical vision from your courses, even if it is not within the traditional canonical perspective, you have ended up not so far from where we used to want our graduating majors to be.
Readings of fiction, poetry and drama are windows into the lives of others, often in different places at different times, but such readings also let our imaginations try out different ways of living in our own world. Do we not learn from rereading of Camus' The Plague and Mann's The Magic Mountain how others imagine living in pandemics without recourse to known cures? At a time when democracy is under siege, does not Philip Roth's The Plot Against America open the windows to what might happen? Does not the work of James Baldwin and Toni Morrison help us understand the Black Experience in America just as Roth and Bellow help us understand the Jewish Experience?
In functional classrooms both close reading with attention to the inextricable relation between form and content and the belief that literature opens the door to a better understanding of the world go hand-in-hand. In fact, some of the best if not always the most polished writing about literature takes place in the classroom. What matters for many of us — students and teachers — is the assumption that creative literature helps us understand what Wallace Stevens defines as “ourselves and our origins.”
Daniel R. Schwarz is the Frederic J. Whiton Professor of English Literature and Stephen H. Weiss Presidential Fellow in the College of Arts & Sciences. He is The Cornell Daily Sun's 2023 visiting columnist. He can be reached at drs6@cornell.edu.
“How has English Studies Changed,” co-authored with Rebecca Sparacio, Cornell Sun, Oct. 5, 2023, 6; https://cornellsun.com/2023/09/29/schwarz-sparacio-how-has-english-studies-changed/
The Significance of the Oct. 7, 2023 Hamas Atrocities
At this time of national tragedy for Israel I, as a longtime Jewish faculty member and as a human being, feel strong and impassioned sympathy and empathy for innocent victims of barbarous Hamas terrorists who murdered and kidnapped defenseless people including babies, small children and elderly people.
I respect the frustrations of the Palestinian people who want their own country. But what occurred Oct. 7, on the Jewish Sabbath, were not acts of resistance but atrocities on the order of the Holocaust and pogroms Jews suffered in Europe. Such inhumane and horrific behavior will not move the Palestine community towards its goal.
On Thursday, Oct. 12, for the first time in 56 years teaching at Cornell, I spent much of the time in my “Imagining the Holocaust” class discussing parallel current events to our course subject, namely how the barbaric murder and kidnapping of Israeli civilians by Hamas resemble the Holocaust as well as the pogroms in Russia before the Holocaust. I commend my students for a nuanced, insightful discussion, one in which we differentiated between those of any ethnicity who commit atrocities and those who are decent human beings.
I understand that within Gaza are innocent victims who have nothing to do with terrorism, but I also know that the continued existence of a Hamas presence in Gaza dedicated to the destruction of Israel is intolerable. We hope to differentiate between Palestine civilians caught in the maelstrom of war and Hamas terrorists, although it is sometimes hard to identify those who aid and abet terrorism and those who are innocent bystanders.
Israel has no choice but to destroy Hamas if it is to avoid a repeat of these atrocities. No decent person can cheer for innocent people, especially children, being killed inadvertently by Israeli bombs. But what other choice does Israel have when Hamas terrorists take refuge in schools, hospitals and mosques?
I teach and write about the Holocaust. I have always understood the need for a two-state solution with an independent Palestinian state with a capital in East Jerusalem. I have lectured in Israel and have friends and colleagues there, but I have also visited Morocco, Tunisia, Jordan and the West Bank (as well as Egypt which is not Arab but mostly Muslim). I have always been somewhat stuck on an island when it comes to Israel: not willing to sign petitions endorsing illegal settlements in Palestine territory and concerned that Israel respect the rights of its Arab citizens, but also unwilling to condemn Israel for defending itself.
I would hope that those of my colleagues who continually fault Israel but did not denounce the Oct. 27, 2019 killing of Jews at a synagogue in Pittsburgh; who fail to notice that virtually every synagogue in the world, including those in America and right here in Ithaca, requires special security; and who have repeated, without supporting evidence, universal condemnation of Israel's behavior — no matter what the provocation from terrorists — would consider their role in fostering an atmosphere where anti-Zionism bleeds into anti-Semitism. Today, as I write, rallies against Israel which often become blatant celebrations of violence to Jews are occurring every day.
It behooves educational leaders, who for the most part have lagged behind political leaders, to denounce what occurred in the most forceful terms. I have the highest regard for President Pollack, but her first statement — along with some of the other Ivy League Presidents — fell far short of my expectations for moral leadership. Equating Hamas' behavior to natural disasters or unrelated events in Armenia, as she did in her statement, is demeaning what occurred in Israel on Oct. 7. Even her use of the word “atrocities” was confined to events that had nothing to do with what occurred in Israel.
Not surprisingly, many of Cornell's Jewish alumni and students are outraged at President Pollack's letter and not fully satisfied by the second one which some attribute to pressure from Jewish donors and trustees. Nor is she alone among university presidents in disappointing not only her Jewish alumni audience, but also all those who understand the significance of Hamas's sadistic attack on innocent civilians in their own homes. Finally, on Oct. 16, nine days after Hamas' hideous attack, President Pollack wrote the Cornell Community a letter that began to recognize the implications of what was a pogrom.
What happened on Saturday Oct. 7 in Israel — killing and kidnapping babies, children and the elderly — had something to do with the fraught and complex history of the Middle East. But for Jews it had far more to do with a history of the persecution of Jews dating back centuries, including pogroms, and culminating in the Holocaust.
Daniel R. Schwarz is the Frederic J. Whiton Professor of English Literature and Stephen H. Weiss Presidential Fellow in the College of Arts & Sciences. He is The Cornell Daily Sun's 2023 visiting columnist. He can be reached at drs6@cornell.edu.
“The Significance of the Oct. 7, 2023 Hamas Atrocities,” Cornell Sun, Oct. 19, 2023, 6; https://cornellsun.com/2023/10/17/schwarz-the-significance-of-the-oct-7-2023-hamas-atrocities/
Further Thoughts on the Hamas-Israel Conflict
I received a great number of positive responses to my recent Cornell Daily Sun piece, but subsequent events have evoked further thoughts on the intractable situation in Israel and Gaza.
The response of so many people thanking me for “the courage to speak up,” as if I were risking my professional standing or my stature at Cornell or even my personal safety, for my opinions on the significance of Oct. 7 tells us something about the current fraught environment. It is as if, without realizing it, I had become the proxy or surrogate for a great number of Jewish students, alums and even Jews beyond Cornell. I find this a bit frightening because it suggests some Jews and other supporters of Israel's right to exist have been cowed into silence not only about Israel but also several other issues.
Many of the letter writers expressed outrage at President's Pollack's first letter and more than a few threatened to withdraw financial support from Cornell. Her second letter changed the minds of some but far from all those who wrote me. As Dan Okrent, the first Public Editor of the New York Times, proposed in what is now known as Okrent's Law, “The Pursuit of Balance Can Lead to Imbalance.” That is, sometimes the quest for evenhandedness, when a strong statement on the side of the wronged party is required, can itself be a major mistake in terms of truth and morality. Several people, including myself, thought the eloquent first paragraph of President Pollack's third letter recognizing fully what had occurred on Oct. 7 was all that was needed and should have been sent immediately after the atrocities committed by Hamas were known.
The Oct. 15, 2023, video of Cornell Professor Russell Rickford asserting that he was “exhilarated” by the Hamas attack was the subject of many letters I received that were critical of Cornell University. I recognize that no matter how wrong-headed his views, they are not a sufficient reason to fire a tenured professor.
In another well-publicized statement supporting Hamas's terrorist attack even before Israel's retaliation, a Johnson Business School Diversity Officer — who one expects to value all lives, including Jewish ones in Israel — certainly called into question whether he should be in that sensitive position.
Why, I have been asked by non-Jews, has virtually every Jewish family — including those who identify themselves as “left” or “progressives”— reacted so strongly to the outrageous Hamas attacks which included killing and kidnapping babies and the elderly?
The answer is that we Jewish people feel vulnerable. Our views are shaped to an extent by grandparents and others who remember the Holocaust even if they did not experience it personally. Lives are shaped in part by what Marianne Hirsch has called “postmemory” in which our memories are informed not only by our own experience but also by experiences about which we have heard from family members, teachers and friends.
Even families like mine that have lived here since the 1860s or 1870s never feel completely comfortable. We are not only aware of how assimilated Jews were in Germany before the Nazis came to power, but we all have heard stories of exclusion, rudeness, stereotyping, insensitive language (“Jewing” has been a synonym — and still is in some circles — for negotiating a lower price) and heard and overheard anti-Semitic comments. In recent weeks all Jews in the entire world who attended religious services on the Jewish High Holy days found their synagogues guarded by hired security staff.
Jews my age live with a sense of the precariousness of their place. I have taught at Cornell since 1968 and can point to instances of blatant anti-Semitism that I have experienced, mostly in my early years but also again in recent years when a senior colleague lumped me with “old white men” — a homogenizing term that people often used.
Daniel R. Schwarz is the Frederic J. Whiton Professor of English Literature and Stephen H. Weiss Presidential Fellow in the College of Arts & Sciences. He is The Cornell Daily Sun's 2023 visiting columnist. He can be reached at drs6@cornell.edu.
“Further Thoughts on the Hamas-Israel Conflict,” Cornell Sun, Nov. 2, 2023, 6; https://cornellsun.com/2023/10/27/schwarz-further-thoughts-on-the-hamas-israel-conflict/
Anti-Semitism at Cornell and Beyond: Then and Now
I not only have taught and written with great pleasure at Cornell for 56 years, but I have also been treated very well here. For those reasons, this is a difficult piece to write.
We at Cornell do not want to become the poster people for blatant anti-Semitism on campuses, and we do not think it reflects the reality of what has been happening here. We are mortified to hear on CNN or read in the New York Times about one student arrested for spouting anti-Semitic bile or one professor expressing “exhilaration” from Hamas's actions on Oct. 7, where they slaughtered and kidnapped Jewish babies and Jewish elderly.
In fact, the campus has not devolved into chaos. Nor has anyone been physically harmed. Despite a fraught environment, most faculty and students have been going to classes and doing what they usually do. Yes, Jewish students have felt uncomfortable, especially before the student culprit was arrested, but almost all attended and kept up with classes.
In part we, like many campuses, have a crisis of ignorance, in part a crisis of malice, and it is not always easy to separate them. Even a cursory historical survey of the Middle East reveals that the Zionist movement — founded by Jews desperate to escape pogroms and the Holocaust and return the Jewish people to their homeland — was often an agrarian movement revolving around rural Kibbutz communities. Based on egalitarian and communal principles, these communities were dedicated to turning desert into arable land. But it must also be acknowledged: The establishment and history of Israel includes regrettable behavior on both the Arab and settler sides.
Palestinians living in Gaza are fellow human beings and must be separated as much as possible from Hamas terrorists who slaughtered and kidnapped Jews on Oct. 7. Many supporters of Israel, including me, understand the need for a two-state solution and have been deeply troubled by the return of Netanyahu as Prime Minister and his efforts in building a coalition with the inclusion of those with racist views of Palestinians.
Many students do not seem to understand that graffiti such as “Zionism = genocide” or “From the river to the sea” are anti-Semitic tropes calling for the destruction of Israel and its Jewish people. (The expression is the first half of “From the river to the sea, Palestine will be free” — a reference to the land between the Jordan River, which borders Eastern Israel, and the Mediterranean Sea to the west.) The latter phrase implies that the Jews in Israel should cease to exist. As historian and author Simon Sebag Montefiore puts it in the Atlantic, this is a “chilling phrase that implicitly endorses the killing or deportation of the 9 million Israelis. It seems odd that one has to say: Killing civilians, old people, even babies, is always wrong. But today say it one must.”
I have given talks in Israel, the last time giving the prestigious Paley lectures, and have been to the West Bank. I have also visited Jordan, Egypt, Morocco, Tunisia and Dubai. I have talked to many people in these countries, including at least one senior Palestinian who was my guide in Jordan. There is plenty of suspicion, anger and fear to go around. But there has been also more day-to-day cooperation and dialogue than most people realize among Israel and the leaders of the aforementioned countries — especially Jordan and Egypt — and between the Israeli military authorities and the Palestinian Authority officials. I am reasonably certain some dialogue continues even now.
I have had in recent years a great deal of trouble unravelling the threads that separate vociferous anti-Israel perspectives from expressions of anti-Semitism. I am uncomfortable when I hear on my own campus sentiments in favor of the Boycott, Divestment and Sanctions movement targeting Israel. I am even more uncomfortable when those views shape the discourse about curricular issues or take the form of anti-Semitic remarks that not only support violence directed at Israel but reveal malice towards Jews. In recent years, I have heard instances of faculty minimizing or trivializing the Holocaust and speaking with little regard for the history of Jews or Israel, one that dates back almost three thousand years.
We know that the Holocaust is fading from memory and is often denied and misrepresented for political purposes, including by those who oppose the very existence of Israel. Anti-Semitism has increased in the U.S. and has become mainstreamed as an acceptable attitude in some circles. As Mireille Silcoff put it in a Nov. 2022 New York Times piece, “Antisemitism felt like it was trending — moving, with bewildering speed, from something verboten to something floating casually around the culture.” A week later New York Times columnist Michelle Goldberg commented: “Now . . . anti-Jewish bigotry, or at least tacit approval of anti-Jewish bigotry, is coming from people with serious power: the leader of a major political party, a famous pop star, and the world's richest man.”
