Passionate Politics Thetr
6060 :: FGSS 6040 :: ENG 6520 Spring 2012 Th
02:30PM - 04:25PM Schwartz Center
124 Professor Sara
Warner http://courses.cit.cornell.edu/thetr606/ Office Hours: Wednesdays
10 a.m. – 12 p.m. and by appointment Email: slw42@cornell.edu Phone: 254-2727 Course Overview :: The Òaffective turnÓ is
the latest in a series of ÒturnsÓ to sweep the Humanities and social
sciences. However, unlike the Òlinguistic turnÓ and the Òcultural turnÓ that
precede it, the affective turn promises to bring us closer to that dimension
of culture that cannot be grasped through semiotic analysis or a
constructivist perspective by privileging those forces that cannot be fully
socially determined and may be less prone to discipline and regulation. The affective turn signals a renewed
interest in embodiment and sensorial experience coupled with a pressing need
to contemplate the limits of rationality and the role emotions and feelings
play in creating and sustaining social and political formations. This
paradigm shift represents the desire to carve out some conceptual space for
aspects of human motivation and behavior that are not tethered to
consciousness, cognitive processes, and rationality, to validate physical and
social dynamics that are inchoate and unpredictable, and to explore impulses
and responses that social conventions shape but do not circumscribe.
Indicative of a more far-reaching shift in critical thought toward non-representational
theory, this critical turn challenges us to articulate the affective vagaries
of ontology as lived in and through a range of cultural forms within systems
of knowledge and power. As the study of
affectivity broadens, the more contested the concept becomes. Affect joins
the ranks of other contemporary keywords vexed and invigorated by rival
interpretations, such as identity, subjectivity, and performance. Spirited
debates ensue about what affects are, what they do, and how they do it. Scholars
disagree about what differentiates affect from emotion, sentiment, passion,
and feeling. The genealogies and lineages of this emergent field are various
and complex. Chief among these are philosophy, psychology, trauma studies,
post-colonial and critical race studies, feminism, and LGBTQ studies. AffectÕs attractiveness stems, in
large part, from its flexibility and its interdisciplinary emanations. Our
goal here is not to fix the term but to track some of the productive and
generative ways in which it is being deployed and to what ends. The arts, and in
particular the time-based performing arts - with their bodily entanglements
and the sensate lures in their reception – are particularly relevant to
affect studies, which highlights, among other things, our propensity to be
moved in ways that do not align with or even serve our best interests. What,
in exchange, might the study of affects contribute to our understanding of
theater and performance? What can Òthinking feelingÓ tell us about the efficacy
of various rites and rituals of civic society? Which cultural forms pack the
most affective power? Which emotions are likely to marshal and mobilize
spectators into collectives and communities? These are some of the questions
that will guide our exploration this semester. We will focus our attention on the relationship between
affect, performance and political engagement, examining the ways in which
human passions have been understood to be both a source of and an obstacle to
struggles for freedom and justice. Grounding our study in two figures, the
stage actor and the social actor, we will explore the roles emotions play in
political life. Our investigation will consider the potential of specific
affects (e.g., anger, shame, terror, alienation, and compassion) to inspire
us to act or refrain from acting at different historical moments and in
different cultural contexts. We will attempt to gauge how, and to what
extent, affects temper and intensify our desires, affiliations, investments,
and identifications, how they help solidify certain beliefs and attenuate
others, and how the need for reciprocity and a sense of belonging can
generate attachments to normative ideals and social arrangements or,
alternately, serve as the basis for utopian imaginings of alternative
structures and the formation of counter-cultures and counter-publics. Participants in the
class will benefit from a series of events sponsored by TFD. The first is a three-part lecture
given by David Savran, a 2012 Messenger Lecture
Fellow, on the topic of cultural branding (February 2, February 29, and March 30). The second is an interdisciplinary
conference, ÒResoundingly Queer,Ó which will be convened at Cornell
University from March 30 through April 1, 2012. This gathering of artists, activists,
and academics (many of them actively working in the field of affect studies)
will explore the utterances, echoes, moans, and groans that animate
contemporary studies of sex, gender, and sexuality. The conference will
include performances by gender-bending luminaries of the stage and screen, as
well as plenary sessions featuring scholars and practitioners in conversation
on panels, roundtables, and interviews. Underground filmmaker John Waters,
Messenger Lecturer David Savran, and University
Lecturer Jill Dolan will deliver keynote addresses. Carmelita Tropicana,
Holly Hughes, Terry Galloway, DRED, Moe Angelos,
Brian Herrera, Madeleine George, Joan Lipkin will
conduct performances and staged readings while Robin Bernstein, Natasha
Hurley, Eng-Beng Lim, JosŽ E. Mu–oz,
Ann Pellegrini, Jordan Schildcrout
Susan Stryker, and Shane Vogel will deliver papers and presentations. Course Requirements :: á
10% Attendance and Participation á
10% Oral Presentation á
20% Syllabus Creation (ugrad
or grad, for your dossier) due May 3 á
60% Research Paper (25-30 pages, MLA or
Chicago format) due May 17 Academic Integrity :: Each student is expected to abide by the
Cornell University Code of Academic Integrity. Any work submitted by a student in this course for academic
credit will be the students' own work.