In a 2021-2022 report, The Anti-Defamation League observed:
The antisemitic vilification of Zionism and ostracization of Zionists has emerged as a common phenomenon within some campus spaces. . . .The trend of targeting Jewish students who publicly express support for Israel's existence as a Jewish state animated much of the worst anti-Israel activity during the 2021-2022 academic year
While a great many Jewish students, faculty and staff vociferously oppose Netanyahu's policies, many of us are at times put in a position where we are equated with the most militant Israelis and asked to defend Israel against accusations of “genocide” and “Apartheid” as if Israelis were historically responsible for all tensions in the Middle East. On occasion, Jews have been told to go back to Israel. Furthermore, there have been occasional anti-Semitic incidents on campuses in recent years.
I was born in 1941. I grew up in a world where Jews were not considered as white by those descended from other European nationalities. Jews were excluded not only from employment at some major companies but by tradition and covenant from living in certain neighborhoods, belonging to certain social groups or being welcome at some resorts.
Let me turn to the world of colleges and universities. Before World War II, some public universities, especially the City University of New York, were much more welcoming to Jewish students and faculty than the elite private colleges and universities. Were it not for the fact that Jews were at the forefront of nuclear physics at the end of the World War II, there would have been fewer Jewish faculty, particularly in the Ivy Leauge, when I began my job search in the fall of 1967. But I was still a curiosity at a few of the Ivies.
Today Jews are far better off at colleges and universities than in the 1960s and even 1970s when there were Jewish admission quotas at many elite schools and Jewish faculty, especially in the humanities, were admonished not to be “too Jewish.” Now we have at colleges arrangements for observant Jews as well as for other demographics such as Muslims.
When I was a graduate student at Brown University between 1963 and 1968, Jewish graduate students in English were expected to pursue the authorized subjects and study texts by Christian writers, while submerging their own identity. The imagined “ideal” intellectual posited by the formalism of New Criticism with its supposed focus on the text — but with a propensity for established conservative readings — was the then reigning ideology. White Anglo-Saxon Protestants and certainly not urban Jews were the dominant group in most English Department faculties. The anti-Semitic ravings of Ezra Pound, for example, and the poisonous if less strident anti-Semitism of T.S. Eliot were excused as the eccentricities of men of genius. Now we are often more aware of the need for resistant readings and critical interpretations of various forms of authorial anti-Semitism and other forms of racism.
When I arrived at Cornell in 1968 as a young assistant professor, I encountered some resistance as a supposedly aggressive, outspoken New York Jew who spoke with a downstate accent and who didn't know the rules of oblique and understated expressions of opinion. I was reminded on occasion that I didn't know my place.
Although only a small number of faculty in the Cornell College of Arts and Sciences were Jewish, I had the sense that we had more Jews than the other Ivy League institutions. After they got to know me, a few of the Jews shared their own unpleasant experiences, including negative tenure decisions elsewhere stemming from their Jewish identity. Some who had Jewish antecedents but who did not publicly identify as Jews were very quiet about their heritage.
Recently, within the world of higher education there has been some backsliding. It has become fashionable in some supposedly progressive circles to revive the stereotype of Jews as brash, overtalking and manipulative, even while linking Jews to slavery, or blaming them for “globalism” which on both the right and left has become a trope for transnational conspiracies controlled by Jews in media and finance. In the university world, I have heard the linking of Jews to the hegemony of white males, as if Jews could be lumped with those who dominated U.S. universities in the years before and after World War II. In fact, in my experience here and my knowledge of peer institutions, Jewish academics were often the very ones who fought to open the doors to women, racial and ethnic diversity, and the LGBTQ+ community.
I am loathe to support limitations on free speech. But we do need to be vigilant about confusing a legitimate debate about the Israel-Palestinian conflict with stereotypes about Jews or labelling Jews on campus who support the state of Israel as racists or Nazis. We need be attentive to the vituperations of those who have long vilified Israel as an excuse for vilifying Jews as colonialists or white supremacists. Assuming that Jews are responsible for all that is wrong in Gaza and the West Bank, some faculty and students have used their rhetoric to make common cause with anti-Semites and Holocaust deniers.
Daniel R. Schwarz is the Frederic J. Whiton Professor of English Literature and Stephen H. Weiss Presidential Fellow in the College of Arts & Sciences. He is The Cornell Daily Sun's 2023 visiting columnist. He can be reached at drs6@cornell.edu.
“Anti-Semitism at Cornell and Beyond: Then and Now,” Cornell Sun, Nov. 9 and Nov. 14, 2023, 6; https://cornellsun.com/2023/11/07/schwarz-anti-semitism-at-cornell-and-beyond-then-and-now/
How We Learn from Our Students
Some of my colleagues and even my own students are surprised when I say that I learn from my students every day.
I was told when I first thought about being a professor that high school and elementary school teachers teach a subject to students, and college professors teach the subject and are not so alert to the makeup of the audience. But nothing could be further from the truth.
To be an effective university classroom professor, one needs to know one's student audience as much as possible, namely who is being addressed, how much they can be expected to know prior to each day's class and how they will benefit from what you are saying and how. By watching their expressions and listening to questions and discussion, you can measure the efficacy of your teaching that day.
Teaching is a collaborative activity; put another way, teaching is a shared learning experience between my students and me. During every class session something surprising happens, even if I am teaching texts I have taught for years. Often stirred by students' oral reports and comments, I discover relationships within a text that I have never seen before.
On the first day of class I usually tell what is, perhaps, an apocryphal story of how the legendary jazz saxophonist, John Coltrane, hired for his band a young bassist named Reggie Workman. When Workman was at first intimidated by Coltrane's presence, Coltrane told him: “I can't do it alone. I play the saxophone; you play the bass. If I did not think that you were a great bassist, you would not be here.” Over the ensuing years, Workman became recognized as a world-class bassist.
Let us think about how teaching is a similarly transactional relationship where students become part of a purposeful group. Perhaps the most important quality we convey to students is insatiable curiosity. When we do, they are apt to follow. I also know that the higher I set my standards, the better the students perform. I have been told by countless students that the reason my classes attract some of our best students is that I challenge them in ways that perhaps others do not. On the first day of class, I tell my students they will be judged in part by the acronym APP: attendance, preparation, participation.
Students take pleasure and pride in a class that comes together as a community, something that occurs when faculty and students work together to create positive class dynamics. Establishing a tradition where the other students respond to and even applaud oral seminar reports encourages the students to make such presentations a centerpiece of their term's work.
If, in these moments of engagement within the classroom, we teach by example to listen carefully and respectfully to the ideas of others and to appreciate the views of others who may be from different cultures and socio-economic backgrounds, we will have accomplished a great deal in establishing for our students lifetime values and providing an important base for participating in democracy.
I often take student suggestions about when to take an extra day on a text we are reading or on what I could focus more as we go forward. I always leave time for questions which can take me into new areas or remind me what I overlooked or did not properly clarify. In senior seminars and graduate seminars, I somewhat adjust to the group's interest in what I stress in our discussions, be it narrative structure or thematic issues that interest a particular class.
As professors, we hope our own life experiences help us to become better teachers. With greater emphases on diversity and inclusion, including more first-generation college students, international students, LGBTQ+ and non-binary students,as well as BIPOC students, I am learning daily from the varied lives of our students.
On campus I often engage with students whom I don't know whether at the residential college where I am a house fellow, the gym or making my way around campus. Recently I was, by chance, walking and talking with three students who were of Egyptian, Sudanese and Nigerian heritage. Because I have travelled to over a hundred countries in my lifetime, I like to believe that within my limitations I've encompassed a complex understanding of the world, and that my travels enable me to have a richer dialogue with students like these than otherwise might be the case.
Much of what I know about what is going on at Cornell I learn from my students, including from the Cornell Daily Sun which I have always urged my colleagues to read. After my students graduate from Cornell, I keep in touch with them and learn about the worlds in which they are living. We often meet when they return to Ithaca, or when I visit their home cities. Often, I meet students who reside, or are visiting New York City, at a major museum.
Good teachers are flexible enough to adjust expectations to circumstances without sacrificing standards. Thus, drawing a line varies with circumstances, and even the best teachers make mistakes about when and to whom to be more severe than one might with others. Each student is different and the more you know about a student the better you can teach them. At times, we as faculty need to accommodate legitimate personal and family issues and must respond to such issues with sympathy and empathy.
From those who come from a modest background, I have learned the value of perseverance. Students come to Cornell who are less prepared in STEM fields than many of their cohorts, but they adjust with hard work and self-discipline. An English and philosophy major who graduated summa cum laude, and whom I recently advised, worked for publishers more hours a week than she would admit, earning enough to pay for a significant part of her education. I deeply admire students who have overcome obstacles when it comes to achieving a fruitful and successful college education in the face of financial obstacles and family or personal problems. Such students teach me the value of the three R's: resilience, resourcefulness and resolve.
I learn how others, including the very wealthy, live. Many of the latter are sensitive to economic differences; they know they are fortunate to be able to take advantage of unpaid internships and travel opportunities during summers when less fortunate students need to work.
But a small group of wealthy students live in such a bubble that they don't realize, despite being among a wide variety of students, that everyone does not fly off to the Alps for a long ski weekend or pay thousands of dollars to sit with family and friends in the special sections of a Taylor Swift concert or drive expensive cars on campus. Some of these same students have gotten significant help preparing their admission applications. Nor do they know that their insensitivity can be hurtful to less advantaged students, some of whom have discussed with me how this economic discrepancy feels to them.
I invite students to open up about their values, goals and frustrations. Whether to ask personal questions, especially to students in difficulty, is a tricky issue. If we establish a functional relationship with students in our small and even middle-size classes, they may gradually feel comfortable voicing problems that interfere with their learning or give clues to how they can improve their learning. As professors, we can be more effective if we have some context for how students respond and behave. It matters if English is not spoken in the home; if a parent demonstrates emotional shortcomings; if a student's support structures fail; or if abuse is present in any form. I do ask students about their aspirations, activities, where they are from and — because I know the secondary resources of most major cities and am familiar with a great number of private high schools — what high school they attended.
I have learned from students about sports in which they participate, but about which I know nothing: rowing, equestrian competition, pole-vaulting, heptathlon, polo, field hockey, etc. I ask my students to tell our class about their participation in music, theatre, dance performances, athletic events, student publications, debating, and science competitions. etc. I often attend their events.
I have learned from students about sports in which they participate, but about which I know nothing: rowing, equestrian competition, pole-vaulting, heptathlon, polo, field hockey, etc. I ask my students to tell our class about their participation in music, theatre, dance performances, athletic events, student publications, debating, and science competitions. etc. I often attend their events.
We — teachers and students — are part of something larger than ourselves in that we perpetuate and contribute to an ever-changing tradition of university education at Cornell and beyond. Students learn how to learn, and the most important thing we do is teach them how to learn, including how to speak articulately, write precisely, and think critically. When we do that, they in turn teach us how to learn.
Daniel R. Schwarz is the Frederic J. Whiton Professor of English Literature and Stephen H. Weiss Presidential Fellow in the College of Arts & Sciences. He is The Cornell Daily Sun's 2023 visiting columnist. He can be reached at drs6@cornell.edu.
“How We Learn from Our Students,” Cornell Sun, Nov. 16, 2023, 8; https://cornellsun.com/2023/11/15/schwarz-how-we-learn-from-our-students/
The Israel-Hamas War and the Effect on the American Jewish Experience
If Israel ought to be abolished because it is guilty of displacing native inhabitants, then the same should go for the United States or Australia, among many other countries. If Israel is racist, then how is it that more than half of Israeli Jews have non-Ashkenazi roots, because their ancestors came from places like Iran, Yemen and Ethiopia? If Israel is an apartheid state, why are Israeli Arabs in the Knesset, on the Supreme Court, attending Israeli universities, staffing Israeli hospitals?
The American Jewish experience individually and collectively has always been a dialectic between inclusion and exclusion, between being accepted, although often grudgingly, and being regarded as intruders.
Why, we need ask, are Jews now feeling more beleaguered, anxious and even frightened, and more identified as Other, than at any time in our adult lifetime? The immediate answer is that Jews are being identified with Israel's bombing and invasion of Gaza. But the more complex answer is that this recent cycle of violence, begun on Oct. 7, by the horrific murder and kidnapping by Hamas, is uncovering vestigial feelings that Jews are an Other that have been developing for quite some time. An example is the Boycott, Divestment, Sanctions (BDS) movement in support of Palestinians, a movement that has singled out Israel as the one country deserving of economic punishment while other countries, far more guilty of human rights violations, are not mentioned.
After the Oct. 7 Hamas attack, there was was a brief spate of sympathy for the Israeli victims of atrocities but that has mostly evaporated. Now much of the world has turned against Israel and Jews. Anti-Semitic rhetoric and incidents in the U.S. and all over the world speak to the increasing demonizing not merely of Israel but of all Jews. Evidence includes a rising tide of hate crimes against Jews.
With anti-Israel sentiment growing as an excuse for anti-Semitism in this country and worldwide, Jews are once again regarded as intruders by some students on campuses as well as in a wide array of public demonstrations. The result is that the most assimilated Jews — even those who barely observe Jewish religious customs or those who have a mixed ethnic heritage — are becoming more aware of their Jewish heritage. Certainly I, whose grandparents were born in the U.S. in the 1880s, am more aware that I am a hyphenated Jewish American than I was on Oct. 6. While this is not the first time in recent years that this has occurred, it is more intensified this time.
For many Jewish families America has been a land of opportunity but not without scattered experiences of anti-Semitism and exclusion. This ambiguity is reflected in Jewish ethnic identity. Jews in the early twentieth century were not regarded as white; even now, for many Americans and not just right-wing Christian nationalists, Jews are a kind of special subcategory of white.
From Henry Ford to Walt Disney to Charles Lindbergh, there is a long history of Anti-Semitism in America. Hitler's viciously discriminatory policies to Jews had considerable support in the U.S. in the 1930s before the U.S. joined World War II in 1941 and before the revelation of Nazi genocide.
Excluded from various businesses, investment and banking institutions, law firms and clubs, Jews formed their own parallel social and economic institutions. Growing up in a NYC suburb, I was aware that among white people there was a hierarchy and Jews were at the bottom, unwelcome at private schools, some resorts, social clubs and even restaurants.
I was born in 1941 in the U.S. during World War II and the Holocaust. When I was a boy, even though I lived in a suburban enclave in Nassau county, I was very much aware of the difference between Jews and non-Jews. I knew that my family was considered white enough to live in Rockville Centre, but not white enough to live in Garden City which, until the 1968 Fair Housing Act, had covenants restricting to whom you could sell your home. It was accepted knowledge that some companies and even industries did not hire Jews and that private colleges were more difficult to get into if one were Jewish because of quotas on the number of Jews. Some of our neighbors were quite cold to the very few Jews on our block and seemed to regard us as intruders.
As a Jewish academic, I have benefited from opportunities that would not have been available a few decades before I entered graduate school in 1963, but I have also been met on occasion with skepticism and resistance. I was made to understand more than once by Jews and friendly non-Jews not to be “too Jewish.” I was fortunate to be in a graduate program at Brown where there were a few Jews among the department's faculty and to find a few at Cornell when I arrived here, although none belonged to the local synagogue, and some did not speak at all of their Jewish background. Lecturing widely in the U.S. and beyond, I have been on occasion in situations when as a Jew I was a curiosity among people who rarely saw Jews and barely knew what to expect when they did.
I have always taken it as a given that as a Jew I was a little more vulnerable to insult and ostracization than non-Jews. I have seen non-Jews get favorable treatment that Jews did not get. While Jews should be careful not to blame every disappointment on anti-Semitism, many times I have wondered if misunderstandings at least in part resulted from cultural differences or people being put off by my New York accent or my mannerisms that are identified as Jewish.
I have seen barriers come down, but thinking about the increasing rage against Israel the past month, I worry that some will be subtly reestablished. In recent years, economically comfortable Jews have lived in a bubble, perhaps unaware that they are often identified first and foremost as “Jews,” no matter how much they contribute to human effort and money to their communities, including universities, libraries and the arts. Has not the reductive identification of Jews as Other become more prominent in the last month both on the so-called Progressive Left and the extreme Right?
Burgeoning feelings of anti-Semitism have been cultivated by Trump in his references to supposedly Jewish “globalists,” his attack on George Soros as if one person could manipulate the world economy, his use of the term “vermin”— used by the Nazis to reduce Jews to nonhumans — to describe fellow citizens whose views he dislikes, and his toleration for those who chant “Jews will not replace us” while wearing Nazi insignias. Given Elon Musk's flagrant anti-Semitism and endorsement of the ludicrous Replacement theory — a supposed Jewish conspiracy to replace white people of European descent with Jews and people of color — I have suspended my participation on X (formerly known as Twitter).
In evaluating rising anti-Semitism, it is not always easy to separate ignorance from malice. In this country some young people who see themselves as Progressives but who know little about the history of the Middle East or the support Hamas gets from governments that define themselves as antagonists of the U.S. — Iran, Russia, China, North Korea — cheer for Hamas and condemn Israel's response. These young people may not realize that Hamas and the Palestine Authority on the West Bank hate the U.S. almost as much as they hate Israel, and that they identify Jews with Israel and Israel with the U.S. Even while Arab governments made economic arrangements with Israel, most of the population of these countries were taught in schools and mosques to hate Jews and view such rapprochement with suspicion.
When does anti-Semitism deriving from ignorance end and anti-Semitism coming from malice begin? Recently, an undergraduate student told me: a) What happened Oct. 7 in Israel was exaggerated. b) Hundreds of thousands and perhaps millions had been killed in Gaza. c) The Gaza bombings were worse than Hiroshima. d) Hundreds of millions of Palestinians are deprived of their homeland (There are actually about 14 million Palestinians in the world, over 2 million in Gaza, over 3 million in the West Bank, and over 2 million in Israel). e) “From the River to the Sea”— which calls for the end of Israel and the Jews who live there either by death or deportation — was not anti-Semitic. When I questioned her source for these statements, she told me she had no time to do research about facts but heard this from others whom she believed.
Now you know why I began by quoting the powerful paragraph about Israel, a paragraph that reminds us of what Israel strives for. Listening to this student's statement, I said to myself: We as teachers at every level beginning at elementary school have a moral responsibility to teach our students to be informed by reading reputable material rather than simply repeating often malicious and false information.
Has our education system failed this student by not explaining the history of Jews, including the Holocaust and why Israel was formed? Or has she been infected by the disease of anti-Semitism? Or both? What can we do at Cornell to give students the time and motivation to learn about others and think critically. Should the faculty and administration be thinking about a required two-semester course in World History as a requirement? Were more students aware of the Middle East History, would the current Jewish-American experience at Cornell be improved?
That said, it is important to acknowledge that Netanyahu's recent government has done great damage to Israel. I affirm my support for a two-state solution, one state of which is an independent Palestine nation that would respect Israel's right to exist just as Israel would respects theirs. Finally, at this point, the release of the surviving hostages should be Israel's first priority. While lacking military expertise about how to control the ongoing threat of Hamas to Israel, and understanding the necessity of Israel's retaliation, I have doubts that the continued destruction of Gaza with its concomitant loss of civilian lives is justified or in the long-term interests of Israel or of Jews in America.
Daniel R. Schwarz is the Frederic J. Whiton Professor of English Literature and Stephen H. Weiss Presidential Fellow in the College of Arts & Sciences. He is The Cornell Daily Sun's 2023 visiting columnist. He can be reached at drs6@cornell.edu.
“The Israel-Hamas War and the Effect on the American Jewish Experience,” Cornell Sun, Nov. 25, 2023; https://cornellsun.com/2023/11/25/schwarz-the-israel-hamas-war-and-the-effect-on-the-american-jewish-experience/
Reading Dante's Divine Comedy
A great source of pleasure the past year or so has been discovering the joys of The Divine Comedy (begun 1308, finished 1321) by Dante Alighieri (1265-1321) by reading and rereading the erudite three-volume Hollander translation with its wonderful notes (My quotes are from The Divine Comedy. trans. Robert and Jean Hollander with intro. And notes by Robert Hollander. New York: Anchor, 2000-2008; while the notes are Talmudic in their erudition and present diverse interpretations of crucial passages, they are not essential for a first reading. I have also read The Divine Comedy trans John Ciardi. Norton: New York, 1977, and found both translations lucid and vibrant). Dante's masterwork is composed of 100 cantos divided into three parts or canticles: Inferno, Purgatorio and Paradiso.
Writing in the vernacular Italian that built on the Tuscan dialect rather than the more literary and refined Latin which only a tiny percentage — the clergy and nobility — could read, Dante more than anyone else laid the groundwork for the modern Italian language. By making his work accessible to a wider audience, Dante was making a statement of what literature should be.
Written before Gutenberg invented the printing press in 1441, the poem's rhymed verses in terza rima (the first and third lines rhyme, and the second line rhymes with the first line of the following stanza) made it easy to memorize at least some lines.
Using only the word “Commedia”— the Italian word for Comedy — for the title, Dante evoked classical distinctions in which comedy was a genre with a narrative moving towards a happy ending which of course is the case in Paradiso. Later in 1555 because of its recognition as an important religious work, the title became The Divine Comedy.
What follows are some suggestions for how to approach a 700-year-old work that at first might seem dauntingly illusive, elusive and allusive.
Taking us on an intellectual and spiritual journey, The Divine Comedy is shaped by a strong sense of purpose, namely the discovery by the narrator of God's geographic and moral plan. The Divine Comedy opens its narrative on Maundy Thursday in April 1300 shortly before dawn of Good Friday and ends the Wednesday after Easter. The narrator — who is both Dante's surrogate and a character in the imagined world Dante has created — comes out of Hell, into which he descended on Good Friday, at the base of Mount Purgatory at sunrise on Easter Sunday.
The structure of The Divine Comedy focuses on how what we are reading came to be; that is, Dante's narrator ostensibly takes a retrospective view of his personal physical, moral and spiritual journey: “But to set forth the good I found, I will recount the other things I saw.” Dante dramatizes the evolving narrator on a dynamic journey through space within a clearly defined period.
As a student of narrative, I respond to the epic poem's dialogue and characterization, especially to Dante's self-revealing narrator and the narrator's relationship to Virgil, who serves as his guide-teacher-mentor. But Virgil must leave at the end of Purgatorio because, as a virtuous pagan who lived before Christ, he lives in limbo and thus he cannot enter Paradise: “I have brought you here with intellect and skill/. . . .No longer wait for word or sign from me./ Your will is free, upright, and sound.” Virgil represents reason. Beatrice, based upon Dante's idealization of a young woman whom he loved from a distance as a young man, replaces Virgil as the narrator's guide toward the end of Purgatorio; she represents beatitude and can lead him to heavenly bliss.
Compelling, too, is the physicality of Dante's choreography as he traces the steps of his narrator's challenging descent in Hell and ascent in Purgatory — a journey which gets easier with each level — and finally his arrival in Paradise. In almost cinematic movement, Dante describes the narrator's harrowing journey with Virgil in Inferno. In every canto of Inferno and Purgatorio, Dante renders in visual terms historical and mythic figures either in motion or fixed in uncomfortable circumstances.
What we learn with Dante's narrator is that punishment reflects the deserts of what those in Hell are there for. An example is canto five of Inferno which takes place in the second circle of Hell. Francesca da Rimini was married in a political alliance to the deformed Giovanni, but she fell in love with Paolo, Giovanni's handsome younger brother. They are forever together as former lovers but unable to connect physically because they have not had time to repent before being killed by Giovanni after he discovered her adultery. Their perpetual punishment is to be buffeted about by winds because they had been overcome by intemperate passion, self-indulgence and lust. While Paolo weeps, Francesca, somewhat self-justifying, casts the blame on the powers of “Love” (“Amor” in Italian).
Referring to a parallel situation, Francesca claims that she and Paolo were influenced by reading the romance of Lancelot and Guinevere, including her adultery. Analogy is crucial to Dante's technique and comes from classical myth and the Bible; the established science and cosmology of the 14th century; the past and recent history of Italy, especially Florence and the Church; and most of all from his personal experience and observation.
Purgatorio is no different from Inferno in that the necessary suffering before ascension to heaven is proportionate to the crime. In Heaven, as Paradiso makes clear, there are hierarchies of blessedness, represented by Dante's medieval conception of heaven as a series of concentric circles surrounding the earth, circles which are associated with the angelic hierarchy.
No doubt Dante's self-dramatization as a wanderer needing direction derives from his years in exile, beginning in 1302 until his death, due to political turmoil in Florence. Dante's bitterness about his banishment and exile informs his reading of political and clerical history. Advocate of the separation of church and state, Dante supported the White Guelphs who were critical of the current Pope Boniface VIII and earlier corrupt popes. Dante hoped that the Holy Roman Empire would restore order and ethical political leadership to Italy, including in his native Florence where political and religious groups were fighting among themselves, as well as to Europe where the small nation states were bickering with each other.
Dante's narrator plays two self-conscious roles: that of the pilgrim making his odyssey through Hell, Purgatory and Heaven and that of the poet recalling it. He is very much aware that he is recording a journey about which others will read and that his role is to teach readers of the miracle and omnipresence of God: “O vengeance of God, how much /should you be feared by all who read /what now I saw revealed before my eyes! “
Put another way, Dante's narrator is examining the significance of his past experience in the present even as he retrospectively narrates a spiritual odyssey which takes us back in time to the amazing week in which he experienced the events he describes in Inferno, Purgatorio and Paradiso. Rendering his experience as a sustained flashback, he tells the story of his past odyssey and explains his understanding of that journey. Thus, the reader has the sense of living simultaneously in two worlds, the then of what happened and the now of the telling.
The Divine Comedy has a polemic and devotional aspect. We need to remember that it is Dante not God who places the characters in their places. Dante's use of the preterit underlines that the narrator is recounting his miraculous journey after he has returned to earth. Like Moses, he has brought down from the mountain something he believes we need to know; he wants to share with his audience what he has learned: “Reader, so may God let you gather fruit /from reading this.” Later, in Paradiso when specifically addressing the reader (“lettore” in Italian), he calls attention to his writing down what Beatrice tells him.
The energy of the Inferno derives in part from Dante's and our fascination with evil. As his narrator gets deeper into the nine circles of Hell, he finds increasingly outrageous behavior generating increasingly horrible tortures. And that calls for a change of language. In Inferno the narrator more and more turns to graphic and even vulgar language to describe the figures he meets. Conversely in Paradiso, as he moves closer to his vision of God, the narrator uses more allegorical and less realistic language. He presents fewer speaking voices and less visual dramatic action.
As we read, we come to appreciate the complexity of Dante's vision, including his awareness of multiple co-existing realities. Dante stresses the difference between the earthly world, mutable and governed by time, and the heavenly world in which time is irrelevant.
Dante defines characters — even Biblical and mythic figures — by their earthly setting and circumstances. There can be no doubt that he was influenced by contemporary paintings and that his scenes are visually shaped by his knowledge of painting —especially Cimabue (1240-1302), Duccio (1255-1260 to 1318 or 1319) and Giotto (1267-1337) — and to a lesser extent by extant illuminated manuscripts. These sources were an essential means of communication within the Catholic tradition. The Church frescoes were available for illiterate worshippers, while the illuminated manuscripts and devotional paintings were treasures owned by the wealthy. In this culture the Biblical narratives — and particularly the life of Jesus — was a living text which offered the viewers, readers or listeners spiritual and ethical instruction.