Please refer to the Code of Academic Integrity and Acknowledging the
Work of Others in the Policy Notebook for the Cornell Community, or online at: http://www.cornell.edu/UniversityFaculty/docs/main.html Course Texts :: Available at the CU
Bookstore á
Ahmed, Sarah. The Cultural Politics of Emotion (NY: Routledge, 2004). ISBN: 0415972558 (CPE) á
Cvetkovich, Ann. An Archive of
Feelings: Trauma, Sexuality, and Lesbian Public Cultures (Duke UP, 2003).
ISBN: 0822330881 á
Churchill, Caryl. Far Away (London: Nick Hern Books,
2003). ISBN-10:
1854597442 á
Dolan, Jill. Utopia in Performance: Finding Hope at the Theater (Ann Arbor: Univ Michigan
Press, 2005). ISBN: 0472069071 á
Five Lesbian
Brothers. Four
Plays (NY: TCG, 2000). ISBN: 1559361662 á
Freeman,
Elizabeth. Time Binds: Queer Temporalities, Queer
Histories (Durham: Duke UP,
2010). ISBN: 0822348047 á
Gregg, Melissa and Gregory J.
Seigworth. The Affect Theory Reader (Durham: Duke UP, 2010). ISBN: 0822347768 (ATR) á
Hurley, Erin. Theatre and
Feeling (NY: Palgrave, 2010). ISBN: 0230218466 á
Kane, Sarah. Complete Plays (London: Methuen Drama, 2001). ISBN: 0413742601 á
Mu–oz, JosŽ E. Cruising
Utopia: The Then and There of Queer Futurity (NY: NYU Press, 2009).
ISBN: 0814757286 á
Ngai, Sianne. Ugly Feelings (Cambridge: Harvard UP, 2007). ISBN: 0674024095 (UF) á
Parks,
Suzan-Lori. Venus (NY: TCG: 1990). ISBN: 1559361352 á
Ridout, Nicholas. Stage Fright, Animals and Other Theatrical
Problems (Cambridge: Univ Cambridge Press,
2006). á
Sedgwick, Eve Kosofsky. Touching Feeling: Affect, Pedagogy, Performativity (Duke UP,
2003). ISBN: 0822330156 (TF) á
Stewart,
Kathleen. Ordinary Affects (Durham: Duke UP,
2007). ISBN: 0822341077 Supplemental Readings
:: http://courses.cit.cornell.edu/thetr606/ á
on-line (login: thetr606 password:
drama) Course Outline :: January 26 ::
Course Overview á
Introductions,
Terms, Taxonomies, and Trajectories February 2 ::
Tracing the Affective Turn á
Clare Hemmings, ÒInvoking Affect,Ó Cultural Studies 19.5 (2005): 548-567. á
Ruth Leys, ÒThe Turn to
Affect: A Critique,Ó Critical Inquiry 37.3 (Spring 2011): 434-472. á
William E. Connolly, ÒThe Complexity of Intention,Ó Critical Inquiry 37.4 (Summer 2011):
791-798. á
Sara
Ahmed, The
Cultural Politics of Emotion (NY: Routledge,
2004), 1-19. á
Kristyn Gorton,
ÒTheorizing Emotion and Affect: Feminist Engagements.Ó Feminist Theory
8.3 (2007): 333-358. á
Messenger
Lecture #1: David Savran(Distinguished Professor and Vera Mowry
Roberts Chair in American Theatre, CUNY Graduate Center), ÒBranding as
Cultural Performance,Ó 4:30 A.D. White House February 9 ::
No Class February 16 ::
Emotion & Expression á
William James ÒWhat is an Emotion,Ó Mind 9.34
(Apr 1884): 188-205. á
Raymond Williams, ÒStructures
of Feeling,Ó Marxism
and Literature (Oxford UP, 1977), 128-36. á
Fredric Jameson, Postmodernism
or, The Cultural Logic of Late Capitalism (Durham: Duke Univ. Press,
1991), 1-32. á
Sianne
Ngai, Ugly Feelings (Cambridge: Harvard UP, 2007), 1-37. February 23 ::
Affects & Intensities á
Deleuze and Guattari, "Percept,
Affect, and Concept," What Is Philosophy? (NY: Columbia UP, 1996),
163-200. á
Eve Kosofsky Sedgwick, Touching
Feeling: Affect, Pedagogy, Performativity (Duke UP, 2003), 1-25. á
Brian Massumi, ÒThe Autonomy of Affect,Ó Cultural Critique 31 (Autumn, 1995),
83-109. á
Teresa Brennan, The
Transmission of Affect (Ithaca: Cornell UP,