Preparing oneself for the birth of the eternal soul upon death by getting close to God was an essential part of earthly life. Developing an intimate relationship with God by following the righteous past and acknowledging His presence through the Sacraments of the Church — most importantly, Baptism, Confirmation, the Eucharist and Reconciliation — and prayer defined this preparation. As The Divine Comedy makes clear, following the Church's specified Virtues and avoiding the defined Vices was necessary but not always sufficient if one had not also followed Church Sacraments.
The narrator is aware that the earthly world in which humans live their lives — and in particular the world of Italy and Florence populated by humans with strengths and failings — is changing and cannot be fully understood, no matter how much he would like to believe in — and revert to — a vision of life as a simple vertical progression containing Hell, Purgatory and Heaven. Such a vision is exemplified in his description of Beatrice towards the climax of Paradiso: “The beauty that I saw transcends/ all thought of beauty, and I must believe/ that only its maker may savor it all.”
In addition to its allegorical component, Dante's narrative has an often quite modern realistic component. What Dante makes clear is that he is interested in his characters' grammar of motives and the ensuing complexities of where to consign his characters. He ponders how to judge behavior of ambiguous intent and what weight should be given to the effects of a characters' behavior on others. These grey areas take us modern secular readers into novelistic space where we not only draw a circumference of judgment around the presentation of Dante's narrator, including questioning and even resisting where in Hell and Purgatory he places characters. Should, we might ask, Ulysses, hero of the Odyssey, be consigned to the eighth circle of hell for giving false counsel? We also ask ourselves: What are the psychological and historical determinants of the behavior of the characters whom we meet and often hear from?
For believing Christians Dante becomes their Virgil and Beatrice, teaching them how to get to Heaven and love God. After rebuking the narrator for pursuing the wrong path, Virgil says to him: “I think it wise. You follow me/I will be your guide.” These lines echo what Christ said to Peter, “Come, follow me.”
Dante speaks not just to those who accept his theology but to all of us. Dante implicitly says “Come, follow me” and we respond. Simply put, to return to the first canto of Inferno, if we have “lost” our way and are in a “wood, savage, dense and harsh,” we need to follow where he leads. What Virgil and later Beatrice are to him — guides and teachers— Dante is to us.
We modern readers of The Divine Comedy who are not believing Christians and specifically Catholics are still caught up with Dante's narrator in his human situation of wanting a major change in his life. At times are not all of us in the metaphorical dark woods of anxiety, self-doubt and depression as well as other emotional cruxes brought on by disappointments, illness and loss of loved ones? Our contemporary experiences that roughly parallel those of the narrator include overcoming depression and trauma as well as showing resilience, resourcefulness and resolve in the face of terrible setbacks. Do we not seek a way past detours in our search for ethical purpose in life as well as a worthy goal shaped by human decency which might but not necessarily include a spiritual aspect?
As Dante's narrator ascends toward Heaven, he loses his human imperfections. Paradiso is about knowing, but a particular kind of knowing that eschews reason and logic. What is learned by the narrator cannot, when he returns to the human world, be completely retained or transformed perfectly into words. His knowledge is based on medieval Catholic theology, namely the four cardinal virtues (prudence, justice, fortitude, temperance) and the three theological virtues (faith, hope, charity).
In Paradiso chronological time is suspended. Heaven's inhabitants, as well as for a time the visiting narrator, live in kairos or significant time rather than chronos, the tick-tock of passing time, which is suspended. Even for those of us who are skeptics and unbelievers, the ending is like the terrifying sublime of a Beethoven or Mozart symphony in which time stops and we are aware of being present in a different world than the one we live in; indeed, it is a world in which we want to stay.
What I want to stress in my closing is the joy of discovering masterworks, in my case one that is quoted in the newspapers almost every day and may be the major text in Western Literature. Such reading experiences bring insight and pleasure to each day and far more than repay the time invested. Reading complex literary works becomes the poetry of life when we lose ourselves in imagined worlds of other times and other places. And that is what major art does, making us aware, as the American poet Wallace Stevens puts it in “The Idea of Order at Key West,” of
Words of the fragrant portals, dimly-starred,
And of ourselves and of our origins,
In ghostlier demarcations, keener sounds.
Daniel R. Schwarz is the Frederic J. Whiton Professor of English Literature and Stephen H. Weiss Presidential Fellow in the College of Arts & Sciences. He is The Cornell Daily Sun's 2023 visiting columnist. He can be reached at drs6@cornell.edu.
“Reading Danie's Divine Comedy,” Cornell Sun, Dec. 7, 2023; https://cornellsun.com/2023/12/07/schwarz-what-we-gain-when-reading-dantes-divine-comedy/
Remembering Teachers Who Mattered and Are Part of Who I am Today
As visiting Cornell Sun columnist for 2023-2024 I have written a few columns from my perspective as a college professor in my 56th year since arriving at Cornell in 1968, but today I want to write from my perspective as a student. I am thinking of teachers who still matter to me from high school through graduate school and what they had in common.
I have been thinking about the qualities which my best teachers shared. Why did I look forward to their classes or tutorials, and why did I want to be prepared for every session no matter what else I was doing?
The teachers I will be discussing had quite different personalities. Not all were gregarious presences outside the classroom, but they all commanded complete attention in the classroom.
What these teachers had in common was the ability to raise issues and ask questions that made me think during and after class sessions. When I was in their classes, I felt that it was the most important part of my day, and they made me feel that it was the most important part of theirs. Such seriousness of purpose on their part created the desire on my part to learn. When accompanied by the teachers' infectious enthusiasm about their subject during each session, the class became a community to which most of my peers seemed equally committed. In fact, I have checked with a number of those who shared these classes with me and their memories are similar.
Finally, these teachers personally conveyed what they expected from me in terms of quality and effort. Because I respected them, I didn't want to disappoint them. With each of these teachers I felt a personal connection as if what they wanted from me in terms of reading, writing and thinking somehow mattered to them and me.
Let me begin with high school. I was placed in AP (advanced placement) courses when those were just beginning in my suburban high school in the village of Rockville Centre, Nassau County. In those classes I had four teachers that made a difference and ultimately had a tangible role in shaping my desire to teach.
Two English teachers saw my potential and pushed me to read and think about what I was reading. Perhaps the most compelling teacher was Kenneth Jenkins, the first African American teacher in our school district where few African Americans lived. He was a Columbia graduate who challenged me to think independently, but the most important lesson was that it was my first experience with an educated, vibrant African American with an ebullient personality and a sense of humor. Here he was teaching us —indeed inspiring us — when the community had few African Americans and the African American adults we saw were mostly women who cleaned houses. He seemed to be able to connect with every student and make every student feel special.
An Italian-American named James Perrone, was fearsome, charismatic and a tough-minded scrupulous reader of student essays. He insisted on precision, logic and clarity. He taught 12th grade AP English to seniors but also had in his morning homeroom the major editors of our high school newspaper, a group that included me as Sports Editor and columnist. By his own at times quirky and iconoclastic behavior and by his encouraging me to write independent opinion columns addressing issues in the athletic program, he opened my eyes to the possibility of being a bit bold and provocative within the rules of a school system. Nothing I did was good enough but that only made me try harder. He would come into homeroom and throw — yes, throw — me paperbacks from his own library that he thought I should read. I was shocked when he gave me Dylan Thomas's Adventures in the Skin Trade, complete with a lurid cover.
When I had a cavalier and perhaps not seriously engaged response to a poem we were assigned (I forgot which, but it may have been William Carlos Williams' “The Yachts”), he assigned me to teach Browning's “My Last Duchess” at the next class session; I prepared for hours and my presentation went well.
Because of the confidence gained and the respect I received from students and Perrone, this event became a crystalizing event in my education. Perhaps even more important I learned how the investment of time in carefully reading and rereading poetry brought me great joy and made me think that, yes, I might want to be a teacher, and yes, I might want to read more poetry. Prior to this experience I was much more engaged with novels and plays. Alas, Perrone died of cancer a few years later.
Two AP American history teachers who were always prepared introduced me to the complex issues facing the United States from the beginning through the present. Robert Geise taught 11th grade history and Louise Austin taught us the more contemporary 12th grade history and prepared us for the AP exam. Just fulfilling her expectations was enough to get a “5,” the highest score on the exam.
To some extent the emphasis was on top-down history with a focus on Presidents, and we didn't learn much about indigenous people or the historical discrimination facing women, Jews and African Americans, but we did learn about some of the historic Supreme Court cases.
Every student in these classes was expected to read the New York Times, picked up in homeroom in the morning by class time. My views were slightly left of center and one of the other more articulate students in class discussion was slightly right of center and defended Eisenhower and the status quo. Our dialogues and other exchanges in the class shaped our ability to participate in the give-and-take of democracy and help us gain a working knowledge of the US Constitution. According to my brother Robert, who went to Dartmouth, “I took two history classes and a government class at an Ivy League college, but Geise and Austin's instruction was more thorough and more arduous than anything I found later. They gave me an understanding of constitution-based American democracy that resonates 60-plus years later.”
Another lesson learned was that the women in these classes were as capable as the men, even though many were tracked away from the more difficult science and math classes. I remember an AP chemistry class with very few women. Exposed to a world where Jews were not always welcome in businesses and social clubs, a positive for me was that many of the best students were Jews, in part because most of the considerable number of Catholics who lived in Rockville Centre, where a diocese was founded in 1957, went to parochial school.
In college, two English teachers stand out. One, Carl Niemeyer, who loved teaching literature and who introduced me to Joyce's Ulysses in a two-semester world novel course. Spending six weeks on Joyce's epic began a lifelong fascination that became the subject of one of my books. Before that he taught me Major British authors from Chaucer through T. S. Eliot in a two-semester sophomore course. A shy man, he came alive in the classroom and masterfully used the Socratic method to which I responded. What I remember is that he brought to every author he taught an implicit answer to the question, “What kind of literature did this author write?”— that is, what is special and different about what we are reading and to what genre or genres does this work belong? — and this overarching question has stayed with me in my teaching and reading.
The other, John Bradbury, twice supervised independent study including my Honors thesis on the novelist Joseph Conrad which planted the seeds of my Ph.D thesis on that subject.
Prior to my freshman year at Union College, I had been selected with about nine others to be in a special program called the Extendibles under the auspices of the Ford Foundation.
By being in the Extendible group, I could do an independent study project. As a sophomore I had a weekly tutorial with Bradbury on the Southern Renaissance in American literature; he had written one book on the subject and was writing another and that very much impressed me. I was excited that he was a published scholar and a book author.
I learned that even though I had an extroverted side, this independent study experience confirmed that I liked working alone and spending time in the library, and that has stood me in good stead. I learned intellectual rigor in making an argument from a philosophy professor named Rollo Handy who taught at Union College for only one year. He would have us write essays on such abstruse topics as a critique of Anselm's ontological argument for God's existence. He went on to have a distinguished career as a scholar. I was fortunate to have the pleasure of listening to the thoughts of his powerful mind.
In my Junior Year abroad my tutor Ian Gregor convinced me by intellectual example that the academic life might be for me. That I was the only American undergrad chosen for the Honors course added to my confidence. His joy in teaching and mentoring paired with his knowledge and encouraging wit challenged me to go deeply into subjects and to discuss literature and other cultural experiences, including art, films and plays. Although there were two other students in the tutorial, Gregor asked me to present at least every other week and I, not wanting to disappoint, learned how to prepare presentations. Long after as I negotiated the path from college to grad school to Cornell and to full professor, he remained a mentor.
Looking back, I realized that my literature classes from high school and college should have included more women and minorities, and both my history and literature classes should have been much more inclusive of African and Asian culture. Nor was there awareness of gay culture even when discussing E.M. Forster's Passage to India or Virginia Woolf's Mrs. Dalloway or of anti-Semitism when discussing T. S. Eliot and Ezra Pound.
In graduate school at Brown, I learned what the pursuit of excellence and the joy of university teaching meant from both the great Milton scholar Barbara Lewalski and the Victorian scholar Park Honan. Both brought erudition, love of subject, and a sense that our having a chance to study their subjects was a shared gift. From my dissertation advisor, Mark Spilka, who I can't say was a great classroom presence, I learned how to define a manageable and timely scholarly project and bring it to conclusion within a finite time period.
At Cornell I continued to learn from mentors, two of whom stressed rigor of thought and the need for persistence. From the great humanist scholar M.H. Abrams I learned to work every day but not all day, and that it is better to submit an article or book before it is perfect because it will never be that. From Michael Colacurcio, I learned to balance the formalism in which I was educated with historical contextualism. I conclude with an overview of qualities my best teachers shared, even if their personalities varied widely:
1) Challenging me to do my best, sometimes by telling me what to read or giving me extra assignments.
2) Helping me discover who I am and who I can be.
3) Teaching me how to listen and respond to concepts and ideas.
4) Inspiring me to love learning for its own sake and to be endlessly curious.
5) Stressing to me the value of reading carefully, thinking powerfully and critically, writing lucidly and precisely and speaking articulately and persuasively.
6) Setting expectations for me that are clear, including insisting that assignments were completed on time (which taught me time management).
7) Connecting with me as an individual.
8) Making me understand the difference between being a good student and being an intellectual with curiosity and a broad range of interests as well as a willingness to not be confined by traditional fields or even earlier scholarship.
9) Conveying to me love of subject and the sense that what is being taught matters a great deal no matter how much or little it affects daily life.
What I am arguing implicitly and explicitly is that by watching and listening to our teachers, we discover not only our love of learning and intellectual curiosity, but we also develop communication skills that serve us in good stead whether we are in the classroom or elsewhere.
Daniel R. Schwarz is the Frederic J. Whiton Professor of English Literature and Stephen H. Weiss Presidential Fellow in the College of Arts & Sciences. He is The Cornell Daily Sun's 2023 visiting columnist. He can be reached at drs6@cornell.edu.
“Remembering Teachers Who Mattered and Are Part of Who I am Today,” Cornell Sun, Dec. 19, 2023; https://cornellsun.com/2023/12/19/schwarz-remembering-teachers-who-mattered-and-are-part-of-who-i-am-today/
The Issue of Grade Inflation
Rebecca: Let us discuss grade inflation and its implications.
Dan: I know you are aware of the NY Times article on grade inflation at Yale and we have similar evidence of grade inflation in high school. We also know college students study less.
Based on GPA, Cornell Phi Beta Kappa Honor Society issues invitations to three percent of the Arts and Sciences juniors and seven percent of the Arts and Sciences seniors. As Faculty President of the Cornell chapter since 2009, I can see how the GPA cut-off creeps up every year. In 2004 before we reinstituted Junior induction, the cutoff was 3.821 for the top 10 per cent. In 2023, the cutoff for Seniors was 4.047, meaning that 10 percent of the class had over a 4.0.
What was a B or even a B- in the classes I taught is now an A-, and that may be understating the difference between 1968-1969 — the first of my 56 years as a Cornell faculty member — and now. Except for an Honors essay, I never gave an A+ in a course until maybe six or eight years ago. I still have given very few, but now in many humanities courses A+ is a common grade. I do give a great many more A's (without a minus) than I used to.
Grade inflation undermines accountability and homogenizes different degrees of performance into one. My major advisees in the past few years have averaged at least a 3.75 GPA and quite a bit higher in their Literatures in English — formerly English Department— classes.
I wonder if my younger colleagues who — including those with the highest standards — were themselves graded in what I smilingly call the New Dispensation (i.e. in the midst of grade inflation) have different ideas of what an A or A+ means than I do. Some of them contribute to what some of us older professors think of as over-generous grading and, so as not to hurt our students, we older professors (perhaps timidly) follow. While it is a simplification to blame grade inflation on younger colleagues, it is also true that younger faculty need strong teaching evaluations and we know generous grading produces those.
Rebecca: I suspect that regardless of work ethic, and in part because of their high school experience, entering students expect to receive higher grades than when you began to teach.
Students often believe that it is easier to get A's in the humanities than in the sciences; while that is probably true, it is not true of all humanities courses. I found in my experience, supplemented by conversations with my friends, that in terms of grading rigor, there is a mix of professors in the humanities not only in terms of grades but more importantly in terms of expectations. Some expect a lot from students in return for an A; others have lower expectations and reward almost all students with an A.
Dan: A rigorous professor can define expectations in the opening session of a course, particularly a non-required course, and weed out those who want to take what I call "coasting classes." My grading has become more generous because I am not teaching large lectures, and it is easier to measure accountability in small classes. Once I tell students the first day that I insist on APP — attendance, preparation, and participation — the students who want to coast find another course.
Rebecca: Does grade inflation matter? Do grades correlate with success, especially if one's degree is from a top university? I would argue that the pandemic brought into the spotlight a general question, which is: Does high performance on exams even correlate to intelligence? The Ivy League is getting rid of all sorts of rankings. Standardized tests like the SAT and ACT are no longer required, and many schools took themselves off of the U.S. News & World Report Higher Education rankings. Maybe grades and grade inflation are another aspect of this movement. At Brown one can choose to take a course S/U or for a grade, and the Brown letter grades do not include pluses and minuses.
Dan: Grade inflation relieves pressure on those who might otherwise be in trouble by their not spending enough time on academic work. On the other hand, relieving grade pressure provides more time for extracurricular activities, socializing with friends, and social media.
We agree that during COVID-19, a somewhat invidious social contract developed where expectations were lowered, and some teachers and students made a minimum effort. In tacit exchange for students not complaining, they received high grades. Many faculty, perhaps dealing with their own COVID-related issues, graded higher.
Rebecca: The pandemic certainly changed grading norms. It was an unprecedented time for all of us — students and faculty — and many of us suffered from the disruption of normal life and even mental health problems. Faculty necessarily became more flexible when responding to quarantined students and of course, some dealt with personal issues and illnesses.
I remember feeling that there was a huge general change in college life between my COVID-ridden freshmen year and my sophomore year, where there was a transition from online to in-person classes.
We agree that Science and Engineering professors are indeed more restrained in opting for higher grades. Perhaps this is because these disciplines are more objective especially when it comes to exams on actual information. Saying that these disciplines are more objective is not to dismiss their difficulty and the hard work that students put into these classes to perform well.
This makes me wonder if it is the "subjective" nature of the humanities that makes them easier to do well in. I think it's probably easier to get an A when, apart from obvious incorrect readings of a text, there are multiple ways to perform an analysis and therefore multiple right answers. To be sure, being able to structure a paper in a clear, organized manner is to some extent the equivalent of getting the right answer on a problem set.
Dan: Engineering and other STEM professors are more traditional in their grading policies, but even there my guess is we would find some grade inflation, in part because they, like all of us, are now more flexible when students have personal health or family issues. However, if not, most STEM professors still give exams in which there is a grade distribution if not a formal curve.
Rebecca: Students often decide for themselves what their college experience will mean for them and what they will do with it. Even at Cornell, some students emphasize extra-curricular activities at the expense of studying for classes. Students tailor their own university experience by choosing to take "easy A" classes, classes that they know will be challenging or some combination of both.
Grade inflation may be beneficial in an increasingly difficult job market that rewards good grades. Students need a high GPA to get into top law schools and medical schools. Yet this might illuminate a conflict about what the goal of the university is.
Dan: While colleges and universities seek to send students to the highest echelons of the job market and graduate schools, they also want to produce powerful thinkers who read critically, write lucidly and speak articulately. Many if not most employers tell me that GPAs do not matter much in their hiring decisions.
Rebecca: If getting an A is easier than ever, the University may be creating weaker thinkers and less focused graduates than in years past. It's important to note that the nature of college is different now than in years past. It is easier and quicker to do research for papers and solve problem sets because of the internet. It's difficult to tell whether or not there is a correlation between grade inflation and the quality of work that students perform. The hope is that the university produces well-rounded critical thinkers who will contribute to the betterment of society.
Dan: When grading — especially final grades — I am very conscious of giving grades that will enable students to compete and that plays a strong role in the inflations of my grades.
I conclude with a few questions: Do Cornell students and faculty want to return to somewhat more rigorous grading that distinguishes between good and truly excellent performance in a course? Should we consider the Brown model? In small courses, should we replace grading with S/U grades accompanied by individual written evaluations?
Daniel R. Schwarz is the Frederic J. Whiton Professor of English Literature and Stephen H. Weiss Presidential Fellow in the College of Arts & Sciences. He is The Cornell Daily Sun's 2023-2024 visiting columnist. He can be reached at drs6@cornell.edu.
Rebecca Sparacio is a senior in The College of Arts & Sciences. Her fortnightly column The Space Between is a discussion on student life, politics and community. She can be reached at rsparacio@cornellsun.com.
"The Issue of Grade inflation," Co-authored with Rebecca Sparacio, Cornell Sun, Jan. 25, 2024; https://cornellsun.com/2024/01/25/schwarz-sparacio-the-issue-of-grade-inflation/; reprinted in SerialPolitics; https://serialpolitics.com/archive/1-27-2024/
Free Speech on Campus?
Rebecca: Let us discuss the issue of freedom of speech, an issue which has been troubling us both and which has several aspects.
Dan: Free speech — that is, expressing opinions without government intervention or legal sanctions — is a universal right that is enshrined in Article 19 of the United Nations' Universal Declaration of Human Rights and in the First Amendment to the U.S. Constitution.
Free speech is an accepted human right, but it does not mean one can say anything at any time. Free speech is provisional and fungible; it is defined by context and depends on the situation.
This semester will test how universities and colleges maintain free speech and lively discourse on controversial issues without tolerating hate speech or allowing faculty to use classes to forward political agendas.
University leadership must staunchly defend what universities do in terms of encouraging opportunity and possibility for all students and fostering objective teaching and research.
I do think that elite universities need to be aware of the world we live in and communicate better what we do and why.
When I travel outside Ithaca and Manhattan, I realize there is another world between the coasts and beyond the hermetic world of elite universities. What I learn when I listen to well-meaning people I meet is that we who live in the academic enclaves of places like Cornell cannot patronize those who think what we mean by free speech has a strong leftist polemic slant and that DEI (Diversity, Equality and Inclusion) is a threat that undermines merit. These people may believe that because of DEI their children or grandchildren did not get accepted at elite schools or get the jobs that they sought. Universities need stress that DEI includes everyone, including those who come from economically disadvantaged backgrounds and those who are physically challenged.
While Cornell has had a fraught fall semester, if Oct. 6, 2023 is "one" and chaos is "10," we have never gone past 3.5. Yes, there have been troubling instances, but no one has been physically hurt by our intense disagreements. Yes, some students have been uncomfortable in regrettable ways, but some discomfort is necessarily part of life for all of us.
Rebecca: I first became interested in the issue of free speech on campus when Ann Coulter was shouted off the stage at a talk she gave on campus on Nov. 10, 2022. Coulter was brought to campus by a conservative women's group but was shouted down in an organized demonstration of so-called "progressive" individuals.
The Student Assembly also attempted to pass a resolution that would mandate trigger warnings. This was a serious threat to free expression that President Pollack immediately vetoed.
Trigger warnings can infantilize people, including those haunted by past traumas, and prevent them from choosing to reckon with them in the manner that they choose. Mandating trigger warnings would have been an authoritarian move and the Student Assembly acted on passion to protect others from triggering material rather than on reason.
Dan: Yes, I concur. An anecdote: I always announce when I am going to discuss sex in reading Manet, Picasso and D.H Lawrence and allow anyone to leave the room. No one has in 56 years, but the students pay better attention.
More importantly, if we as professors are dealing with sensitive subjects such as torture, sadistic behavior and genocide — as I do in my Holocaust class — and have an audience that includes descendants of victims, we must try to present the material with some sensitivity.
In the disruption of Ann Coulter's speech, you cite an example of the cancel culture, which threatens the open dialogue that is essential to free speech. By most standards, I am reasonably woke, but I am not an insomniac. I do not agree with "wokeness" when it imposes a kind of censorship by disrupting speakers.
I strongly resist the Right's effort to suppress points of view that are sympathetic to DEI or when they cite extreme or distorted examples of the application of these principles.
Skeptics are not always completely wrong about "woke" inflections under the guise of DEI. They are to my mind right to be troubled when a Cornell instructor, in violation of Cornell standards for holding classes, irresponsibly cancels the first meeting of class entitled "Race, Writing, and Power" in sympathy with Palestinians. This is an example when under the guise of free speech, a teacher veers into political re-education and does not consider the exclusionary nature of his/her/their behavior.
In some cases, the exercise of free speech can become a kind of harassment to some listeners and, for that reason, we judiciously hold our tongues. Even those of us passionately supportive of "Black Lives Matter" perhaps thought to ourselves that fundamentally "Of course, but do not all lives matter?" But we didn't respond that way out of respect for the fact that many African Americans — notably George Floyd but others, too — were victims of racism and criminal behavior on the part of the police. Now I think it is morally important for all of us to articulate that "Palestinian and Israeli lives matter equally."
"From the River to the Sea" could describe an actual incident in the Caribbean that I witnessed, namely how boats were moored during a storm in a river and then how when the storm passed the boats were moved back to the sea. But in the current context, it is felt by Jews as a provocative and sometimes antisemitic call for the destruction of Israel and those who live there.
Rebecca: Based on the events that happened on campus, one could ask: "How could those espousing DEI embrace 'from the river to the sea'" and other antisemitic speech and claim to be an inclusive culture?
What do you think of the Cornell Alliance for Free Speech group whose attacks — in letters to many members of the Cornell community and in media ads — on the Cornell administration are quite virulent?
Dan: In some cases, these are conservative wealthy donors who want to wind back the clock half a century. They use rightful disgust at antisemitism as a cover for opposition to their skewed interpretation of DEI as a program undermining merit. On the other hand, DEI has sometimes been a cover for shouting down speakers who have reasoned conservative views (as opposed to racists) and for various claims of micro-aggressions which disguise a grievance that a given professor is not sufficiently praising a student's work or that the professor has expectations that the complainant has not met.
Rebecca: Yes, there is a real problem for free speech when we see that the same word has different meanings for people, especially in the context of anti-Zionism and antisemitism. In addition, we see the importance of context in general as a concept that shapes the meanings of words and governs certain ways of acting, including subscribing to forms of political correctness. It's hard to define free speech if it depends on an ever-changing political context, on fluid definitions of words and the political moment. Part of this second point is the difference between anti-Zionism and antisemitism. During the last semester, it seemed that anti-Zionism bled into antisemitism more than ever. What can be done about this?
Dan: I have no ready answer. Free speech means one can express opinions without being arrested, but that does not mean that everything said or written is equally true, fair or judicious. Free speech includes the right to speak nonsensical, conspiratorial theories or make bizarre claims about Taylor Swift, for example.
We hope that what we teach at Cornell and other major universities is the need to be informed, to weigh evidence, to know the difference between reasoned argument and passionate performance and to listen respectfully and thoughtfully to others. Our goal is to give our students the tools to participate in democracy.
Rebecca: I think that the gray area between the writer/speaker's intention and the reader/listener's response is also critical.