2004), 1-23. á
Lawrence Grossberg,
ÒAffect's Future: Rediscovering the Virtual in the Actual,Ó ATR,
309-338. á
On February
29, Messenger Lecture #2: David Savran(Distinguished Professor and Vera Mowry
Roberts Chair in American Theatre, CUNY Graduate Center), ÒThe Kindness of
Strangers?: Branding American Theatre in Postwar Europe,Ó 4:30 A.D. 258
Goldwin Smith March 1 ::
The Pulses & Tremors of Everyday Life á
Kathleen Stewart, Ordinary Affects (Durham: Duke UP, 2007). á
Phil Harper, ÒThe
Evidence of Felt Intuition: Minority Experience, Everyday Life, and Critical
Speculative Knowledge.Ó GLQ 6.4 (2000): 641-57. á
Ann Cvetkovich,
An Archive
of Feelings: Trauma, Sexuality, and Lesbian Public Cultures (Duke UP,
2003), 1-48. March 8 ::
Utopias & Other Queer Ideas á
Jill Dolan, Utopia in Performance: Finding Hope at the
Theater (Ann Arbor: Univ
Michigan Press, 2005). á
JosŽ E. Mu–oz,
Cruising
Utopia: The Then and There of Queer Futurity (NY: NYU Press, 2009). March 15 ::
Residual Feelings á
Elizabeth
Freeman, Time Binds: Queer
Temporalities, Queer Histories (Durham: Duke UP, 2010). á
Heather Love, Feeling
Backwards: Loss and the Politics of Queer History (Cambridge: Harvard UP, 2007), 1-30. á
Rebecca
Schneider, Performing Remains: Art and War in Times
of Theatrical Reenactment (NY: Routledge, 2011), 1-31. March 22 ::
Spring Break March 29 ::
Affective Labor á
The Five Lesbian Brothers, The Secretaries á
Arlie Hochschild, ÒExploring the Managed Heart,Ó The Managed
Heart: Commercialization of Human Feeling (Berkeley: Univ. of California
Press, 1983) 3-23. á
Michael Hardt, ÒAffective Labor,Ó boundary 2 (Summer 1999): 89-100. á
Nicholas Ridout, Stage Fright, Animals and Other Theatrical
Problems (Cambridge: Univ Cambridge Press, 2006), 1-69. á
Resoundingly
Queer Conference March 29-April 1 April 5 ::
Apathy, Alienation, and Ennui á
Sarah Kane, Blasted á
Sarah Kane, Crave á
Aleks, Sierz, ÒCool Britannia? ÔIn-Yer-FaceÕ
Writing in the British Theatre Today,Ó New Theatre Quarterly 14.56 (1998):
324-333. á
Antonin Artaud, ÒThe Theatre and Cruelty,Ó trans. James O. Morgan, TDR 2.3
(May 1958): 75-77. April 12 ::
For the Love of Venus, or Shame and Shamelessness á
Suzan-Lori Parks,
Venus
(NY: TCG: 1990). á
Elspeth Probyn,
ÒWriting Shame,Ó ATR, 71-92. á
Arlene Stein, Shameless:
Sexual Dissidence in American Culture (NY:
NYU Press, 2006), 1-16; 103-110. á
Eve Sedgwick, TF, 93-122. á
Michael Warner, ÒThe Ethics of Sexual ShameÓ (from The
Trouble with Normal) April 19 ::
Fear, Trembling & Terror á
Caryl Churchill, Far Away á
Sara Ahmed, CPE, 62-81. á
Brian Massumi, ÒThe Future Birth of the Affective Fact: The
Political Ontology of Threat,Ó ATR, 52-70. á
Jasbir Puar, ÒQueer Times, Queer Assemblages,Ó Social Text
23 3-4 (2005): 121-139. April 26 ::
National Affects with Guest Erin Hurley (McGill) á
Erin Hurley, Theatre and
Feeling (NY: Palgrave, 2010). á
Erin Hurley, National Performance: Representing Quebec from Expo
67 to CŽline Dion (Toronto:
U Toronto Press, 2011), excerpts. á
Erin Hurley and
Sara Warner, ÒAffect, Performane, Politics,Ó Intro to a forthcoming Special
Issue of JDTC. May 3 ::
Feeling Better? á
Lisa Kron, Well (NY: TCG,
2010). á
Sara Ahmed, CPE, 168-203 á
Lauren Berlant,
ÒCruel Optimism,Ó ATR, 93-117 á
Kate Bornstein, It Gets Better á
Syllabus Assignment Due May 17 :: Final Papers Due by 4:00 pm
2nd Floor Reception Schwartz |