We need to think about the possible conflict between the speaker's intention and how the listener is affected. This is very apparent with the phrase "from the river to the sea," which many pro-Palestinians argue is not uttered with antisemitic intent. Many Jewish listeners would say otherwise and have a rational reason to conclude that it is a call for Jews to be murdered. As a Jew, I found "from the river to the sea" to be antisemitic. I wondered when I passed pro-Palestinian protesters what they intended with these words. Some of them were my classmates and it felt uncomfortable to label them as antisemites. One sign, "Free Palestine At Any Cost," struck me as particularly antisemitic.
Dan: Yes, I have argued that offensive speech, even hate speech, can come from both ignorance and malice and that it is difficult to separate the two, but alas they have the same effect. The problem is that I fear some students and faculty do not spend enough time reading and listening to reliable news sources and get their news from biased sources and uninformed friends. Perhaps we need to stress that students should spend a little less time on social media and more on getting informed.
I have suggested as a requirement a year-long history course with the first term an overview of the world and the second focusing on the most controversial issues. Right now, of course, the Israel-Palestine issue would be foregrounded, but which issues to be included would vary from year to year.
Another aspect of free speech is a classroom climate where diverse views are encouraged rather than one where the examination of materials is shaped by the ideology of the teacher. Our Provost Mike Kotlikoff has wisely admonished: "[I]t is essential that faculty and instructors avoid the use of the classroom, scheduling or other academic activities to advance personal political views." Unfortunately, I know many instances where that has not been the case in recent years.
Rebecca: I worry about sanitizing classrooms by eliminating texts some might find offensive. How do we teach works that are from different periods (and that means they have different views of gender, race, colonialism, etc.) to today's woke generation? What happens if we are not susceptible to learning about the past because it is now considered offensive? One can also ask: "How are we supposed to reckon with the past if the past is shielded from us?"
Dan: Which brings us to the subject of censorship where professors omit topics that are disturbing and where some conservative communities want to control classroom teachers' presentations and ban library books.
We might close with the topic of self-censorship. We all engage in self-censorship every day in our personal relationships and in our dialogues. If self-censorship means holding our tongue before we speak and being considerate of the feelings of others, it is not something to worry about. If it means not expressing opposition to views we regard as heinous because we are afraid to offend a professor and other students or members of a campus or community group seeking to control free exchanges of ideas in schools and libraries, then it is a source of great concern.
We might conclude that free speech does not allow for hate speech whether from ignorance or malice but is an evolving, fluid concept depending on good will and human decency.
Daniel R. Schwarz is the Frederic J. Whiton Professor of English Literature and Stephen H. Weiss Presidential Fellow in the College of Arts & Sciences. He is The Cornell Daily Sun's 2023-2024 visiting columnist. He can be reached at drs6@cornell.edu.
Rebecca Sparacio is a senior in The College of Arts & Sciences. Her fortnightly column The Space Between is a discussion on student life, politics and community. She can be reached at rsparacio@cornellsun.com.
"Free Speech on Campus?" Co-authored with Rebecca Sparacio, Cornell Sun, Feb. 13 2024, 6; https://cornellsun.com/2024/02/08/schwarz-sparacio-free-speech-on-campus/
How to View Paintings and Sculptures
As a teacher of the humanities, I believe in the enriching, educational and joyful value of art in our lives, and I believe that the various arts are paths to self-discovery. Art intensifies our lives by providing quality moments between the tick and tock of chronological time. Whether resonating with our desires and hopes; or giving us insights into our anxieties and nightmares; or providing sublime moments of splendor and beauty, art complements and intensifies our lives. We return to our everyday world more aware of what it is to be human. By deflecting us from tasks and suspending us from everyday concerns, the arts — music, theater, dance, cinema, literature — provide another kind of reality.
My focus today will be on painting and sculpture.
One of the great resources of the Cornell campus is the Johnson Museum of Art. I not only often visit with my wife, but I also find occasions within or outside classes to introduce my students to some of its treasures. The museum contains a world-class Asian collection as well as significant holdings in both American art beginning with the nineteenth Hudson River School and twentieth and twenty-first century European art.
As a bridge to our Johnson Art Museum and as an opportunity to share the lifetime pleasure that visiting museums and galleries has given me, I want to suggest how we might look at paintings and sculptures.
Take a first slow look and ask yourself what the most important aspects are of what you see. Ask yourself what kind of painting you are observing. Is it realistic — a portrait, a landscape, a narrative, a religious painting with a devotional purpose — or is it abstract with a focus on the paint itself, recognizable and odd shapes, and/or the process of painting? Or is the painting an illuminating distortion with aspects of both realism and abstraction?
Let us turn to sculpture. If possible, walk around a work of sculpture. Notice what materials the artist is using. Is it clay, stone, bronze or something else? Is the shape realistic or abstract, or as with Rodin, a combination of both? How does the size and texture shape our response?
To give yourself an opportunity for multiple responses, move around and look at a painting or sculpture from different perspectives, including moving closer and backing up and moving to both the left and right of your original view. Do not rush; the average person looks at the Mona Lisa for only 15 seconds.
Even during a museum visit of several hours, you will not be able to spend a half hour on each work. What I often do is look briefly at a room in a museum and choose one appealing work to concentrate on. Or if several paintings by a favorite artist are in a room, I might focus on that room. If you have visited a museum countless times, as I have the major museums in NYC (the Met, MoMA, Frick), you need not worry about missing something because you know there will be another visit.
With paintings, I first notice colors, lines, the thickness of the paint and whether and where the artist uses broad strokes or tiny dabs, perhaps how the artist layers the painting, maybe even like Rembrandt using a palette knife. Ask yourself how the painter is using those aspects to invite you to foreground some aspects of the work.
Paintings are sensuous, some more than others. You can learn to respond to the tactility of paint on canvas. Imagine touching a painting (but don't do so in a museum). With such abstract artists as Jackson Pollock, we can experience the way the painter plays with the paint and imagine the actual process of painting. In Pollock's case, he added paint to a canvas as it lay on the floor.
I am also cognizant of size. Looking at a small domestic by the Dutch painter Vermeer is not the same as looking at a large mythical or religious painting by the Venetian Veronese. An illuminating geometric Giacometti sculpture of a human is different from the geometric and angular shapes of a large abstract sculpture by Henry Moore.
Keep in mind that art in many cultures was created for religious purposes and that we often don't know the individual artist. Understanding art means understanding different cultures and historical periods, something stressed by the splendid exhibit of early Buddhist Art at the Met: "Tree & Serpent: Early Buddhist Art in India, 200 BCE-400 CE."
What is in front of you won't change, even if, as you move around and learn more, your perception and understanding will. Unlike literature, which evolves through both the creator's imagined time and the reader's process of reading, painting and sculpture are frozen in time and space.
But often, unless the work is purely abstract, you can imagine the preceding backstory of what you see and the implications of what might happen next. If a painting has a mythological or religious theme, you may know the prior and succeeding narrative. If it is a landscape, you can consider how the setting looked in prior seasons or even in prior times and how it will look in the future. If the painting contains people, think about what they have been doing and what they will be doing. If the painting — or sculpture — is a portrait, you may speculate on what happened to create the figure before you. From his or her expression, gestures and garments, you may have some thoughts about what might happen next.
Think about the formal choices the artist has made to create the imagined world of the painting or sculpture and how those choices played a role in what ideas the artist was trying to show the viewers and what emotions the artist was trying to evoke. How did the artist create the cosmology of the artwork and how does she/he persuade us that what we are seeing matters? What are the key ideas of the imagined world at which we are looking?
Without ignoring the ideas and feelings that the work is trying to evoke and what choices the artist made to do so, think about the relationship of the work to your life. Think, too, about what the artist could have done differently and whether there is something overlooked or by our 2024 standards misunderstood. This may take the form of noticing in the work something sexist or racist or an indifference to class structures. Awareness of such issues depends on what we call the hermeneutics of suspicion or a resistant reading.
Often, while in a museum, you can access information on your phone, although I much prefer to read brief commentary on the wall next to the artwork. More substantial reading and a return to the work on a later occasion will intensify your experience. Supplementing what you know and see by reading the information provided on the museum walls or listening to museum audios is very much worth the time, but don't let it replace your own experience.
I want to discuss two important works at the Johnson.
Dubuffet's Scathing Anatomy of France
Jean Dubuffet (1901-1985) painted in 1948 "La Bouche en Croissant" ("Smiling Face"). We see a boy's head and shoulders in a cramped, claustrophobic space. The work is not in the representative tradition of portrait paintings. In its simple evocation of facial parts created by finger painting and discordant colors, this work recalls the rudimentary techniques of children's painting. "In my paintings," Dubuffet wrote, "I wish to recover the vision of an average and ordinary man without using techniques beyond the grasp of an ordinary man."
In fact, he mixes oil with such materials as mud, oil, glass, cement, sand and pebbles to produce caricatures of traditional art. In this painting, Dubuffet used impasto, which is a technique where paint is laid on an area of the surface thickly so that the brush or painting-knife creates a visible texture on the painting.
Dubuffet often playfully references a child's world where carnivals, circuses and parades are important. He does this to emphasize the pretentiousness and failures of the adult world. He identified with outsider art produced by those untrained in the tradition of fine art: children, psychiatric patients and those imprisoned, including those arbitrarily imprisoned during the 1940-1944 German Occupation of France.
"La Bouche en Croissant" ("Smiling Face") stands as a commentary on French behavior during the Occupation. Using scratches and slashes, Dubuffet wanted his art to partake of low culture. He called such work art brut ("raw art"), a term that he used to describe art such as graffiti or naïve art. He is forcefully commenting on France's self- image — even after the collaboration during the German occupation and the complicity during the Holocaust — as Europe's most advanced and cultivated culture and still the international capital of the Western art world, he depicts a grinning, seemingly oblivious child to remind his French countrymen that they behaved like helpless, obedient children after the Germans invaded France. When called upon to collaborate and adopt Nazi ideology, the French, as if they were obedient kindergarteners, submitted naively and thoughtlessly to the Germans.
Giacometti's Modern Man at the Edge
Created in 1959-60, Alberto Giacometti's (1901-1966) L'homme qui marche II, Walking Man II, cast in bronze with a rough unpolished texture that looks like paper-mache, represents how humanity has endured one catastrophe after another in the twentieth century. His emaciated, skeletal figure references Holocaust victims when the concentration and death camps were discovered by the Allies, the effects of the atomic bomb on Japanese civilians, and images of famines in Africa. With features distorted beyond recognition the tiny head shows how little control the suffering and anguished solitary figure, reduced almost to a shadow with so few distinguishing features, has over his fate. The absence of genitals poignantly demonstrates how even human desire and reproductive capacity have been affected.
At the same time the sculpture shows the determination of humankind to survive. The figure steps awkwardly forward with his back foot, barely bending his knee; nor does he have the physical ability to push strongly off his front foot. With arms close to his sides as if they barely had strength or mobility, he will walk, will endure no matter what resistance he encounters.
Conclusion
My mantra for painting and sculpture is the same as for literature, namely, "Always the text; always historicize." As a formalist, I want to discover how form and content are inextricably related. I want to understand how the choices an artist makes determine meaning, even as I am aware of the difference between our world and the ontology and cosmology of an imagined world. The more time we spend in art museums and read about art, the better we can appreciate how objects of art can be understood within the context of the creative and cultural tradition of which they are a part.
Daniel R. Schwarz is the Frederic J. Whiton Professor of English Literature and Stephen H. Weiss Presidential Fellow in the College of Arts & Sciences. He is The Cornell Daily Sun's 2023-2024 visiting columnist. He can be reached at drs6@cornell.edu.
"How to View Paintings and Sculptures," Cornel Sun, Feb. 25, 2024; https://cornellsun.com/2024/02/25/schwarz-how-to-view-paintings-and-sculptures/
Cornell Should Do More to Introduce Students to the Cultural Resources of New York City
As someone who loves New York City for its cultural resources and whose life is enriched by regular visits to NYC, I think Cornell could and should do more to make NYC accessible to undergraduates. When I visit NYC, I see huge numbers of secondary school student visitors from across Europe as well as from all over the US, and I wonder why, given our greater proximity to New York, we cannot increase opportunities for our students to learn there.
We have not even begun to tap the potential of living close to one of the world's most important and diverse cities. Our students will be enriched personally and better prepared for their careers if we develop programs in NYC.
In terms of professional development, we could develop lists of those alumni who work in various fields and are willing to help build bridges for students interested in their fields. Our pre-med students could tour hospitals with doctors and aspiring journalists could visit the offices of major publications. At one time the English department had such a NY list for majors interested in journalism, publishing and related fields and we arranged interactive events in NYC. I often arrange such meetings with current students who are visiting NYC.
But an equally if not more important resource for students is cultural opportunities which have tangible and intangible benefits in terms of pleasure, knowledge and insight that last a lifetime. Exposure to theater, dance, opera, art and musical performances — what I call the poetry of life — opens doors and windows to different ways of living and different points of view.
What would the cultural dimension of a New York program consist of? I would include the major art museums: The Met, the Museum of Modern Art, the Frick, the Guggenheim and the Whitney. Unless the faculty member leading the student group was conversant with art history and how to look at paintings and sculpture, the program would schedule tours in advance with the museums; the latter would provide knowledgeable staff members or volunteer docents.
I would include visits not only to the Museum of Natural History, The New York Historical Society the main branch of the New York Public Library at 42nd Street and Central Park, but also to some historical sites like the United Nations, Ground Zero and the Tenement Museum. The boat tour to Ellis Island which includes a visit to the Statue of Liberty is essential.
Several evenings could be dedicated to live performances of opera, jazz, classical music, Broadway theater and dance. One could imagine some choice of options in the evenings, but the focus would be on introducing students to several different cultural resources.
I would also include the wonderful diversity of restaurants that punctuate almost every neighborhood of New York, many of which are inexpensive.
When and how?
Included among the pre-freshman optional programs—now collectively called Outdoor Odyssey — should be a week in NYC experiencing cultural opportunities that could be called New York City Odyssey. Equally, if not more, important, similar immersive New York Odyssey programs should also be offered during spring break and during the summer and winter breaks. Perhaps the latter could be offered as a one credit course and last 10 days. During the pre-freshman program which would take place in August, the major ballet and opera companies are not in season. However, there is never a dearth of activities in New York, including Broadway and off-Broadway shows. Not only are the major museums open throughout the year, but they always have rotating special exhibits.
For the pre-freshman New York Odyssey I suggest a week in NYC supervised by a faculty member in a modestly priced hotel. For a 10-day course, the hotel visit would be extended. But, to save costs and give the students a broader experience of living in New York, hotels could be complemented by Cornell alumni or parents hosting one or more students in the program. Other alumni might invite several students for a meal.
From conversations I have had, I believe alumni would enjoy hosting students and participating in such a program. Over time, the proposed New York City Odyssey can certainly develop a network of hosts, some of whom might be parents of current students. Moreover, I believe we can find major donors, many of whom live in and love NYC, who would be receptive to funding a New York City immersive experience.
I do not underestimate the logistics, but I know that many large hotels negotiate reduced rates for student groups; if students are two or three to a room, the housing costs could be about $60 per person a day, and some hotels would include breakfast. Some NYC hotels are owned by alumni. With its 350 units, Cornell also has housing options on its Roosevelt Island campus, particularly when students are on break. Theater tickets purchased in block can be less costly especially for plays near their closing dates or not selling out. Various venues open their doors for rehearsals.
NYC Past and Present
Cornell contends that it "has been part of the fabric of New York City for more than 150 years. Across the five boroughs, Cornell students live and learn, faculty conduct research to solve urgent needs, alumni lead in law, finance, healthcare, media, tech and other major industries, and community partners join us to raise the quality of life for thousands of New Yorkers"
To be sure, Cornell has a much greater presence in New York than when I began teaching here in 1969. Our Weill Cornell medical school on York Avenue dates to 1898. The AAP College's program at the Gensler Family AAP NYC Center at 26 Broadway 20th floor — an 11,000 square foot studio — offers AAP students an opportunity to live and study in NYC for a semester, but the Gensler site does not have housing facilities. Most students in the Milstein Program in Technology and Humanity, centered on Roosevelt Island, do spend time in New York, although the NYC summer after the first year is optional. The vast majority of the 25 students admitted each year take the summer option. The ILR school has NYC summer intern programs for a small number of its students.
The Cornell Campus-to-Campus bus, which in most cases is campus to NYC and back, has been a boon to Cornell students and faculty exploring the resources of NYC. When needed these buses can be used for special events such as the programs I am proposing; if necessary other buses can be chartered.
Conclusion
Were this program adopted on a small scale with the help of donors, Cornell could partially fund the program, providing extra support for those on financial aid. Some financial incentives would be necessary to recruit faculty, and the faculty would need to be carefully chosen.
To an extent, as the NYC Odyssey program and the proposed one-credit course programs take root, we might develop areas of choice within the basic structure. Thus, students would have a choice of a few evening performances and daytime destinations. Later, we might offer different immersive New York experiences with different foci. It is possible that students might do more than one NYC excursion, one focusing on, say, the NY Film Festival which corresponds with our fall break, another more on art museums or opera or dance.
In addition to the New York Odyssey program, I would suggest one more ambitious initiative: exploring a partnership with NYC universities — Columbia, NYU, CUNY, etc. —where students could take a junior semester or junior year in New York. Ideally, Cornell should develop a junior term in NYC paralleling its junior term in Washington.
The programs I am proposing — the immersive New York Odyssey for pre-freshman, programs for enrolled students during breaks and the junior term or year in New York — would enhance the Cornell experience and perhaps make Cornell more competitive among students who seek some urban experience as part of their education. I realize that some of what I am proposing may seem initially expensive, but enacting my proposals will make Cornell a better university in preparing its students for life ahead.
Daniel R. Schwarz is the Frederic J. Whiton Professor of English Literature and Stephen H. Weiss Presidential Fellow in the College of Arts & Sciences. He is The Cornell Daily Sun's 2023-2024 visiting columnist. He can be reached at drs6@cornell.edu.
"Cornell Should Do More to Introduce Students to the Cultural Resources of New York City," Cornell Sun, March 6, 2024; https://cornellsun.com/2024/03/06/schwarz-cornell-should-do-more-to-introduce-students-to-the-cultural-resources-of-new-york-city/
"Next Time is Next Time. Now is Now": Reflections on The Zone of Interest and Perfect Days
Cinema, like other art forms, introduces us to cultural and historical worlds beyond our own. Our Cornell resources include Cornell Cinema which shows a wide array of films and Cinemapolis, a non-profit theatre in downtown Ithaca. Nor should we forget the film resources of the Cornell and Tompkins County Libraries.
I would like to discuss The Zone of Interest — which has had a recent run at Cinemopolis and will play at Cornell Cinema on March 22 and March 29, 2024 — and Perfect Days, which has been playing at Cinemopolis, I will stress how I respond to these two very different films because of decisions the directors make to create structures of effects that shape our viewing.
The first, The Zone of Interest, is a semi-biographical Holocaust film which focuses on the rarified quality of life lived by Commandant Rudolf Höss (played by Christian Friedel) and his family while running Auschwitz from May 1940 to November 1943 and again from May 1944 to January 25, 1945. On the latter occasion, called Operation Höss, the Nazi focus was on deporting and killing most of the 800,000 or so Hungarian Jews. At one point 420,000 Jews were transported to Auschwitz in 56 days and three quarters were killed while the others were forced into slave labor.
Director Jonathan Glazer focuses on Höss, one of the most sadistic members of the Nazi killing machine. He tries to balance his malevolent public life with a traditional family life. Sources of the film include not only Martin Amis's 2014 novel The Zone of Interest — a puzzling term (interessengebiet in German) for the 40-square-kilometer area surrounding Auschwitz — but also Höss's own autobiography.
At the outset, although the Höss family lives adjacent to Auschwitz, the viewer is not fully aware of what is happening within Auschwitz. As if he were making a home movie, Glazer replicates actual Höss family photographs. To render the way the Höss family lived in comfortable splendor without intruding an immediate moral judgment, Glazer and his director of photography used ten cameras simultaneously to follow the Hösses in their home and on their manicured property.
Gradually Glazer evokes Auschwitz through horrific sounds and moments when only red or grey colors fill the entire screen. He also relies on brief images of trains arriving at Auschwitz, watch towers overlooking the prison and smokestacks of the crematoriums. Disturbing, too, are recurring almost surrealistic black-and white images of a Polish girl — who seems to live in the Höss complex — smuggling apples into Auschwitz and its environs.
The film foregrounds the contrast between, on one hand, the lives of Höss and his family living with servants on manicured grounds, and on the other, the unseen Auschwitz victims. Höss and his wife Hedwig have five children and are living the agrarian family life idealized by Nazis. They exploit local Polish women as their servants and Jews as their slaves.
Hedwig, a self-serving narcissist like her husband, verbally abuses and threatens the women who work in her house. In one compelling scene, she plans to tailor a fur coat that once belonged to a Jewish woman who is either doing slave labor or has been killed. Höss seems to be without human feeling to anyone but his family. Yet he no longer seems to be sexually intimate with his wife. Taking advantage of his position, he is a sexual predator.
To an extent how we view this film about a man obsessed with creating two separate worlds — his private utopia and his maniacal killing machine committed to genocide — depends on how much we know about the Holocaust and German history in the Nazi period. Glazer does not show what is happening to specific victims in the camp.
The disconnect between sounds and the expected but missing images of victims is quite disturbing. The film begins with three minutes of a blank grey screen; first we sit in complete silence then hear scratching and other cacophonous sounds. Later we hear the Auschwitz dogs barking, gun shots, distorted classical music (which in fact was played over the loudspeakers in Auschwitz) and human screams.
These sounds are supplemented by a presentation to Höss by the crematorium manufacturers, Topf and Sons, of how a newly designed and more efficient crematorium would work. The unseen human victims emphasize that death means nothing to Höss; victims are, to use the word used by a Topf representative, merely "pieces" in an industrial process: the Nazi killing machine.
In striking contrast to the decadence of the predatory life lived by Commandant Rudolf Höss and his family, Perfect Days (2023) is ahistorical, focusing on how one man makes sense of his life in the contemporary world and does so without a public life. Perfect Days is a Japanese film by German director Wim Wenders who has a strong fascination with American culture. After a slow and puzzling start we appreciate that repetition on which the film relies, with subtle variation about how a toilet cleaner named Hirayama (brilliantly played by Kōji Yakusho) makes his life.
Every workday repeats the same routine: he puts on his work suit, sprays his house plants, drinks the same coffee from the same machine, makes his toilet cleaning rounds, visits the same park where he eats a modest sandwich and takes photos with an old-fashioned camera of the same canopy of trees. While he is considerate (bordering on obsequious) to those who need to use the facilities that he is cleaning, this does not compromise his dignity.
Willfully routinizing the shape of his life, he goes to the same public bath where he takes pleasure in its rituals, enjoys a small helping of food at a working-class restaurant, has a drink at a bar (perhaps sake mixed with water) and periodically visits a bookstore. That he is recognized at these places clearly pleases him and makes him comfortable.
Each toilet Hirayama cleans is a little different —like his daily workdays — to foreground repetition with a difference. In a sense the seemingly straightforward present tense form in which the camera follows Hirayama becomes the message, namely, that a well-lived simple life matters.
We know little about Hirayama's past; he has a wealthy sister from whom he is estranged, and he lives in the present. We assume from his face that he has a past. His wrinkles and expressions tell a story, but we are not sure what it is. We don't know his age but assume he is in his early sixties.
What Höss and Hirayama have in common is a desire to insulate their private lives from history and to create a tiny world where they are insulated from what happens outside. A central part of the Nazi killing machine and a man who apparently works with Bormann, Eichmann and Himmler, Höss fails miserably at detaching his life from the atrocities of Auschwitz and was hung for war crimes in 1947.
Unlike the bullying, manipulative, and self-aggrandizing Höss, Hirayama rarely speaks but is sensitive to the small gestures of others, what we might call the subtle shadows people give off. Hirayama responds with empathy and sympathy to the human needs of others, whether it be the monetary needs of his irresponsible young assistant seeking sex with a young sex worker or his niece who has run away from his estranged wealthy sister's home or a stranger he meets who is dying of cancer. That his niece begins to see the small splendors of his life subtly confirms its value. She learns, as he tells her, "Next time is next time. Now is now."
Perfect Days is a film about looking and observing with a keen eye that revels in the small wonders of human and natural life and owes much to Wenders' fascination with documentary. Through Hirayama, Wenders is urging us to see and care about small things. Minimalism of technique mirrors the film's central point that we can celebrate a spare, decent life which, having meaning to the person living it, does not require some higher historical, religious or professional pursuit.
Synchrony
Synchrony has been used to describe the uncanny, including inexplicable coincidental or simultaneous occurrences of events; similar thoughts of people who seem to have little in common and might not know even each other; or unexpected events that seem not to be logically explained by causes. The term has also been used to describe something happening at the same time as opposed to diachronic which signifies something evolving through time.
However, without disregarding its ties to the uncanny, I want to use synchrony as a concept to explain how narrative as a process relies upon a specific formal rhetorical decision that an author or director uses to arrange the narrative and thus shape the viewer's (or reader's) response. What The Zone of Interest and Perfect Days have in common is synchrony, namely the way the past shadows the present and becomes part of it. Synchrony not only brings the past into the present but also enables us to see the juxtaposition of two time periods. Because it arrests if only momentarily the temporal process, the co-existence of past and present has a spatial dimension, a kind of narrative tableau, in the mind of the viewer or reader.
In The Zone of Interest, the disruptive sounds and brief images that define the world of Auschwitz hover over both the images of the Höss family life and our increasing awareness of him as a major figure in the Final Solution. Standing as metonymies for what is happening within the confines of Auschwitz, they co-exist with and modify our understanding of every scene, including the sheltered life of the Höss family. The incongruity between Höss's public and private life and the impossibility of separating one from another are emphasized by the family compulsively washing after swimming in the Sola River adjacent to Auschwitz where ashes and human remains were dumped as well as by the elder son imprisoning his younger brother in a mock gas chamber.
For even moderately informed viewers, the historical arc that begins with the rise of Hitler and ends with discovery of the camps by the Allies is always present. With a present-day view of employees cleaning the windows of exhibit cases at the Auschwitz-Birkenau State Museum, the film concludes by strongly referencing — with a view of the victims' shoes — the contextual arc as if to suggest the impossibility of hermetically sealing private life from history as Höss and other Nazis tried to do. Put another way, as the film emphasizes, there can be no separation when viewing the Holocaust between now and next time. They exist synchronically because the future ("next time") is always shadowed by a past that is a living "now" in terms of its effects on those who lived through the Holocaust and their heirs.
For Wenders' Hirayama, life is now, including his appreciation of nature, especially the park canopy which delights him endlessly with its variations of light. Yet if Hirayama enriches his work with a commitment to doing it well and the pleasure he takes in his daily routines, for him the now is nurtured by sophisticated popular music from the past.
For Hiramaya, the then — his personal past — is hermetically sealed from history. Whether this is possible is a different question, and one that the film implicitly asks. In the sense that Hirayama is an obsessive collector of old-fashioned cassettes as well as serious books he reads nightly and countless photos of the tree canopy, his past is synchronically part of every day. These fragments of his past are shadows and yet, paradoxically, they emphasize that we know little about his past. Shadows — which we know are always present with the person or scenes casting the shadow — are apt metaphors for synchronicity. Because his dreams are rendered in black-and white — dreams that rarely reflect anything more complicated than the images of his prior hours — we can say the dreams are his shadow. At one point he plays shadow tag with the zeal of a young child with the man who is dying of cancer; perhaps Wenders is suggesting that death is always shadowing us and that the future will inevitably modify the present.
In Perfect Days, sound plays a very different role than in The Zone of Interest. Each morning, Hirayama chooses from his huge collection of cassettes from the 1960s and 1970: Van Morrison ("Brown Eyed Girl"), Lou Reed ("Perfect Day") and The Animals ("The House of the Rising Sun"). That we never hear a song sung through may be a metaphor for the incompleteness of what we know of Hirayama's past. These songs are shadows of a past — of a "before" preceding the "now" — but his past remains a mystery. At the film's end, as he drives to work to begin a new week listening to Nina Simone's "Feeling Good." Is he exhilarated or sad or both?
Yet, the viewer needs to be aware of what is left out. Except for a few details, we know little of Hirayama's personal history and wish at times to know more. Why he has come to be who he is, someone who speaks little and savors his solitude? He seems indifferent to current events, notably Japanese history or politics; he never reads a newspaper or listens to the news. At times it as if he were a version of Rip Van Winkle who has been sleeping while the world turns.
This focus on what is happening in the moment to both Höss and Hirayama is what ties these two films together, but The Zone of Interest demands that we contextualize the "now" historically, while Perfect Days allows viewers the leisure of enjoying every frame, recalling the play of light in the canopy of trees that so fascinates Hirayama.
Daniel R. Schwarz is the Frederic J. Whiton Professor of English Literature and Stephen H. Weiss Presidential Fellow in the College of Arts & Sciences. He is The Cornell Daily Sun's 2023-2024 visiting columnist. He can be reached at drs6@cornell.edu.
"'Next Time is Next Time. Now is Now': Reflections on The Zone of Interest and Perfect Days," Cornell Sun, March 14, 2024; https://cornellsun.com/2024/03/14/schwarz-next-time-is-next-time-now-is-now-reflections-on-the-zone-of-interest-and-perfect-days/?utm_source=rss&utm_medium=rss&utm_source=rss&utm_medium=rss&utm_campaign=schwarz-next-time-is-next-time-now-is-now-reflections-on-the-zone-of-interest-and-perfect-days&utm_source=rss&utm_medium=rss&utm_campaign=schwarz-next-time-is-next-time-now-is-now-reflections-on-the-zone-of-interest-and-perfect-days
Reflections on the Cornell Encampment
My Encampment Visits
I have been to the Cornell pro-Palestinian encampment a handful of times, and I have seen nothing that demands dismantling it, especially with end of term approaching. The students are a mix of graduates and undergraduates with a few faculty and staff intermittently in the mix. On Monday, April 29 at 4:30 p.m. I observed the encampment for the first time.I counted about 30 to 35 people within and 55 people sitting nearby, many of whom were showing solidarity according to one student to whom I spoke. On Tuesday, April 30 at noon, I counted about 15 people within the encampment and 14 sitting nearby; some of those 14 to whom I spoke seemed to have only a vague idea of the issues. On Wednesday evening, May 1 at 7 p.m. the numbers were not so different from Tuesday, with maybe a few more inside and a few less outside.
On Wednesday evening, many of those inside were having fun, kicking a ball around. My final visit before writing this article was Friday, May 3 from 4:00 to 4:40 p.m. where the number of tents within the camp had increased. But inside and nearby, I saw no more than 50 people, and the focus seemed be to shifting to the inclusion of other topics. I was told a teach-in on Sudan was scheduled with one on Uganda to follow.
We need to remember that Cornell has 26,000 students — plus faculty and staff on the Ithaca campus — and that I never saw more than about one-third of one percent of the Cornell population at the encampment.
Along with larger posters with messages like "Free Palestine" and "Defund Genocide in Gaza," political messages on the encampment walls argued for Cornell's divesting from investments in companies making arms for Israel; transparency in revealing Cornell investments; ending the relationship with Technicon, the Israeli tech university with whom Cornell partners on Roosevelt Island in NYC; returning land to the indigenous Lenapes; abolishing the Cornell police; introducing a Palestinian studies program in the curriculum and claiming that anti-Zionism was not always anti-Semitism. While I don't agree with all of the messages and posters and parts of other, they are harmless. They are not hate speech, but rather left-wing perspectives on multiple issues.
If I may borrow a quote from a Cornell student that appeared in the New York Times: "[A] 27-year-old Ph.D. candidate in cell and molecular biology at Cornell, pointed to the name of the student group she is affiliated with: the Coalition for Mutual Liberation. 'It's in our name: mutual liberation. . . . that means we're [an] antiracist, anti-imperialist, anti-colonialist organization. We believe that none of us can be free and have the respect and dignity we deserve unless all of us are free.'" A cynical observer might notice a resonance of the far-right Q-Anon slogan "Where we go one, we go all."
On each of my visits I spoke to a few students outside the encampment circle. On Wednesday evening, May 1st, I had a civil and meaningful conversation about some of the issues — notably the history of Jews in the Middle East, the October 7th Hamas attack and Israel's response in Gaza — with a well-informed Egyptian graduate student in Near Eastern Studies. At first, he was a tad resistant to speaking in depth, but gradually I convinced him that we could build what I call a "rhetorical house" based on a foundation of what we agreed upon. On Friday, May 3, I had an even more substantive conversation with an American law student who was born in Yemen and had served in the United States Army Special Forces. While he was sitting outside the encampment to show his support, he had an impressive and nuanced knowledge of the Middle East tensions.
Dialogue is Possible with Informed People
Based on the foregoing conversations and others I have had, I believe that when we put down our bull horns and listen to one another, we can have discussions at Cornell that bridge gaps between us even if we cannot change the realities that inform our thoughts.
To understand the current divide within campus communities including ours, we need to try to imagine the feelings of both Israeli or American student with Israeli relatives who were attacked by Hamas and a Palestinian student raised in Gaza or the West Bank. We also to need think about the feelings of a young American Jewish student who was raised to understand why Israel exists and how it has had to defend itself. Perhaps a few generations ago the student lost family in the Holocaust. Finally, we need to imagine the feelings of a student whose family comes from the Middle East and perhaps still lives there. The student may have been raised to believe family land was stolen by Israel and that Israel is a powerful country depriving Palestinians of a place to have their own country.
Ever the optimist, I believe that if we can listen to other points of view and imagine the world as others see it, we can find some common ground. Part of the process is to avoid incendiary terms to describe the other side's behavior. A neutral term like "conflict" is far less toxic for a dialogue than "genocide," defined in 1945 by the UN as "a crime committed with the intent to destroy a national, ethnic, racial or religious group, in whole or in part." It has not been established by International Courts that Israel has committed genocide, although Israel has not been exonerated from that charge.
One can regret some of what has happened in Gaza due to Israeli military force without embracing the term genocide. Surely, Hamas is a terrorist organization that has tried to commit genocide against Jews and Israel's response is a military one to a group that wants to obliterate Israel. For all its shortcomings, including at times turning a blind eye to illegal settlements in the West Bank, the Israeli government is not threatening the nearly two million Palestinians who live in Israel.
Some of those I have spoken to this past week in the area outside the encampment have only a vague idea of what they are supporting. As noted, the statements posted on the encampment walls cover a wide variety of issues. Few of the students seem fully aware the atrocities perpetrated by Hamas October 7, including murdering over 1,200 people, taking 250 hostages and committing barbaric sexual crimes.
I have had many conversations about the Israel-Hamas conflict and related issues with students since October 7. Some weeks ago, I was told by one misinformed student that Israel had killed "hundreds of thousands and perhaps millions" of Palestinians in the past few months. I spoke to a well-meaning Indonesian woman who not only knew almost nothing about Gaza and the posted issues but also seemed to know less about her own country's post-World-War-II history than I did because of government censorship. She was not the only student who was aware that in their own country participation in such encampments would have been treated more harshly than here.
Most of these students know almost nothing about the history of Israel and Palestine or have a skewed, uninformed view of that history. Few know that Zionism began in part as rural, socialist movement in the later nineteenth century when the Jews were victims of violent racism in the form of pogroms. They do not know that the Jews are indigenous to the land of Israel and that the immigrating Jews believed that they were returning to their homeland. Nor do many Cornell students know much about the Holocaust in which 6 million or so European Jews were murdered, and which created an urgent need for a state where Jews could be safe. In that regard I see similarities to the 2011 Occupy Wall Street Protest and the Yellow Vest movement in France that began in November 2018 and has continued intermittently; in both cases many of the participants have an ingenuous and reductive idea of the economic and social issues that they are protesting.
Recently, I have advocated the necessity of a required freshman two-term history course at Cornell, the fall term on world history, not just Western history but history with a strong focus on Africa and Asia, focusing on a few contentious areas of the world, the spring term which would vary from year to year. This year's focus would have been the Middle East, especially Israel and its neighbors, and the Ukraine-Russia conflict. Such a required course would have been a great benefit to current dialogues. Another partial solution to uninformed and misinformed students would be if they spent more time reading and listening to trustworthy media and less time on their telephone and social media which are not reliable sources of news.
Student Protests
Because of the fraught political atmosphere on campus during the 2023-2024 academic year, I was hoping Cornell might avoid what is not only a pro-Palestine encampment but also an anti-Israel one. But once Cornell's encampment began on Thursday, April 25, I understood that it was part of national movement and in the tradition of student protests. I hoped it would remain non-violent and so far, it has.
Student protests begin out of a combination of hopefulness, frustration and maybe even boredom with the same academic routines. They often find definition at the end of term when with exams and final papers approaching, students feel a combination of melancholy and ebullience in the air. In the Northeast and other cooler areas, the onset of spring weather and the promise of summer add to student restlessness.
I have taken part in protests, and retrospectively wondered if they were a waste of time even while knowing they also are part of who I became. I began my 56 years of teaching at Cornell during 1968-1969. I was here in the fall of 1969 when Black students took over the Straight with guns and during 1970 when Cornell was shut down due to protests against the Vietnam War. In both cases, a great many more students were involved at Cornell.
Supportive of Israel, But…
With Tom Friedman of the New York Times, I still believe in a two-state solution and the need for new leadership for both Israel and the Palestinian Authority on West Bank. I favor a ceasefire accompanied by a full hostage release of those still alive and the return of the bodies of hostages who are now dead. I also favor an international force to police Gaza to ensure Hamas does not plot further terrorism. That force would probably include Egypt, Jordan, the Emirates, Saudi Arabia and maybe the US and the UN, but not Qatar which has supported Hamas. Settlements not approved by the Israeli Supreme Courts should return to the Palestinian Authority, but it is a fantasy to think Israel will return to the 1967 borders or even the pre-1967 borders.
I am uncomfortable with Israeli bombings that do not seem to take civilian safety — especially that of young children — into account. Even while knowing Hamas is embedded in civilian neighborhoods, schools and hospitals, I fear that the bombing campaign has been excessive. Yet I do not support a permanent cease fire until there are successful negotiations about policing Gaza in the future. I think Netanyahu needs to be replaced as Israel's Prime Minister as do most Israelis. I hold Netanyahu somewhat responsible for both the major security lapses that led to the October 7 atrocities.
However, I do not like Israel turned into a villainous entity or held to a higher standard than other nations at war, especially after what happened October 7 when women were raped and sadistically murdered. Any civilian deaths are regrettable, but do we really believe that the Hamas count after how they behaved October 7 is accurate? Do we know how many of those in any count are Hamas fighters? Nor am I always sure where anti-Zionism ends and anti-Semitism begins, especially from those who have no idea about the 3,000-year-old history of Israel.
Conclusion
Yes, it is troubling that the permit for the Cornell encampment was obtained under false pretenses and that the encampment leaders will not move to a designated area. In the same place as the encampment on the Arts and Sciences Quad, the permit was requested by a supposed climate change group for an art show to run 36 hours from Wednesday, April 24 at 8 a.m. to Thursday, April 25 at 8 p.m.
There is much I don't know about the students who have been temporarily suspended, and I am not privy to the administration's reasons. Yet, if nothing more occurs, I probably would lift the temporary suspensions and let the suspended students finish the term with the proviso that a full hearing with due process will take place later. Perhaps, too, the administration should appoint an ad hoc committee to investigate the entire encampment episode and to consider whether punishment is deserved and necessary.
It needs to be stressed that notwithstanding the encampment which began Thursday, April 25th and prior campus tensions since October 7, the overwhelming majority of Cornell faculty, students, and staff are doing exactly what they are expected to do in terms of studying, teaching, and fulfilling their responsibilities.
In my case: as we do every year, my wife and I hosted our annual student seder at our home Monday, April 22. On Tuesday, April 23, I was on a panel with another faculty member on "What to do with an English Major?" On Wednesday April 24 I presided over the Phi Beta Kappa Spring Distinguished Faculty lecture by Dean Kavita Bala on Artificial Intelligence and the subsequent dinner with students at the Statler.
Had these events occurred after the encampment began, I am sure that they would have been the same. I recount my own experience to emphasize that to date the university is fully functional.
"Reflections on the Cornell Encampment," Cornel Sun, May 12, 2024; https://cornellsun.com/2024/05/12/schwarz-reflections-on-the-cornell-encampment/